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Naratologija mogućih svjetova – pojmovi, pristupi, horizonti 可能世界的本质——概念、途径、视野

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i1.3

Jović Andrea

{"title":"Naratologija mogućih svjetova – pojmovi, pristupi, horizonti","authors":"Jović Andrea","doi":"10.29162/anafora.v8i1.3","DOIUrl":"https://doi.org/10.29162/anafora.v8i1.3","url":null,"abstract":"Naratologija mogućih svjetova svojim je propitivanjem statusa i podrijetla fikcionalnih tekstova logično okrilje za razvoj pronašla u postklasičnoj naratologiji. Od samog početka zainteresirana za novo tumačenje pojma istine u fikciji, ova je disciplina uvođenjem pojmova svijeta, kao semantičke domene koju projicira tekst, i modalnosti, kao različitih načina na koji osobe i objekti u svjetovima postoje, uspjela objasniti narav fikcije i njezinu multiperspektivnost daleko bolje od ranijih teorija – od onih analitičkih logičara, preko saussureovskog strukturalizma sve do teorije mimeze. Posljedično, naratologija mogućih svjetova otvorila je nove horizonte u klasičnim naratološkim proučavanjima uvođenjem koncepata poput pričljivosti, kojom se nastoji procijeniti estetski potencijal određenog zapleta, ili autentizacije koja objašnjava mehanizme kojima pripovjedač stječe narativni autoritet. Novi su poticaji proučavanju dani i u području teorije žanra, gdje je na temelju postojanja ili izostanka određenih atributa mogućeg svijeta postalo moguće odrediti žanrovsku orijentaciju teksta. Zbog duboke veze s postklasičnim okretom prema kontekstu i interdisciplinarnosti, naratologija mogućih svjetova i dalje otvara nove horizonte, osobito na području studija medija, gdje sjedinjenjem koncepata imerzije i interaktivnosti nastoji modelirati estetiku koja bi optimalno stimulirala recipijentovu imaginaciju.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69710309","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Mythologizing the Memory of Gloriana 对格洛瑞娜记忆的神话化

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i1.5

S. Garrouri

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Newman and Strossmayer on the Relationship Between the Church and the State (II) 纽曼与斯特罗斯迈耶论教会与国家的关系(二)

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i1.6

Šimo Šokčević, T. Živić

{"title":"Newman and Strossmayer on the Relationship Between the Church and the State (II)","authors":"Šimo Šokčević, T. Živić","doi":"10.29162/anafora.v8i1.6","DOIUrl":"https://doi.org/10.29162/anafora.v8i1.6","url":null,"abstract":"The cooperation between the Catholic Church and the State is a necessity and an imperative that was addressed by two important thinkers of the 19th century, John Henry Newman and Josip Juraj Strossmayer, and the models that actually trace back to their reflections are existent even nowadays. In the second part of a textological and theological analysis of Newman’s and Strossmayer’s understanding of the relationship between the Church and the State, our objective is to explore how much Newman’s and Strossmayer’s deliberations may be useful in the formulation of the bases on which a good relationship between the Catholic Church and the State should be built. We have seen that comprehension and concord are the fundamental imperatives of that relationship, as well as of the contemporary models that analyze it. The modern obstacles to this relationship have the identical roots, findable in negative liberalism and repaganization. On the trail of Newman and Strossmayer, we conclude that an anthropological reform primarily taking hold of the human heart is necessary today. Therefore, such a reform has to realize that the life in accordance with one’s own conscience, in the truth, is more valuable than all the utopian lies and deceptions that formulate the socioeconomic relations and personal life.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69709917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Die Problematik von Erkrankung, Tabu und Autobiografie. Masken- und andere Spiele in Richard Wagners Herr Parkinson 疾病禁忌问题和自传都是和理查德·沃格尔的柏金逊先生表演的

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i2.13

Monika Leipelt-Tsai

{"title":"Die Problematik von Erkrankung, Tabu und Autobiografie. Masken- und andere Spiele in Richard Wagners Herr Parkinson","authors":"Monika Leipelt-Tsai","doi":"10.29162/anafora.v8i2.13","DOIUrl":"https://doi.org/10.29162/anafora.v8i2.13","url":null,"abstract":"In der deutschsprachigen Literatur der Gegenwart findet das zuvor tabuisierte Thema ‚neurodegenerative Erkrankungen‘, das den globalen demografischen Wandel indiziert, nach der Jahrtausendwende insbesondere als Demenz-Erzählung Beachtung. Im Jahr 2015 thematisiert dann Richard Wagner in seinem Roman Herr Parkinson ganz prominent die zweithäufigste degenerative Erkrankung des Nervensystems, Morbus Parkinson. Sein Roman spricht die Erkrankung erstmals aus der Perspektive eines selbst Betroffenen an und bricht mit den Konventionen des literarischen Diskurses. Wagner adressiert unterschiedliche Phasen der Erkrankung von der Diagnose bis zum Ausfall des Bewegungsapparats. Seine Erzähltechnik bedient sich dabei verschiedenster raffinierter Spiele, die eine Dechiffrierung verlangen. Es fragt sich: Weshalb wurde die Parkinsonerkrankung zuvor tabuisiert? Wie werden in Wagners Roman Autobiografie und Fiktion verflochten? Auf welche poetologische Reflexion wird in Herr Parkinson verwiesen? Wagner setzt in seinem Text das Sprechen als Parkinsonerkrankter bzw. dessen Unmöglichkeit performativ in Szene. Spiele erscheinen dabei als Motiv, im Verfahren des Sprachspiels und der Anspielung sowie als komplexe Verschränkung des Maskenspiels, welches Symptome der Erkrankung auch als Bewusstseinsspaltung entfaltet. Die Parkinsonerkrankung scheint surreal-anachronistische Halluzinationen zu produzieren und stellt die Identität des Selbst in Frage.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69709926","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Seeking Solid Subjectivity Versus Spotting Trans-Subjectivation in Winterson’s GUT Symmetries 在温特森的GUT对称中寻找坚实的主体性与发现反主体化

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i1.7

Hoda Niknezhad-ferdos, Bakhtiar Sadjadi

{"title":"Seeking Solid Subjectivity Versus Spotting Trans-Subjectivation in Winterson’s GUT Symmetries","authors":"Hoda Niknezhad-ferdos, Bakhtiar Sadjadi","doi":"10.29162/anafora.v8i1.7","DOIUrl":"https://doi.org/10.29162/anafora.v8i1.7","url":null,"abstract":"The present paper intends to closely explore the process of identity formation in the characters of Jeanette Winterson’s novel Gut Symmetries in light of Catherine Malabou’s notions of plasticity, destructive plasticity or trauma, and trans-subjectivation. Identity as an inconsistent procedure of becoming would be intensely explicated in Gut Symmetries through the viewpoint of the characters, in particular Alice. Identity as a mere space or crack, which constantly provides the opportunity for the subject to observe himself/herself, could be introduced as Catherine Malabou’s notion of plasticity of the subjectivity or trans-subjectivation in the novel. The juxtaposition of the pliability of quantum physics and trans-subjectivity in the novel would be highlighted to emphasize that presence, time, identity, and even being could be nothing other than plasticity or ever-fluctuating matter and non-matter. Plasticity as the absolute nucleus of existence, identity, and love would be manifested as perceptible in the form of trans-subjectivity. Sadism as a form of destructive plasticity would be spotlighted as the death drive in the novel and it corroborates the plasticity of love, which could betransformed into hate. Spotlighting femininity as essenceless, Alice and Stella would be represented as the instances of femininity that is mutable and erratic.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69709977","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Krankheitsbilder im Roman Schornstein von Jan Faktor und Terminifera von Michael Stavarič 烟囱Krankheitsbilder小说中扬因素和Terminifera迈克尔Stavarič

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i2.9

R. Cornejo

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„Meine Trauer war (k-)eine Krankheit“? Achronologisches Erzählen einer anhaltenden Trauerstörung in Olga Grjasnowas Der Russe ist einer, der Birken liebt "我的悲伤是一种疾病" ?裂动脑叙述奥加尔•格贾斯纳

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Anafora Pub Date : 2021-01-01 DOI: 10.29162/anafora.v8i2.11

Anna Maria Spener

{"title":"„Meine Trauer war (k-)eine Krankheit“? Achronologisches Erzählen einer anhaltenden Trauerstörung in Olga Grjasnowas Der Russe ist einer, der Birken liebt","authors":"Anna Maria Spener","doi":"10.29162/anafora.v8i2.11","DOIUrl":"https://doi.org/10.29162/anafora.v8i2.11","url":null,"abstract":"Olga Grjasnowas Debütroman Der Russe ist einer, der Birken liebt (2012) ist literaturwissenschaftlich bereits häufig hinsichtlich der Symptomatik einer posttraumatischen Belastungsstörung der Ich-Erzählerin Mascha untersucht worden. Demgegenüber wird hier eine Lesart der erst kürzlich als eigenständige Diagnose in die Revision der ICD-11 aufgenommenen anhaltenden Trauerstörung bemüht, da deren physische wie psychische Symptomatik zutiefst mit der narratologischen Darstellungsform des Textes verwoben scheint. Maschas infolge des Todes ihres Lebenspartners eintretende Trauer als Störung schreibt sich nicht allein auf inhaltlich-thematischer Ebene in den Text ein, sondern zugleich auffällig (auch visuell) als Störung der Struktur des Erzählens selbst. Während Mascha im Zuge ihres Israelaufenthalts, den sie antritt, um zu trauern, schließlich den Gedanken äußert, Israel „war kein Sanatorium“ und ihre „Trauer war keine Krankheit“, wird im Aufsatz dargelegt, inwiefern der Romantext und dessen entrückte, ja selbst sogar angehaltene Zeit vielmehr anstelle eines Sanatoriums zum Aushandlungsort der Trauer als Krankheit werden, als (raum-)zeitlich vager, letztlich gar seine eigene achronologische Zeitform generierender (ewiger?) Aufenthalt im Krankheitszustand. Der Roman endet offen und entgegen der restlichen präteritalen Narration im Präsens, das (Über-)Leben der Ich-Erzählerin bleibt aufgrund einer eventuell erlittenen Verletzung fraglich, allein die Trauer ist und bleibt präsent, d. h. anhaltend, in ihrer auch historischen Begründetheit, die sich bis in die (Erzähl-)Gegenwart hinein fortschreibt, und sich nicht als bewältigt, gar als geheilt respektive überhaupt heilbar erweist.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":"1 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69710191","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Prava teksta. Neograničena semioza i granice tumačenja – tragom semiotike Umberta Eca 右侧文本。无限制的符号学和解释极限——翁伯塔·埃卡符号学

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Anafora Pub Date : 2020-12-30 DOI: 10.29162/ANAFORA.V7I2.9

Ružica Pšihistal

{"title":"Prava teksta. Neograničena semioza i granice tumačenja – tragom semiotike Umberta Eca","authors":"Ružica Pšihistal","doi":"10.29162/ANAFORA.V7I2.9","DOIUrl":"https://doi.org/10.29162/ANAFORA.V7I2.9","url":null,"abstract":"Čitatelju je Eco otvorio vrata još u predsemiotičkoj fazi (Opera aperta, 1962), a potom ga je i naslovom (Lector in fabula, 1979) smjestio u samo središte „priče“ o semiotici književnosti. Preuzevši Peirceov pojam neograničene semioze kao ključ za semiotičku otvorenost teksta, što posljedično otvara potencijalno neograničen broj interpretativnih pokušaja u ekspanziji značenja, Eco je gotovo skrupulozno zabrinut za pogrešna tumačenja semioze. Njegovo ustrajno zagovaranje suradničkoga odnosa čitatelja i teksta sve snažnije poprima oblik apologetskoga zalaganja za prava teksta i nužde ocrtavanja minimalnih granica tumačenja (The Limits of Interpretation, 1990). Potencijalno neograničena semioza, poučavao je Eco, ne vodi apsolutnoj slobodi čitatelja, ne znači da interpretacija nema kriterije i da sve interpretacije imaju happy end. Bio je to glas koji se nije čuo. Eksponencijalni rast čitateljskih „prava“ i „sloboda“ bio je nezaustavljiv u poststrukturalizmu. Zašto su dekonstrukcija i rodni studiji, kao primjeri isključujućih perspektiva (radikalne otvorenosti teksta prepuštenog neograničenoj semiozi / radikalne zatvorenosti teksta koji ima samo ono značenje koje je unaprijed zadano), prekršaji suradničkoga odnosa prema tekstu i This work is licensed under a Creative Commons Attribution 4.0 International License. Ovaj rad dostupan je za upotrebu pod licencom Creative Commons Imenovanje 4.0 međunarodna.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":"7 1","pages":"477-501"},"PeriodicalIF":0.1,"publicationDate":"2020-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49246316","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Teška vremena i humanističko obrazovanje. Tko danas uopće čita Dickensa?

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Anafora Pub Date : 2020-12-30 DOI: 10.29162/ANAFORA.V7I2.8

Ljubica Matek

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Bilješka o filologiji 哲学评论

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Anafora Pub Date : 2020-12-30 DOI: 10.29162/ANAFORA.V7I2.7

Krešimir Šimić

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