East Asian Publishing and Society最新文献_第4页

Implications of the Many Versions of the Early Printings of Kaishien gaden, the Mustard Seed Garden Painting Manual 《开始园早期印本多版本启示》、《芥子园画册》

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East Asian Publishing and Society Pub Date : 2021-09-02 DOI: 10.1163/22106286-12341356

T. Ebrey

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Tangut Language and Manuscripts: An Introduction, written by Shi Jinbo and translated by Li Hansong 《方言与手稿导论》，史金波著，李汉松译

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East Asian Publishing and Society Pub Date : 2021-05-31 DOI: 10.1163/22106286-12341350

P. Kornicki

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Circulating the Code: Print Media and Legal Knowledge in Qing China, written by Ting Zhang 《流通法典:清代纸媒与法律知识》，张婷著

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East Asian Publishing and Society Pub Date : 2021-05-31 DOI: 10.1163/22106286-12341352

Taisu Zhang

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Daily life for the common people of China, 1850 to 1950: understanding Chaoben culture, written by Ronald Suleski 《1850年至1950年中国老百姓的日常生活:了解潮本文化》，苏勒斯基著

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East Asian Publishing and Society Pub Date : 2019-10-29 DOI: 10.1163/22106286-12341336

Nathan Vedal

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A Plain History of the Chronicles of the Three Kingdoms 三国志简史

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East Asian Publishing and Society Pub Date : 2019-10-29 DOI: 10.1163/22106286-12341332

Robert E. Hegel

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Recasting the past: an early modern Tales of Ise for children, written by Laura Moretti 劳拉·莫雷蒂写的《回顾过去：早期现代儿童Ise故事》

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East Asian Publishing and Society Pub Date : 2019-10-29 DOI: 10.1163/22106286-12341337

Tara M. McGowan

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The Peking Gazette: A Reader in Nineteenth-Century Chinese History, written by Lane J. Harris 《北京公报:19世纪中国历史上的一个读者》，作者:Lane J. Harris

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East Asian Publishing and Society Pub Date : 2019-10-29 DOI: 10.1163/22106286-12341335

Emily Mokros

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Archaistic Perfection: the Production of the Woodblock-Printed Edition of The Communist Manifesto in 1970s China 复古的完美：中国70年代《共产党宣言》木版印刷品的生产

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East Asian Publishing and Society Pub Date : 2019-10-29 DOI: 10.1163/22106286-12341334

L. Y. Yang

引用次数: 1

Chinese Fiction as a ‘Signal Bell of the Revolution’ and the Transregional Birth of an Author 作为“革命信号钟”的中国小说与作家的跨地域诞生

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East Asian Publishing and Society Pub Date : 2019-10-29 DOI: 10.1163/22106286-12341333

W. Hedberg

{"title":"Chinese Fiction as a ‘Signal Bell of the Revolution’ and the Transregional Birth of an Author","authors":"W. Hedberg","doi":"10.1163/22106286-12341333","DOIUrl":"https://doi.org/10.1163/22106286-12341333","url":null,"abstract":"\u0000This essay examines late nineteenth- and early twentieth-century interest in Shi Nai’an, the putative author of the traditional Chinese novel, The Water Margin. Despite the paucity of reliable evidence attesting to Shi Nai’an’s composition of The Water Margin, Japanese writers of the Meiji period were keenly interested in Shi on the basis of his alleged stature as a pioneering author of Oriental or East Asian (Tōyō) fiction. This characterization of Shi Nai’an was a byproduct of the recently established academic discipline of literary history in Japan, and the concomitant desire by Meiji-period historians to locate a literary text that could compete with Western works in terms of narrative and structural complexity. When late Qing-period Chinese authors became aware of Japanese writing on Shi Nai’an, they built on this budding biographical tradition by emphasizing Shi’s identification with an incipient Chinese nationalism, evidenced by his alleged resistance to the Mongol regime during the Yuan dynasty. The case study of Shi Nai’an thus illustrates the nexus between the construction of authorial personae and the pursuit of various ideological goals, as well as demonstrates the centrality of transregional literary contact in the formation of emergent concepts of authorship and canonization in modern East Asia.","PeriodicalId":40266,"journal":{"name":"East Asian Publishing and Society","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-10-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22106286-12341333","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45911748","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Huang Pilie and the Rituals of Book Collecting during an Age of Prosperity 黄丕烈与盛世的藏书仪式

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East Asian Publishing and Society Pub Date : 2019-02-26 DOI: 10.1163/22106286-12341328

D. Campbell

{"title":"Huang Pilie and the Rituals of Book Collecting during an Age of Prosperity","authors":"D. Campbell","doi":"10.1163/22106286-12341328","DOIUrl":"https://doi.org/10.1163/22106286-12341328","url":null,"abstract":"\u0000Apart from a number of brief visits to the capital required of him by his (unsuccessful) participation in the civil service examinations, the Suzhou bibliophile Huang Pilie 黃丕烈 (1765-1825) journeyed almost nowhere. Instead, books made their way to him, in great numbers. Huang devoted more than thirty years of his life to the acquisition, copying, and collating of ancient editions. He was one of the most important book collectors of what has been regarded as the golden age of private book collecting in China, the half-century covering the late years of the reign of the Qianlong emperor (1711-1799; r. 1736-1795) and the entire reign of the Jiaqing emperor (1760-1820; r. 1796-1820), an ‘Age of Prosperity’ (shengshi 盛世). For almost a decade between 1801 and 1811, this library owner, editor, bibliographer, publisher, and, in his final year, (again, somewhat unsuccessfully) bookseller, who styled himself as the Master besotted with imprints of the Song dynasty (Ning Song zhuren 佞宋主人) and was the owner of the famous Hundred Song Imprints in a Single Shed (Bai Song yichan 百宋一廛), also conducted a book ritual (ji shu 祭書) of his own devising whereby, every New Year’s Eve, he would lay out before a select number of guests his best acquisitions of the preceding year and undertake rituals more usually associated with ancestor worship. My paper discusses aspects of Huang Pilie’s life and work as a book collector with reference particularly to the 800 or so extant colophons he wrote for books either in his own collection or in those of his acquaintances.","PeriodicalId":40266,"journal":{"name":"East Asian Publishing and Society","volume":" ","pages":""},"PeriodicalIF":0.2,"publicationDate":"2019-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1163/22106286-12341328","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43878769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0