Interstices: journal of architecture and related arts最新文献

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2017 Interstices Under Construction Symposium CFP 2017年工程施工间隙研讨会
Interstices: journal of architecture and related arts Pub Date : 2021-12-14 DOI: 10.24135/ijara.vi.682
E. Chua, F. Haghighi
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引用次数: 0
Biographies 传记
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.677
Issue Editor
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引用次数: 0
A Māori reflection on Spinoza’s primordial Māori对斯宾诺莎原初思想的反思
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.672
C. Mika
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引用次数: 0
2017 Interstices Under Construction Symposium: The Arts of Spinoza + Pacific Spinoza BROCHURE 2017在建间隙研讨会:斯宾诺莎的艺术+太平洋斯宾诺莎宣传册
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.679
Issue Editor
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引用次数: 0
To see or be seen? The grounds of a place-based university 看还是被看?地点制大学的场地
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.673
Sean Sturm, S. Turner
{"title":"To see or be seen? The grounds of a place-based university","authors":"Sean Sturm, S. Turner","doi":"10.24135/ijara.vi.673","DOIUrl":"https://doi.org/10.24135/ijara.vi.673","url":null,"abstract":"In “The Tyranny of Transparency,” Marilyn Strathern argues that, in the neoliberal university, “visibility as a conduit for knowledge is elided with visibility as an instrument for control.” It is, but we would go further. After Deleuze, we would describe the apparatus of the university as an “optical machine”: it is “made of lines of light … distributing the visible and the invisible.” The drive to transparency, or panoptics, dominates the university today – from audit to architecture – and serves what Levien de Cauter calls “transcendental capitalism.” But it obscures a shadow discourse, or scotoptics, which hides invisible “lines of flight” and “fracture” that are transversal to transparency and transcendental capitalism. What this shadow discourse discloses about our university is that it is a transcendental-colonial-Maori place, a place that is palimpsestic and contested, a whenua tautohetohe (contested territory). We need to know that our university is more than it seems to be able to conceive of it as a “pluriversity,” a place of possibilities, upbuilding and practical wisdom: a wānanga (place of learning).","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"PP 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126705506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Citizen and state in the philosophy of Spinoza 斯宾诺莎哲学中的公民与国家
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.671
Michael Lebuffe
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引用次数: 0
Bare Architecture: A Schizoanalysis, by Chris L. Smith 《裸建筑:精神分裂分析》,克里斯·l·史密斯著
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.676
P. James
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引用次数: 0
What reading Spinoza’s Ethics out loud brings to and takes from the text 大声朗读斯宾诺莎的《伦理学》给文本带来了什么
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.675
Jonathan Lahey Dronsfield
{"title":"What reading Spinoza’s Ethics out loud brings to and takes from the text","authors":"Jonathan Lahey Dronsfield","doi":"10.24135/ijara.vi.675","DOIUrl":"https://doi.org/10.24135/ijara.vi.675","url":null,"abstract":"It is contended by Gilles Deleuze that concepts can be understood as characters, and their interaction with other concepts dramatised. He proposes Spinoza’s Ethics as a text worthy of such dramatisation. I test Deleuze’s assertion, by staging a series of “affective readings”, 24-hour public readings out loud of the Ethics which unfold the question of how the concept of affect as it is treated there might be dramatised, and how we might be affected by it in the reading. This paper provides the philosophical justification of such a reading, and argues that an affective reading is one which makes perceptible the differential relations between the forces operating on the concept, and therefore needs to perform the concept of which it speaks, in a space of thought in which the drama of thinking the concept can be seen to be taking place. In turn, then, this paper considers what is meant by a “performative reading”. Given that the veracity of a performative reading of Ethics rests on the idea that reading it out loud brings to (or takes away from) the text something a silent reading does not, it is important to distinguish how reading out loud grasps the text differently from reading it silently, both cognitively in terms of what it demonstrates, and practically in terms of its effects. ","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133038409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Common notions and composite collaborations: Thinking with Spinoza to design urban infrastructures for human and wild cohabitants 共同概念与复合合作:与斯宾诺莎一起思考为人类和野生动物共同居住的城市基础设施设计
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.670
S. Ruddick
{"title":"Common notions and composite collaborations: Thinking with Spinoza to design urban infrastructures for human and wild cohabitants","authors":"S. Ruddick","doi":"10.24135/ijara.vi.670","DOIUrl":"https://doi.org/10.24135/ijara.vi.670","url":null,"abstract":"This paper explores the ways in which we might construct urban environments that are responsible to the needs of more than just human cohabitants. Drawing on Spinoza’s common notion and attentive to the possibilities of socio-natures that both construct and respond to the habitat needs of urban wildlife, I look at how urban design and wildlife habitat might be thought and planned together as a human/non-human composite, invoking a complex spatial and temporal choreography which serves divergent needs. Drawing on examples of urban design in Toronto, Canada, this paper offers a way to think of the city as a composite body in Spinoza’s terms, to become open to an awareness of the city as a composition of forces—a choreography of bodies that are constantly interweaving and overflowing imagined boundaries, struggles that are fought as much over time as space, the accommodation of the temporalities and spatialities of other life processes, other rhythms and cycles that would, without a recalibration, sync uneasily with the pacing and spacing of human requirements.","PeriodicalId":403565,"journal":{"name":"Interstices: journal of architecture and related arts","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-11-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127458113","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Introduction: The arts, architectures, affects, and ecologies of Spinoza in Aotearoa 简介:斯宾诺莎在奥特罗阿的艺术、建筑、影响和生态
Interstices: journal of architecture and related arts Pub Date : 2021-11-22 DOI: 10.24135/ijara.vi.669
E. Chua
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引用次数: 0
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