Philologia Classica最新文献

{"title":"The three-term model of communication and the system of Danish deictic pronouns","authors":"D. Nikulicheva","doi":"10.21638/11701/spbu21.2023.103","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2023.103","url":null,"abstract":"The article focuses on the system of deictic pronouns in Danish. It is argued that in addition to binary oppositions expressing the objective (nearest vs distant) location of objects in the physical space relative to the speaker, like this vs that — denne vs den, a three-term opposition develops in modern Danish. This allows to specify the subjective interaction between the three participants in the communicative act: the speaker (1st person), the listener (2nd person) and the objects of the surrounding world (3rd person). The system of secondary demonstrative pronouns — deictic binomials — is investigated. “Deictic binomial” is used as a term for an analytical combination of a simple deictic pronoun and a spatial adverb. Four possible combinations of such binomials are considered. The Danish Corpus (KorpusDK) analysis made it possible to assert that combinations of proximal deixis indicators — such as denne her ‘this here’ — are subjective markers of 1st person signaling that the deictic object enters into the speaker’s personal space. Combinations of indicators of distal and proximal deixis (such as den her ‘that here’) are “cohortatives” — subjective markers of the 2nd person, signaling the common perception of shared attitude to the deictic object by the speaker and its addressee. Combinations of analytical indicators of distal deixis (such as den der ‘that there’) — shift the negatively evaluated object outside the personal space of the speaker and the space of communication, which corresponds to the communicative function of the 3rd person. The search in the Danish Corpus for the fourth type of combinations, that is, combinations of proximal and distal deixis (such as denne der ‘this there’) gives practically no results. This confirms the conclusion that the paradigm for expressing the speakers subjective attitude to the object of deixis in modern Danish is represented by three categories that correspond to three “spatial areas” — the speaker’s personal space (1st person), the common communication space shared with the addressee (2nd person), an external space into which the speaker subjectively removes the disapproved or alienated objects of deixis (3rd person).","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67776176","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Christian Morgenstern and Henrik Ibsen (an episode in the history of literary translation)","authors":"N. Svetozarova","doi":"10.21638/11701/spbu21.2023.110","DOIUrl":"https://doi.org/10.21638/11701/spbu21.2023.110","url":null,"abstract":"This article discusses the history of creative contacts between the great Norwegian playwright Henrik Ibsen and the German poet Christian Morgenstern (1871–1914). Christian Morgenstern’s life was short and marred by physical suffering, but fantastically full and diverse in creative terms. A significant part of Christian Morgenstern’s lyrical and epistolary legacy was published only after his death thanks to the efforts of his wife and friends. Christian Morgenstern’s translations of Henrik Ibsen’s works date from the late 19th century, when the new Solomon Fischer’s publishing house (S. Fischer Verlag) in Berlin decided to publish the complete works of Ibsen in a translation into a German language that would be worthy of the original language. The publishing house turned to a young and at the time still little known poet who, being in love with Scandinavian literature and with Henrik Ibsen, set to work with great enthusiasm, settled in a family boarding house near Christiania, in a short time learned Norwegian, consulted and corresponded with Ibsen several times and as a result created translations for his plays, the German of which was delighted and earned the high praise of the playwright. An authorized edition of the translations was printed in Germany between 1898 and 1904 and is now a bibliographic rarity. However, many of Ibsen’s works are still published in Germany in the translation of Christian Morgenstern, known primarily as an unsurpassed master of poetic miniatures in a unique style of lyrical humor.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2023-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"67776195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Using of Visual Anthropology Methods in Researching of the Calendar Holidays. Family Photographs at Easter in RSSM","authors":"Dana Onica","doi":"10.52505/1857-4300.2022.3(318).06","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).06","url":null,"abstract":"The article presents arguments for implementing the alternative research sources and manners, that of the visual methods ones, regarding the investigation of the holidays of spring-summer-autumn cycle. Discussions and examples are operated by interpreting family photos at the Easter celebration in the Moldavian Soviet Socialist Republic (MSSR). Specifying the qualities of the photographic method used in visual anthropology and considering the content of the accumulated photographic materials, the author looks at them as techniques in field research, as well as documentary sources. The relevance of a dialogue between the researcher and the people eternalized in the images or of their owners is pointed out, in order to ensure a reflexive investigation via various optics. Pictures are estimated as visual testimonies and narratives, able to provide information for the certification, reconstruction, and understanding of the cultural and religious facts displayed in domestic settings","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79865653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Notes about the Etymology of Units Derived from Borrowed Radicals from other Languages","authors":"Vasile Bahnaru","doi":"10.52505/1857-4300.2022.3(318).04","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).04","url":null,"abstract":"The article examines lexical units derived from neological roots, especially those that form whole families of words. Following their analysis, it is demonstrated that most of these vocabulary elements require to be interpreted, from an etymological point of view, as derived words within the Romanian language, regardless of whether or not they are based on foreign derivative models.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84105879","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Informational Organization of the Sentence in Romanian","authors":"Ion Barbuta","doi":"10.52505/1857-4300.2022.3(318).02","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).02","url":null,"abstract":"The article contains a description of the informational structure of the sentence in its capacity as a layer of meaning constituted as an effect of its contextual updating. A complex phenomenon of a discursive nature, the informational structure of the utterance requires an interpretation of the facts of language by taking into account the interrelationship between the semantic, syntactic and discursive factors involved in the act of communication. The semantic-pragmatic specificity of the informational structure of the sentence is analysed starting from the extralinguistic factors that control it. Particular attention is paid to the distinctive features of the minimal units of this structure. The criteria for identifying the topic and the rhyme of a sentence are presented, with emphasis on the recognition of the units in question in the process of linguistic analysis. By examining this layer of meaning, our goal is to show that the Romanian language has a complex mechanism that allows its expression and variation in relation to other layers of meaning of the sentence.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85523406","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Grigore Vieru’s Poetry: Edification of the Spirit and (Re)Construction of the World","authors":"Cristian Serdeşniuc","doi":"10.52505/1857-4300.2022.3(318).08","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).08","url":null,"abstract":"The poem of Vieru contributed significantly to the reeducation of a psychologically disfigured by proletarian ideology nation. Pioneer’s song and “October’s” acclamations replaced the tune of the sun and the impressive dialogue of non-speaker beings. Vieru’s living beings guided the little reader through the discovery of the vital senses and himself. The poem of Vieru demonstrates the sacredness of an infantile universe: a native village, a parent`s house, a mother’s being, and an inhabitant of nature. The figurative projector of the village in the poems of Vieru is identified as a truly “pantheon” of the value cult. A village re(calls) the reader to come back to the ancestral springs. In the being of a little reader, the poet educates some general human values through intermedia of the rural poem and its “world”.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73582465","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Diplomatic Language Metalogisms","authors":"Stella Tarita","doi":"10.52505/1857-4300.2022.3(318).10","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).10","url":null,"abstract":"The article tackles the peculiarities of specialized language, particularly the diplomatic language in the domains of interest such as particular knowledge and terminology. Various approaches, definitions, classifications regarding metalogisms are revealed, which have an indisputable importance in validation of the diplomatic language. The study approach reflects the complexity and diversity of metalogisms, as well as the notorious names in the field of linguistics and semantics. Moreover, the analysis of metalogisms brings us closer to the idea that, despite the terminology and technical aspects, the specialized languages denote an indisputable aesthetic value.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91013981","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Approaches to the Problem of Literary Authenticity. A Historical Outline (I)","authors":"Cristina Dicusar","doi":"10.52505/1857-4300.2022.3(318).09","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).09","url":null,"abstract":"Starting from the ancient concept of mimesis to the view on authenticity of realist writers, this article aims to follow the evolution of approaches to the problem of authenticity within the framework of literary history. We will delimit the character of authenticity of literatures of different periods by means of literary theory texts, but also by referencing some of the most known and/or suggestive works of literature. We will emphasize the differences and similarities between the conceptions, phenomena, literary currents that refer to authenticity, trying to motivate their evolution. The subjects to which we will particularly draw attention refer to the relationship between fiction and authenticity; literary authenticity expressed within literary phenomena; and the influence of philosophical conceptions of authenticity on literature, starting from ancient literary texts until the modernist movement in literature.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"87474464","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Normative Conflicts in the context of Culture Wars","authors":"Ion Plamadeala","doi":"10.52505/1857-4300.2022.3(318).01","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).01","url":null,"abstract":"The article addresses the issue of normative conflicts from the theoretical perspective of philosophy of values and socio-cultural anthropology and in the context of the current culture wars in Western societies, instigated by radical ideologies that colonize all spheres of life, reversing normative axiological hierarchies and thus causing anthropological, societal and epistemic upheavals. Their sources and manifestations are described and certain paradigmatic effects on humanistic knowledge, language and literature are analyzed.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73599156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Onomastic Universe in the Fantastic Prose of Mikhail Bulgakov: the Dimension of Translation","authors":"I. Druta","doi":"10.52505/1857-4300.2022.3(318).03","DOIUrl":"https://doi.org/10.52505/1857-4300.2022.3(318).03","url":null,"abstract":"Proper names are double-character words: national and international. This is why translation requires an in-depth knowledge of the culture and civilization of the source language people. If a name is used for communication purposes (in a literary work), it must be treated in a special way. These are the most difficult cases for a translator, who has to be creative. Transferring names from one culture to another requires communication skills, but also intercultural skills: respect for traditions and cultural values. Proper names-anthroponyms can only be translated in certain contexts, where they describe a character, but are usually preserved intact. Usually proper names from stories, nicknames, but also some suggestive literary character names are translated and adapted. In most cases, the names of literary characters are not translated, but reported over to facilitate cultural transfer and eventually annotated. Thus, the translation process oscillates between science and art.","PeriodicalId":40525,"journal":{"name":"Philologia Classica","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83913739","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}