达在荒原上的“存在潜力”——以奥斯特的《在最后的国度》为例

IF 0.1 0 LITERATURE
Anafora Pub Date : 2018-06-09 DOI:10.29162/anafora.v5i1.6
Mohammad-Javad Haj’jari, N. Maleki, N. Hooti
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引用次数: 0

摘要

本文拟从海德格尔“此在论”的概念视角来解读奥斯特1987年的长篇小说《最后之国》。它通过讨论德国哲学家为人类勾勒出的生存可能性的范围,以真实地理解人类的存在和死前的生活,重点讨论了海德格尔对人性的定义。从出生到死亡的过程构成了此在的存在或存在状态。然而,并没有多少人意识到这一过程,迷失在日常生活的极限状态中。因此,在不了解穆罕默德·贾瓦德·哈贾里、纳赛尔·马利基、努尔巴赫什·胡蒂的情况下,不真实的生活:戴森的“潜在的未来”158种真实的可能性发生了。在有限的环境中,或者,我们可以说,在典型的社会中,这个在试图真实存在的虚构形象,可以更好地具体化海德格尔的观点。关于保罗·奥斯特的存在主义人生观,《最后的东西之国》描绘了在反乌托邦困境中为真实存在而进行的斗争,在这种困境中,人类被置于尽可能低的境地。不出所料,这部小说是一个实验人类潜力的实验室,因为人类面临着严重缺乏满足生物需求的条件,死亡总是在背景中。在这样一种混乱的生活状态下,主人公安娜·布鲁姆被要求真实地面对他人的不真实和危及生命的情况,强调了通过真实的自我生活在反乌托邦中的可能性。本文认为,奥斯特在这部小说中的存在主义与海德格尔的人的存在世界观并不陌生。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Dasein’s “Potentiality-for-Being“ in a Wasteland: The Case of Auster’s In the Country of Last Things
This paper proposes a reading of Paul Auster’s novel In the Country of Last Things (1987) through the conceptual lens of Heidegger’s theory of Dasein. It focuses on Heidegger’s definition of human nature as Dasein by discussing the range of existential possibilities that the German philosopher outlined for human beings in order to make authentic sense of their being and life before death. The progression from birth to death constitutes Dasein’s state of being or its existence. However, not many individuals are conscious of this process, being lost in the limiting situation of their everydayness. Accordingly, inauthentic lives without understanding one’s Mohammad-Javad HAJ’JARI, Nasser MALEKI, Noorbakhsh HOOTI: DASEIN’S “POTENTIALITY-FOR-BEING” 158 true possibilities take place. A fictional visualization of Dasein’s attempts at an authentic existence within its limiting situation or, we could say, within its typical society, can concretize Heidegger’s points in a better way. Concerning Paul Auster’s existential outlook on life, In the Country of Last Things is a portrayal of such a struggle for an authentic existence in a dystopian predicament where humankind is thrown into the lowest possible situation. Allegorically, the novel is a laboratory for experimenting with human potentiality for being in the face of severely lacking conditions for the fulfilment of biological needs, with death always in the background. In such a thrown state of life, the protagonist, Anna Blume, is called to authenticity against others’ inauthenticity and life-threatening situations, highlighting the possibility of living in a dystopia through authentic selfhood. The paper thus argues that Auster’s existentialism in this novel is not alien to Heidegger’s worldview on human existence.
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Anafora
Anafora LITERATURE-
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