从莱拉·哈拉比的《约旦之西》看共情的功能

Ishak Berrebbah
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引用次数: 0

摘要

后9/11时期,阿拉伯裔美国人小说受到了极大的关注。这种民族文学由于其形成的方面和其中讨论的问题而被置于批判的镜头下。阿拉伯裔美国人小说的主要目标之一是弥合文化差异,吸引阿拉伯人和非阿拉伯人的读者。这个特殊的目标是通过作者愿意触发他们的角色的移情参与来实现的。因此,本文着眼于莱拉·哈拉比的《约旦之西》(2003)是如何根据移情诗学发挥作用的。换句话说,本文的目的是展示小说如何通过移情吸引读者,以及移情参与如何维持角色与读者的联系,以约旦西部为例。本文认为小说中的移情是多层次的,具有不同的目的。这些论点是基于一个概念框架,并得到著名评论家和理论家的学术观点的支持,如切洛佐纳·埃兹、希瑟·霍伊特和苏珊娜·基恩等。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Understanding the Function of Empathy through Laila Halaby’s West of the Jordan
Abstract Arab American fiction has received great attention in the post-9/11 period. This ethnic literature has been put under a critical lens due to the aspects that shape it and the issues discussed in it. One of the main objectives of Arab American fiction is to bridge cultural differences and appeal to its readers, both Arabs and non-Arabs. This particular objective is achieved by the authors’ willingness to trigger empathetic engagement with their characters. As such, this paper looks at how Laila Halaby’s West of the Jordan (2003) functions in accordance with the poetics of empathy. In other words, the aim of this paper is to show how fiction appeals to its readers through empathy and how empathetic engagement sustains the characters-readers connection, taking West of the Jordan as a literary example. This paper suggests that empathy in fiction is multi-layered and serves different purposes. The arguments are based on a conceptual framework supported by scholarly perspectives of prominent critics and theorists such as Chielozona Eze, Heather Hoyt, and Suzanne Keen, to name just a few.
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