VLC Arquitectura-Research Journal最新文献_第6页

Las casas cuartel de la DGRD para la Guardia Civil: un modelo adaptado para la propaganda 国民警卫队DGRD营房:一种适合宣传的模式

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VLC Arquitectura-Research Journal Pub Date : 2021-10-29 DOI: 10.4995/vlc.2021.14921

Daniel Pinzón-Ayala

{"title":"Las casas cuartel de la DGRD para la Guardia Civil: un modelo adaptado para la propaganda","authors":"Daniel Pinzón-Ayala","doi":"10.4995/vlc.2021.14921","DOIUrl":"https://doi.org/10.4995/vlc.2021.14921","url":null,"abstract":"The Civil Guard barracks, promoted by the Directorate-General of Devastated Regions [Dirección General de Regiones Devastadas, DGRD] (1939-1957), are an exception within the general marginality of this hybrid architecture in architectural historiography. However, such a prominence has led to a distorted and partial approach to the architecture of these barracks, ignoring the contemporary production of the Civil Guard’s technical services. This is the first study that deals with the post-war promotion of barracks, offering an analysis that sheds light on the interdependencies and contributions made by each organisation. The methodology is based on a bibliographical review, which includes the Reconstrucción journal, the consultation of the projects in the archives that hold the documentation of both organisations and the comparative analysis of their productions. This paper aims to show how the DGRD based the promotion of its barracks on the models created by the architects attached to the Civil Guard, taking them directly and adapting them to its propagandistic interests according to Franco’s ideology using strategic implantation, a commitment to specific typologies, excessive ornamentation and the emphasis on a collective way of life.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"8 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81597353","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Le petit livre: el jardín de papel de Gilles Clément

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VLC Arquitectura-Research Journal Pub Date : 2021-10-29 DOI: 10.4995/vlc.2021.15357

Carlos Ávila Calzada

{"title":"Le petit livre: el jardín de papel de Gilles Clément","authors":"Carlos Ávila Calzada","doi":"10.4995/vlc.2021.15357","DOIUrl":"https://doi.org/10.4995/vlc.2021.15357","url":null,"abstract":"The Garden in Motion is a concept that was developed by Gilles Clément in the early 1980s as the result of the experimentation conducted in his garden-house, La Vallée. Clément’s interest in promoting this garden archetype based on managing neglected land led him to write a number of works in order to explain the conceptual underpinnings of his model, with the ultimate aim of having them published. From the writing of the first manuscripts, dating from 1984, to the first edition of “Le jardin en movement” in 1991, he produced a series of different documents that would form the basis of the text that was finally published. It was a long process in which Clément not only had to fully develop his ideas but also to overcome the difficulties involved in finding a company to publish what he called his ‘petit livre’. The aim of this article is to show the creative process behind Clément’s book and its relationship with the creative process of building his garden, while endeavouring to reply to the question of whether it is possible to establish an equivalence between both processes. This is made possible through the analysis of documents kept by Clément in his personal archive, some of which have never been published.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"21 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84601873","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La influencia de la industrialización en la obra de Gerrit Rietveld. Del módulo al Kernhuis 工业化对格里特·里特维尔德作品的影响。从模块到Kernhuis

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VLC Arquitectura-Research Journal Pub Date : 2021-10-29 DOI: 10.4995/vlc.2021.14696

Ruth Arribas Blanco

引用次数: 1

Drawing and architectural analysis of San Ildefonso’s Baths in Seville (1542) 塞维利亚圣伊尔德丰索浴场绘图及建筑分析(1542年)

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VLC Arquitectura-Research Journal Pub Date : 2021-10-29 DOI: 10.4995/vlc.2021.13625

M. Núñez-González

引用次数: 2

Art and Urban Regeneration in New York City. Doris C. Freedman’s Public Project 纽约的艺术与城市再生。多丽丝·c·弗里德曼的公共项目

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VLC Arquitectura-Research Journal Pub Date : 2021-04-30 DOI: 10.4995/VLC.2021.12709

María F. Carrascal Pérez

{"title":"Art and Urban Regeneration in New York City. Doris C. Freedman’s Public Project","authors":"María F. Carrascal Pérez","doi":"10.4995/VLC.2021.12709","DOIUrl":"https://doi.org/10.4995/VLC.2021.12709","url":null,"abstract":"Given its positive economic, social and urban impact, even with low-cost or low-tech materialization, the urban creativity encouraged by the arts is of great interest today. This narrative reviews one of the most prolific careers in this regard addressing the pioneering work by Doris C. Freedman. The late 1960s and the 1970s, in the context of two financial crises, saw a groundbreaking effort to formalize innovative artistic programs that recycled the obsolete city and integrated local communities in the processes. Doris C. Freedman was the first director of NYC Department of Cultural Affairs, the Public Arts Council, and leader of the organization City Walls. These institutions promoted an unprecedented improvement of the public urban life through the cultural action. Such experiences led Freedman to the conception of her last project, the relevant and, still, ongoing Public Art Fund of New York City. This article focuses on her early professional years, when she began and consolidated herself in the task of legitimizing art as an urban instrument for shaping the city. This research provides a contextualized critical analysis on Freedman’s less-known experimental projects before the foundation of the Public Art Fund, enabling an extraordinary source of inspiration for a current creative city-making.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"11 1","pages":"97"},"PeriodicalIF":0.1,"publicationDate":"2021-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74702983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

La enseñanza de la Arquitectura como resultado de una tríada tergiversada 建筑教学是扭曲三位一体的结果

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VLC Arquitectura-Research Journal Pub Date : 2020-10-30 DOI: 10.4995/vlc.2020.10981

Belén Onecha Pérez, José Luis González Moreno-Navarro, Sonsoles Puntos Pérez

引用次数: 0

El atlas tipológico de Renée Gailhoustet: un “Abecedario” arquitectónico renee Gailhoustet的类型学地图集:建筑“字母”

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VLC Arquitectura-Research Journal Pub Date : 2020-10-30 DOI: 10.4995/vlc.2020.12495

María Pura Moreno Moreno

{"title":"El atlas tipológico de Renée Gailhoustet: un “Abecedario” arquitectónico","authors":"María Pura Moreno Moreno","doi":"10.4995/vlc.2020.12495","DOIUrl":"https://doi.org/10.4995/vlc.2020.12495","url":null,"abstract":"When reading into the underlying thinking of every architectural project, there are references that, together with the motivation behind the making of all decisions, give rise to the contextual framework of the project for its critique. Renée Gailhoustet (1929-...) is an architect whose professional work, carried out between 1961 and 1995, synthesized political and social interests through typological experimentation, mainly in the field of collective housing. In her projects in urban peripheries, she tested architectural mechanisms that raised the questioning of the urban model emerged with the institutionalization of the functionalist postulates of the Athens Charter. In this article we will analyze the transition of her typological discourse in order to understand her text entitled \"Alphabet\" with which she formed a kind of \"doxa\" or vade mecum. The selected terms, in alphabetical order, specified her interests, which materialized as constants in her work, and intellectual coordinates which were coincident with those of other architects of her generation. The objective will be to demonstrate how the multi-directionality of these anthropological and architectural meanings modeled a theoretical corpus that, complemented by her philosophy studies and by her political commitment, geared her proposals towards the improvement of social conditions for coexistence and the rapport between the city and its people.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"20 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73513564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Un jardín rocoso. Cinco estampas de Ryōan-ji 岩石花园。5卡片Ryōan-ji

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VLC Arquitectura-Research Journal Pub Date : 2020-04-30 DOI: 10.4995/vlc.2020.10901

José Vela Castillo

引用次数: 0

José Antonio Corrales. Pueblos de Colonización. La construcción de la sombra jose安东尼奥·科拉莱斯。殖民村庄。阴影的构建

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VLC Arquitectura-Research Journal Pub Date : 2020-04-30 DOI: 10.4995/vlc.2020.11750

Nicolás Martín Domínguez

{"title":"José Antonio Corrales. Pueblos de Colonización. La construcción de la sombra","authors":"Nicolás Martín Domínguez","doi":"10.4995/vlc.2020.11750","DOIUrl":"https://doi.org/10.4995/vlc.2020.11750","url":null,"abstract":"José Antonio Corrales planned four Colonization Villages between January 1954 and June 1956: Guadalimar, Vegas del Caudillo, Villafranco del Guadiana and Llanos del Sotillo. Corrales progressively built the shade in his colonization villages, protecting the outdoor spaces from the sun converting them into a place of relationship and gathering for its inhabitants. Llanos del Sotillo culminates a process, where his aim is masterfully achieved. Shade pursued in the orientation and urban layout, in the section of its streets, public galleries or under community buildings. The shade is also sought in the deepest thresholds of homes, becoming places where the boundaries between outside and inside fade and blur the division between public and private space, into greater wealth and complexity, enhancing community life under its shade. Years later in Elviña, Corrales presented us with community spaces, a sort of “streets in space” through which the dwellings could be accessed, as a partial evolution of his villages adapted to the geographical context, in this case searching for the sun and shelter from the rain. The sun and its shade mark and reveal community life in these works.","PeriodicalId":40566,"journal":{"name":"VLC Arquitectura-Research Journal","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85676197","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Bunshaft’s showcase: exploración sobre el edificio vitrina. Feria Mundial, 1939

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VLC Arquitectura-Research Journal Pub Date : 2020-04-30 DOI: 10.4995/vlc.2020.11357

Andrea Parga

引用次数: 0