NaharaimPub Date : 2021-05-24DOI: 10.1515/naha-2020-0004
Bernhard Greiner
{"title":"“This Nothing of a Voice”: Kafka’s Josefine Narrative as a Modern Reflection on Revelation and Language","authors":"Bernhard Greiner","doi":"10.1515/naha-2020-0004","DOIUrl":"https://doi.org/10.1515/naha-2020-0004","url":null,"abstract":"Abstract In reference to the paradoxical classification of art in Kafka’s Josefine story, religious aspects of the artist’s performances and their effect on the audience are scrutinized. The leading question is to what extent it evokes an allusion to the primal scene of divine revelation, following Stéphane Mosès’ commentary in his readings of the Bible. Josefine’s singing with a “nothing of a voice”, reduced to “the slightest of nullities”, the zero-point of signification, nevertheless affects an experience of presence and community that touches the listeners’ entire being. From the perspective of the artist, her song recitals are manifestations of supreme art of which she claims a soteriological significance in respect of her audience who belongs in Kafka’s portrayal obviously to the Jewish people. Around such a tension between maximal restraint of an utterance (the voice onset of the aleph of the word anokhi/I) and all-encompassing meaning (the name of God and all Commandments whose acceptance is constitutive for the Jewish people) circle the theological exegeses of the Sinai-scene (esp. Ex. 20,1) in the tradition of Rashi and Maimonides, in modernity e.g. of Gershom Scholem in dispute with Walter Benjamin on Kafka. It will be shown that the depicted paradoxes of Josefine’s art performances unfold the mentioned tension as an original literary reflection on revelation and language under the conditions of modernity.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"15 1","pages":"73 - 88"},"PeriodicalIF":0.1,"publicationDate":"2021-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49584593","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2021-05-24DOI: 10.1515/naharaim-2020-0004
Bernhard Greiner
{"title":"“This Nothing of a Voice”: Kafka’s Josefine Narrative as a Modern Reflection on Revelation and Language","authors":"Bernhard Greiner","doi":"10.1515/naharaim-2020-0004","DOIUrl":"https://doi.org/10.1515/naharaim-2020-0004","url":null,"abstract":"Abstract In reference to the paradoxical classification of art in Kafka’s Josefine story, religious aspects of the artist’s performances and their effect on the audience are scrutinized. The leading question is to what extent it evokes an allusion to the primal scene of divine revelation, following Stéphane Mosès’ commentary in his readings of the Bible. Josefine’s singing with a “nothing of a voice”, reduced to “the slightest of nullities”, the zero-point of signification, nevertheless affects an experience of presence and community that touches the listeners’ entire being. From the perspective of the artist, her song recitals are manifestations of supreme art of which she claims a soteriological significance in respect of her audience who belongs in Kafka’s portrayal obviously to the Jewish people. Around such a tension between maximal restraint of an utterance (the voice onset of the aleph of the word anokhi/I) and all-encompassing meaning (the name of God and all Commandments whose acceptance is constitutive for the Jewish people) circle the theological exegeses of the Sinai-scene (esp. Ex. 20,1) in the tradition of Rashi and Maimonides, in modernity e.g. of Gershom Scholem in dispute with Walter Benjamin on Kafka. It will be shown that the depicted paradoxes of Josefine’s art performances unfold the mentioned tension as an original literary reflection on revelation and language under the conditions of modernity.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/naharaim-2020-0004","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48445220","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2021-05-20DOI: 10.1515/naha-2020-0009
Eckart Goebel
{"title":"Widerruf: “Revocation” – On Hans Mayer and Stéphane Mosès","authors":"Eckart Goebel","doi":"10.1515/naha-2020-0009","DOIUrl":"https://doi.org/10.1515/naha-2020-0009","url":null,"abstract":"Abstract The article provides a brief overview on Hans Mayer’s life and work and his several stays in Jerusalem and with Stéphane Mosès.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"15 1","pages":"41 - 55"},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45671775","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2021-05-20DOI: 10.1515/naha-2021-0006
Ori Werdiger
{"title":"Addendum: Scholem on Meeting Gordin in Paris in 1946","authors":"Ori Werdiger","doi":"10.1515/naha-2021-0006","DOIUrl":"https://doi.org/10.1515/naha-2021-0006","url":null,"abstract":"","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"15 1","pages":"147 - 149"},"PeriodicalIF":0.1,"publicationDate":"2021-05-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42032547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2021-05-19DOI: 10.1515/naharaim-2021-0006
Ori Werdiger
{"title":"Addendum: Scholem on Meeting Gordin in Paris in 1946","authors":"Ori Werdiger","doi":"10.1515/naharaim-2021-0006","DOIUrl":"https://doi.org/10.1515/naharaim-2021-0006","url":null,"abstract":"","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44308333","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2021-05-19DOI: 10.1515/naharaim-2020-0009
Eckart Goebel
{"title":"Widerruf: “Revocation” – On Hans Mayer and Stéphane Mosès","authors":"Eckart Goebel","doi":"10.1515/naharaim-2020-0009","DOIUrl":"https://doi.org/10.1515/naharaim-2020-0009","url":null,"abstract":"Abstract The article provides a brief overview on Hans Mayer’s life and work and his several stays in Jerusalem and with Stéphane Mosès.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-05-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43343394","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2020-12-01DOI: 10.1515/naha-2020-0005
Ori Werdiger
{"title":"On the Possibility of and Justification for a Philosophical Interpretation of Kabbalah: The Scholem-Gordin Correspondence","authors":"Ori Werdiger","doi":"10.1515/naha-2020-0005","DOIUrl":"https://doi.org/10.1515/naha-2020-0005","url":null,"abstract":"Abstract This article introduces and discusses a short correspondence that took place in November 1931 between Gershom Scholem and Jacob Gordin. Gordin was a Russian-Jewish philosopher of religion, an expert on Hermann Cohen, and a founding figure of the postwar Paris School of Jewish Thought. The initial motivation for the correspondence was Scholem’s wish to produce a critical edition of the 17th century kabbalistic work, Shaar Hashamayim by Abraham Cohen Herrera, for which he asked for Gordin’s help. A close reading of Gordin’s response to Scholem and Scholem’s belated response to Gordin highlight the respective views of these thinkers regarding the relationship between kabbalah and Western philosophy in the modern era, and in German idealism in particular. The article is followed by a translation of the correspondence.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"14 1","pages":"297 - 312"},"PeriodicalIF":0.1,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/naha-2020-0005","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45045983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2020-11-30DOI: 10.1515/naharaim-2019-0018
Massimiliano De Villa
{"title":"“Es gibt nur eine Sprache”: The ‘task of the translator’ in Rosenzweig’s Idea of Language and Redemption. Its Conceptual Homologies and Expansions","authors":"Massimiliano De Villa","doi":"10.1515/naharaim-2019-0018","DOIUrl":"https://doi.org/10.1515/naharaim-2019-0018","url":null,"abstract":"\u0000 The concurrence of different languages is one of the tenets of Rosenzweig Sprachdenken and of his translation activity which finds its main theoretical explication in the afterword to his ‘Zweiundneunzig Hymnen und Gedichte des Yehuda Halevi’ (Konstanz, Wöhrle, 1924). In the afterword to the translation of ha-Levi’s lyrical corpus, Rosenzweig outlines a translation model which, trying to convey all the morphological, syntactic and lexical traits of the source language into the target language, gives way to a real linguistic fusion which defies the limits and boundaries of expression and opens onto a redemptive perspective. On the basis of this concluding note and of some passages from ‘The Star of Redemption’, the article tries to analyse Rosenzweig’s idea of language and of its nexus with the idea of redemption with reference to Walter Benjamin’s famous essay ‘The Task of the Translator’ and, as a point of convergence, with Paul Celan’s conception of poetic language.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":" ","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41555930","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
NaharaimPub Date : 2020-11-30DOI: 10.1515/naha-2019-0018
Massimiliano De Villa
{"title":"“Es gibt nur eine Sprache”: The ‘Task of the Translator’ in Rosenzweig’s Idea of Language and Redemption. Its Conceptual Homologies and Expansions","authors":"Massimiliano De Villa","doi":"10.1515/naha-2019-0018","DOIUrl":"https://doi.org/10.1515/naha-2019-0018","url":null,"abstract":"Abstract The concurrence of different languages is one of the tenets of Rosenzweig Sprachdenken and of his translation activity which finds its main theoretical explication in the afterword to his ‘Zweiundneunzig Hymnen und Gedichte des Yehuda Halevi’ (Konstanz, Wöhrle, 1924). In the afterword to the translation of ha-Levi’s lyrical corpus, Rosenzweig outlines a translation model which, trying to convey all the morphological, syntactic and lexical traits of the source language into the target language, gives way to a real linguistic fusion which defies the limits and boundaries of expression and opens onto a redemptive perspective. On the basis of this concluding note and of some passages from ‘The Star of Redemption’, the article tries to analyse Rosenzweig’s idea of language and of its nexus with the idea of redemption with reference to Walter Benjamin’s famous essay ‘The Task of the Translator’ and, as a point of convergence, with Paul Celan’s conception of poetic language.","PeriodicalId":40309,"journal":{"name":"Naharaim","volume":"14 1","pages":"153 - 171"},"PeriodicalIF":0.1,"publicationDate":"2020-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1515/naha-2019-0018","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41739653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}