Anafora最新文献_第10页

Analiza odgojnih vrijednosti u časopisu za djecu i mladež Milodarke 分析杂志中对儿童和年轻人Milodake的适当价值观

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Anafora Pub Date : 2018-12-31 DOI: 10.29162/ANAFORA.V5I2.3

I. Lenard, Dragana Božić Lenard

引用次数: 0

Why is “It” Gendered – Constructing Gender in Alex Garland’s Ex-Machina (2015) 为什么“它”是性别化的——亚历克斯·加兰《机械前》(2015)中的性别建构

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Anafora Pub Date : 2018-12-31 DOI: 10.29162/anafora.v5i2.7

Emilia Musap

引用次数: 1

Astrology and the Demotic Press: Almanacs in Eighteenth-Century England 占星术与大众出版社:18世纪英国的年历

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Anafora Pub Date : 2018-12-31 DOI: 10.29162/anafora.v5i2.8

I. Dragoș

引用次数: 1

Tekst, tekstura i kontekst šokačke i bunjevačke tradicijske kulture – zemlja, ljudi i baština 震撼和暴风雨般的传统文化的文本、质地和背景——国家、人民和花园

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Anafora Pub Date : 2018-12-31 DOI: 10.29162/anafora.v5i2.12

Žaklina Kurmaić

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Symbolic Order in Sylvia Plath’s “Daddy” and “Lady Lazarus”: A Lacanian Reading Sylvia Plath《爸爸》和《拉撒路夫人》中的象征秩序：拉康式解读

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Anafora Pub Date : 2018-12-31 DOI: 10.29162/anafora.v5i2.9

Somaye Mostafaei, Ensieh Shabanirad

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The Conventions of Detective Fiction, or Why We Like Detective Novels: Hercule Poirot’s Christmas 侦探小说的传统，或者我们为什么喜欢侦探小说:赫尔克里·波洛的圣诞节

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Anafora Pub Date : 2018-12-31 DOI: 10.29162/anafora.v5i2.10

Sanja Matković

引用次数: 1

Odgojne vrijednosti u romanu Jaša Dalmatin, potkralj Gudžerata Ivane Brlić-Mažuranić 古吉拉特邦国王伊凡·布里克·马祖拉尼奇小说中的伟大价值

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Anafora Pub Date : 2018-12-26 DOI: 10.29162/ANAFORA.V5I2.5

Antonija Huljev

{"title":"Odgojne vrijednosti u romanu Jaša Dalmatin, potkralj Gudžerata Ivane Brlić-Mažuranić","authors":"Antonija Huljev","doi":"10.29162/ANAFORA.V5I2.5","DOIUrl":"https://doi.org/10.29162/ANAFORA.V5I2.5","url":null,"abstract":"Ivana Brlic-Mažuranic (1874. ‒ 1938.), hrvatska spisateljica za djecu i mlade, odavno je usla u hrvatski književni kanon. No o recepciji djela autorice može se govoriti, uglavnom, na razini romana Cudnovate zgode segrta Hlapica te zbirci bajki Price iz davnine. Kada je rijec o romanu Jasa Dalmatin, potkralj Gudžerata, književna i kriticka recepcija gotovo potpuno izostaju. Autoricin objavljeni roman sastoji se od dvaju dovrsenih dijelova te jednog nedovrsenog (Zakljucak), koji obuhvaca razdoblje od 1478. do 1509. godine, a vise nalikuje na nacrt i buducu smjernicu za dovrsetak romana. Za razumijevanje romana važan je i autoricin dodatak Kratki tumac nekojim stavkama Jase Dalmatina koji se također može citati kao svojevr- stan podtekst. Hrvat Jasa Dalmatin, osmanski sužanj, lik je graditelja i vizionara koji na obalama Indijskoga oceana gradi neosvojivi grad prema slici grada iz vlastita djetinjstva, Dubrovnika. Književni lik Jase Dalmatina, te roman u cjelini, postaju poželjan identifikacijski model i odgojna orijentacija. U radu se analiziraju, tipologiziraju te hijerarhiziraju temeljne ljudske, odgojne, vrijednosti prema razinama divergencije između modernosti i pouke u djecjoj književnosti.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-12-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47271607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Prilog poznavanju života i opusa skladatelja Jana Urbana Prilog poznavanjuživota i opusa skladatelja Jana Urbana

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Anafora Pub Date : 2018-06-09 DOI: 10.29162/anafora.v5i1.3

Domagoj Marić, G. Gruber

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Dasein’s “Potentiality-for-Being“ in a Wasteland: The Case of Auster’s In the Country of Last Things 达在荒原上的“存在潜力”——以奥斯特的《在最后的国度》为例

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Anafora Pub Date : 2018-06-09 DOI: 10.29162/anafora.v5i1.6

Mohammad-Javad Haj’jari, N. Maleki, N. Hooti

{"title":"Dasein’s “Potentiality-for-Being“ in a Wasteland: The Case of Auster’s In the Country of Last Things","authors":"Mohammad-Javad Haj’jari, N. Maleki, N. Hooti","doi":"10.29162/anafora.v5i1.6","DOIUrl":"https://doi.org/10.29162/anafora.v5i1.6","url":null,"abstract":"This paper proposes a reading of Paul Auster’s novel In the Country of Last Things (1987) through the conceptual lens of Heidegger’s theory of Dasein. It focuses on Heidegger’s definition of human nature as Dasein by discussing the range of existential possibilities that the German philosopher outlined for human beings in order to make authentic sense of their being and life before death. The progression from birth to death constitutes Dasein’s state of being or its existence. However, not many individuals are conscious of this process, being lost in the limiting situation of their everydayness. Accordingly, inauthentic lives without understanding one’s Mohammad-Javad HAJ’JARI, Nasser MALEKI, Noorbakhsh HOOTI: DASEIN’S “POTENTIALITY-FOR-BEING” 158 true possibilities take place. A fictional visualization of Dasein’s attempts at an authentic existence within its limiting situation or, we could say, within its typical society, can concretize Heidegger’s points in a better way. Concerning Paul Auster’s existential outlook on life, In the Country of Last Things is a portrayal of such a struggle for an authentic existence in a dystopian predicament where humankind is thrown into the lowest possible situation. Allegorically, the novel is a laboratory for experimenting with human potentiality for being in the face of severely lacking conditions for the fulfilment of biological needs, with death always in the background. In such a thrown state of life, the protagonist, Anna Blume, is called to authenticity against others’ inauthenticity and life-threatening situations, highlighting the possibility of living in a dystopia through authentic selfhood. The paper thus argues that Auster’s existentialism in this novel is not alien to Heidegger’s worldview on human existence.","PeriodicalId":40415,"journal":{"name":"Anafora","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41478097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Plastic Theatre and Selective Realism of Tennessee Williams 造型剧场与田纳西·威廉斯的选择性现实主义

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Anafora Pub Date : 2018-06-09 DOI: 10.29162/ANAFORA.V5I1.4

Nudžejma Durmišević

{"title":"Plastic Theatre and Selective Realism of Tennessee Williams","authors":"Nudžejma Durmišević","doi":"10.29162/ANAFORA.V5I1.4","DOIUrl":"https://doi.org/10.29162/ANAFORA.V5I1.4","url":null,"abstract":"Tennessee Williams’s inclination towards experimentation became evident early on when he first introduced the concept of “plastic theater,” heavily reliant on expressionism and symbolism. As a part of understanding the origins of Williams’s (new) theatrical techniques, apart from presenting the idea of “plastic theatre” and selective realism, and the all-pervading lyricism, this paper provides a short overview of Russian Formalism and Brecht’s epic theatre, as well as points out the similarities and differences between the epic and the plastic. In addition, the paper demonstrates how the poetics of “plastic theatre” and its subtler version – selective realism – are actualized in the playwright’s work. The characteristics of selective realism as well as techniques and elements used to achieve its aims are presented systematically, including stage directions, the use of props, the “absent presence” (concerning the expressionistic quality determining the action), the language, the use of music and lighting, the use of narrator, and the screen device. The idea that Nudžejma DURMIŠEVIĆ: PLASTIC THEATRE AND SELECTIVE REALISM OF T. WILLIAMS 96 these elements contribute to a better portrayal of certain thematic concerns is reviewed through the reading of Williams’s The Glass Menagerie (1944).","PeriodicalId":40415,"journal":{"name":"Anafora","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2018-06-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48932360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1