“Es gibt nur eine Sprache”: The ‘Task of the Translator’ in Rosenzweig’s Idea of Language and Redemption. Its Conceptual Homologies and Expansions

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY
Naharaim Pub Date : 2020-11-30 DOI:10.1515/naha-2019-0018
Massimiliano De Villa
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Abstract

Abstract The concurrence of different languages is one of the tenets of Rosenzweig Sprachdenken and of his translation activity which finds its main theoretical explication in the afterword to his ‘Zweiundneunzig Hymnen und Gedichte des Yehuda Halevi’ (Konstanz, Wöhrle, 1924). In the afterword to the translation of ha-Levi’s lyrical corpus, Rosenzweig outlines a translation model which, trying to convey all the morphological, syntactic and lexical traits of the source language into the target language, gives way to a real linguistic fusion which defies the limits and boundaries of expression and opens onto a redemptive perspective. On the basis of this concluding note and of some passages from ‘The Star of Redemption’, the article tries to analyse Rosenzweig’s idea of language and of its nexus with the idea of redemption with reference to Walter Benjamin’s famous essay ‘The Task of the Translator’ and, as a point of convergence, with Paul Celan’s conception of poetic language.
“翻译的使命”:罗森茨威格《语言与救赎观》中的“译者的任务”。它的概念同构与扩展
不同语言的并发性是罗森茨威格·斯普拉赫登肯及其翻译活动的原则之一,在他的《耶胡达·哈勒维的赞歌与编曲》(Konstanz, Wöhrle, 1924)的后记中找到了其主要的理论解释。在哈列维抒情语料翻译的后篇中,罗森茨威格提出了一种翻译模式,它试图将源语的所有形态、句法和词汇特征都传达到目的语中,让位于一种真正的语言融合,这种融合超越了表达的限制和界限,开启了一种救赎的视角。在此结语和《救赎之星》中的一些段落的基础上,本文试图以本雅明的著名论文《译者的任务》为参照,并以保罗·策兰的诗歌语言观为切入点,分析罗森茨威格的语言观及其与救赎观的关系。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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Naharaim
Naharaim HUMANITIES, MULTIDISCIPLINARY-
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