卡里尔·菲利普斯的《最后一段》中被打乱的亲子关系

Anastasiia Fediakova
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引用次数: 1

摘要

在1985年首次出版的处女作小说《最后的通道》中,卡里尔·菲利普斯(Caryl Phillips)将英国和加勒比海的空间联系起来,同时将这种中间性强加于他不断错位的人物身上。本文从破裂的父母关系的角度探讨了这部小说,证明了家庭成员之间的关系反映了主人公无法归属或维持关系。通过应用后殖民框架,包括该领域的经典和最新文本,本文分析了种族标签和假设如何削弱脆弱的纽带,并进一步取代角色,因为它也试图填补文学批评中经常被忽视的痛苦和崩溃方面的空白。最后,考虑到西印度群岛的背景,本文结合了该地区的社会和人类学著作,并将菲利普斯的叙述与当代英国移民的故事联系起来。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Disrupted Parenthood in Caryl Phillips’s The Final Passage
Abstract In his debut novel The Final Passage, first published in 1985, Caryl Phillips (dis)connects the English and the Caribbean spaces simultaneously imposing this inbetweenness onto his continuously misplaced characters. This paper explores the novel through the lens of disrupted parenthood, demonstrating that the ties between the family members mirror the inability of the protagonists to belong or to sustain relationships. By applying a postcolonial framework and including both canonical and recent texts produced in the field, this paper analyses how racial labels and assumptions weaken fragile bonds and further displace the characters as it also attempts to fill a gap since aspects of distress and breakdown are often neglected in literary criticism. Finally, given the background of the West Indies, the paper incorporates social and anthropological works dedicated to the region and connects Phillips’s narrative to the stories of migrants in contemporary Britain.
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