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The Commodified Happiness: The Only Established Source of Meaning in Oscar Wilde’s The Happy Prince and The Nightingale and the Rose 商品化的幸福:奥斯卡·王尔德《快乐王子》和《夜莺与玫瑰》中唯一确定的意义来源
Prague Journal of English Studies Pub Date : 2022-07-01 DOI: 10.2478/pjes-2022-0003
Younes Poorghorban
{"title":"The Commodified Happiness: The Only Established Source of Meaning in Oscar Wilde’s The Happy Prince and The Nightingale and the Rose","authors":"Younes Poorghorban","doi":"10.2478/pjes-2022-0003","DOIUrl":"https://doi.org/10.2478/pjes-2022-0003","url":null,"abstract":"Abstract Oscar Wilde’s fairy tales are not as well-recognised as his novel or his dramatic works. This paper circles around two of his tales, The Happy Prince and The Nightingale and the Rose. Through a postmodernist outlook, this study postulates the vigorous diatribe of Wilde against the consumer culture which was dominant within Victorian society. Wilde asserts that the Victorian mind-set claims that happiness is attainable through accumulating signs of affluence and he ironically mocks this notion of happiness which is entitled to commodified objects. To him, happiness is defined through a strict sense of Christian morality and Christ-like love and kindness. His aesthetic views are entangled with morality and he fails to celebrate art for art’s sake. Moreover, this study asserts that Wilde is aware of the dominant language games, and his application of the technical language game for the Prince, the Nightingale, and the Swallow is in debt to his monolithic morality or his opportunistic character. At last, Wilde refuses to celebrate beauty if morality is absent and in this way, his aesthetic concerns become rather contradictory.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124388749","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Book Review: Ladislav Vít The Landscapes of W.H. Auden’s Interwar Poetry: Roots and Routes (New York and London: Routledge, 2022). 143 pp 书评:Ladislav Vít W.H.奥登两次世界大战之间诗歌的景观:根源和路线(纽约和伦敦:劳特利奇，2022)。143页
Prague Journal of English Studies Pub Date : 2022-07-01 DOI: 10.2478/pjes-2022-0010
P. Chalupský
{"title":"Book Review: Ladislav Vít The Landscapes of W.H. Auden’s Interwar Poetry: Roots and Routes (New York and London: Routledge, 2022). 143 pp","authors":"P. Chalupský","doi":"10.2478/pjes-2022-0010","DOIUrl":"https://doi.org/10.2478/pjes-2022-0010","url":null,"abstract":"","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122879785","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The “bull goose looney” as a Totem Guide for Chief’s Writing Himself to Freedom “公牛鹅”作为酋长书写自由的图腾指南
Prague Journal of English Studies Pub Date : 2022-07-01 DOI: 10.2478/pjes-2022-0006
M. Somerville
{"title":"The “bull goose looney” as a Totem Guide for Chief’s Writing Himself to Freedom","authors":"M. Somerville","doi":"10.2478/pjes-2022-0006","DOIUrl":"https://doi.org/10.2478/pjes-2022-0006","url":null,"abstract":"Abstract This paper examines the institutionalisation of psychiatric treatment in Ken Kesey’s One Flew Over the Cuckoo’s Nest. Taking up the work of Michel Foucault, the paper examines how those suffering from mental illness were classified as disruptive and unfit for society, subsequently labelled mad and institutionalised in facilities more akin to semi-judicial structures than medical facilities. McMurphy, having manipulated a transfer for himself from a state work farm to what he perceives will be the less rigorous confines of a mental institution, epitomises the disruptive presence of the madmen, bringing a world of disorder and chaos to the staff and patients of the mental ward. Self-proclaimed as the head “bull goose looney”, McMurphy reflects the counter-culture movements of the 1960s in the United States in his rejection of the rules and regulations imposed upon him by what amounts to a totalitarian system of control. A wild indomitable force of nature, McMurphy becomes a totem for Chief and the other patients, an embodiment of the human spirit the patients have forfeited inside the institutional system.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122177037","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Mitford Voice: A Diachronic Inquiry into the “Upper-Crust” Accent of the Mitford Sisters 米特福德的声音:对米特福德姐妹的“上流社会”口音的历时性调查
Prague Journal of English Studies Pub Date : 2022-07-01 DOI: 10.2478/pjes-2022-0009
Federico Prina
{"title":"The Mitford Voice: A Diachronic Inquiry into the “Upper-Crust” Accent of the Mitford Sisters","authors":"Federico Prina","doi":"10.2478/pjes-2022-0009","DOIUrl":"https://doi.org/10.2478/pjes-2022-0009","url":null,"abstract":"Abstract The present paper sets out to investigate whether the conservative or upper RP accent of selected elderly speakers, namely three of the Mitford sisters, all members of the English aristocracy, manifests change or diachronic stability and uniformity over time. The typical conservative RP features looked for were: the LOT-CLOTH split, absence of the CURE-FORCE merger, SQUARE vowel realised as diphthong /εə/, SMOOTHING, KIT vowel in unstressed ending syllables and TRAP vowel realised as /æ/ instead of /a/. The procedure of the study consisted in the identification of the presence or absence of these specific features in the speech of three selected speakers in recordings made over, at least, a 15-year time span. The individuals studied were: Lady Mosley (née Diana Freeman-Mitford), Jessica Lucy Freeman-Mitford and Deborah Cavendish, Duchess of Devonshire (née Deborah Vivien Freeman-Mitford). The results of these comparisons suggest that elderly upper RP speakers are not highly influenced by changes in pronunciation taking place around them and mostly maintain the preferred pronunciation of their youth. In some cases, however, a general uncertainty amongst speakers of the accent, here detected in the presence of the CURE-FORCE merger, does affect the speech of individuals over the course of time.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127373204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Laughing with Beckett in Waiting for Godot and Endgame 在《等待戈多》和《终局之战》中与贝克特一起大笑
Prague Journal of English Studies Pub Date : 2022-07-01 DOI: 10.2478/pjes-2022-0005
Mohammad Masoodi Miyanrostaq, Seyyed Mehdi Mousavi
{"title":"Laughing with Beckett in Waiting for Godot and Endgame","authors":"Mohammad Masoodi Miyanrostaq, Seyyed Mehdi Mousavi","doi":"10.2478/pjes-2022-0005","DOIUrl":"https://doi.org/10.2478/pjes-2022-0005","url":null,"abstract":"Abstract This paper examines the use of laughter as redemption in Samuel Beckett’s Waiting for Godot and Endgame. By acknowledging the somatic life of characters, Beckett’s humour problematises un-embodied philosophies of life. Challenging Hugh Kenner’s claim that Beckett’s humour is not redemptive because of the dryness and repetitions involved, it is argued that the foregrounding of fragility and vulnerability is a way of expressing deeply humane laughter in Waiting for Godot and Endgame. While highlighting that the dialectic of lack and excess is one source of Beckettian laughter, the main thrust of the argument emphasises the possibility of transcendence in a comic situation. The play of lack and excess, rather than suspending transcendental redemption, presents the human condition in its existential mundane realities. Accordingly, visceral and repetitive laughter are discussed in the two plays to bring to the fore the ironic and redemptive aspect of the comic, especially in the scenes where some sort of existential humour is implied.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"87 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116754237","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rychter, Ewa, 2021. “Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s The Wild Girl. Prague Journal of English Studies, Volume 10, Number 1, pages 23-41. doi: 10.2478/pjes-2021-0002 赖克特，艾奥瓦，2021年。“在他们的双手之间传递一根打结的绳子”。米歇尔·罗伯茨《野女孩》中的圣经、妇女解放运动和妇女纽带。《布拉格英语研究杂志》，第10卷第1期，第23-41页。doi: 10.2478 / pj - 2021 - 0002
Prague Journal of English Studies Pub Date : 2022-05-02 DOI: 10.2478/pjes-2021-0008
{"title":"Rychter, Ewa, 2021. “Passing a looped and knotted string between their hands”. The Bible, the Women’s Liberation Movement and Women’s Bonds in Michèle Roberts’s The Wild Girl. Prague Journal of English Studies, Volume 10, Number 1, pages 23-41. doi: 10.2478/pjes-2021-0002","authors":"","doi":"10.2478/pjes-2021-0008","DOIUrl":"https://doi.org/10.2478/pjes-2021-0008","url":null,"abstract":"","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-05-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125902734","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Peter Ackroyd’s Distorted Psychogeography 彼得·阿克罗伊德的《扭曲的心理地理学
Prague Journal of English Studies Pub Date : 2021-07-01 DOI: 10.2478/pjes-2021-0004
K. Garayeva
{"title":"Peter Ackroyd’s Distorted Psychogeography","authors":"K. Garayeva","doi":"10.2478/pjes-2021-0004","DOIUrl":"https://doi.org/10.2478/pjes-2021-0004","url":null,"abstract":"Abstract This paper focuses on Peter Ackroyd’s unique type of psychogeographical writing. Therefore, apart from an overall elaboration on his works about London, it addresses his historiographic metafictional novels Hawksmoor (1985) and The House of Doctor Dee (1993). These esoteric novels provide insight into Ackroyd’s writing about the city in different time periods and make it possible to delve deeper into what this paper argues is his distinctive manner of implementing the notions of psychogeography. At the same time, it draws parallels from classical and contemporary psychogeography where appropriate and highlight his utilisation of it. The main aim of this paper is to reveal the ways in which Peter Ackroyd uses walking in the city to reflect its manipulative power over his characters which results in the transformation of their identities.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"117 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124181758","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disrupted Parenthood in Caryl Phillips’s The Final Passage 卡里尔·菲利普斯的《最后一段》中被打乱的亲子关系
Prague Journal of English Studies Pub Date : 2021-07-01 DOI: 10.2478/pjes-2021-0003
Anastasiia Fediakova
{"title":"Disrupted Parenthood in Caryl Phillips’s The Final Passage","authors":"Anastasiia Fediakova","doi":"10.2478/pjes-2021-0003","DOIUrl":"https://doi.org/10.2478/pjes-2021-0003","url":null,"abstract":"Abstract In his debut novel The Final Passage, first published in 1985, Caryl Phillips (dis)connects the English and the Caribbean spaces simultaneously imposing this inbetweenness onto his continuously misplaced characters. This paper explores the novel through the lens of disrupted parenthood, demonstrating that the ties between the family members mirror the inability of the protagonists to belong or to sustain relationships. By applying a postcolonial framework and including both canonical and recent texts produced in the field, this paper analyses how racial labels and assumptions weaken fragile bonds and further displace the characters as it also attempts to fill a gap since aspects of distress and breakdown are often neglected in literary criticism. Finally, given the background of the West Indies, the paper incorporates social and anthropological works dedicated to the region and connects Phillips’s narrative to the stories of migrants in contemporary Britain.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126650910","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Understanding the Function of Empathy through Laila Halaby’s West of the Jordan 从莱拉·哈拉比的《约旦之西》看共情的功能
Prague Journal of English Studies Pub Date : 2021-07-01 DOI: 10.2478/pjes-2021-0005
Ishak Berrebbah
{"title":"Understanding the Function of Empathy through Laila Halaby’s West of the Jordan","authors":"Ishak Berrebbah","doi":"10.2478/pjes-2021-0005","DOIUrl":"https://doi.org/10.2478/pjes-2021-0005","url":null,"abstract":"Abstract Arab American fiction has received great attention in the post-9/11 period. This ethnic literature has been put under a critical lens due to the aspects that shape it and the issues discussed in it. One of the main objectives of Arab American fiction is to bridge cultural differences and appeal to its readers, both Arabs and non-Arabs. This particular objective is achieved by the authors’ willingness to trigger empathetic engagement with their characters. As such, this paper looks at how Laila Halaby’s West of the Jordan (2003) functions in accordance with the poetics of empathy. In other words, the aim of this paper is to show how fiction appeals to its readers through empathy and how empathetic engagement sustains the characters-readers connection, taking West of the Jordan as a literary example. This paper suggests that empathy in fiction is multi-layered and serves different purposes. The arguments are based on a conceptual framework supported by scholarly perspectives of prominent critics and theorists such as Chielozona Eze, Heather Hoyt, and Suzanne Keen, to name just a few.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114238553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Discourse, Cultural Capital and Power Relations in Julian Barnes’s The Sense of an Ending 论朱利安·巴恩斯《终结感》中的话语、文化资本与权力关系
Prague Journal of English Studies Pub Date : 2021-07-01 DOI: 10.2478/pjes-2021-0006
E. Karagianni
{"title":"Discourse, Cultural Capital and Power Relations in Julian Barnes’s The Sense of an Ending","authors":"E. Karagianni","doi":"10.2478/pjes-2021-0006","DOIUrl":"https://doi.org/10.2478/pjes-2021-0006","url":null,"abstract":"Abstract The objective of this paper is to examine in which way the use of the oral and written discourse in Julian Barnes’s novel The Sense of an Ending (2011) reflects, on the one hand, a social hierarchy based on classificatory cultural, intellectual, and educational competencies and resources and, on the other, dominance strategies and power relations developed among the principal actors. It will be investigated how trivial discussions and letters exchanged between friends are deployed in order to sustain or eliminate control over the other(s) and indicate status positions. The proposed methodological framework of analysis is founded on Bourdieu’s approach to cultural capital, according to which cultural preferences are markers of social stratification, while highbrow aesthetic judgment is both a means to, and a stake in, upward social mobility. Foucault’s theory of a “decentralised” and ubiquitous power, dispersed at all levels and defined as an action directed to other people’s actions, will also be applied.","PeriodicalId":402791,"journal":{"name":"Prague Journal of English Studies","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124967903","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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