《开始园早期印本多版本启示》、《芥子园画册》

IF 0.3 0 ASIAN STUDIES
T. Ebrey
{"title":"《开始园早期印本多版本启示》、《芥子园画册》","authors":"T. Ebrey","doi":"10.1163/22106286-12341356","DOIUrl":null,"url":null,"abstract":"\nKaishien gaden was a widely read and influential pair of Japanese books based on the famous Chinese painting manual, Jieziyuan huazhuan. They are among the earliest examples of Japanese color printing. Close examination of many almost identical copies of Series A (1748) and Series B (1753) offers insight into the publishing practices of four different sets of publishers. Even with exemplars printed by the same publisher, there was much variation in the use of seals and color palettes, leading to many different states of each book. Assuming that each print run would be identical in not only the pages printed from the blocks, but also in the use of seals and colors, it can be estimated that there were roughly fifty to eighty print runs of each of these books over their 65–70 year initial history.","PeriodicalId":40266,"journal":{"name":"East Asian Publishing and Society","volume":"1 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2021-09-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Implications of the Many Versions of the Early Printings of Kaishien gaden, the Mustard Seed Garden Painting Manual\",\"authors\":\"T. Ebrey\",\"doi\":\"10.1163/22106286-12341356\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nKaishien gaden was a widely read and influential pair of Japanese books based on the famous Chinese painting manual, Jieziyuan huazhuan. They are among the earliest examples of Japanese color printing. Close examination of many almost identical copies of Series A (1748) and Series B (1753) offers insight into the publishing practices of four different sets of publishers. Even with exemplars printed by the same publisher, there was much variation in the use of seals and color palettes, leading to many different states of each book. Assuming that each print run would be identical in not only the pages printed from the blocks, but also in the use of seals and colors, it can be estimated that there were roughly fifty to eighty print runs of each of these books over their 65–70 year initial history.\",\"PeriodicalId\":40266,\"journal\":{\"name\":\"East Asian Publishing and Society\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-09-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"East Asian Publishing and Society\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1163/22106286-12341356\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ASIAN STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"East Asian Publishing and Society","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1163/22106286-12341356","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ASIAN STUDIES","Score":null,"Total":0}
引用次数: 0

摘要

《开世恩画登》是以中国著名画谱《解字园画传》为蓝本,广为阅读,影响深远的一对日本书籍。它们是日本彩色印刷最早的例子之一。仔细研究A系列(1748年)和B系列(1753年)的许多几乎相同的副本,可以深入了解四组不同出版商的出版实践。即使是同一出版商印刷的样本,印章和调色板的使用也有很大的差异,导致每本书都有许多不同的状态。假设每一次印刷都是相同的,不仅在印刷版的页面上,而且在印章和颜色的使用上,可以估计,在65-70年的初始历史中,每本书大约有50-80次印刷。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Implications of the Many Versions of the Early Printings of Kaishien gaden, the Mustard Seed Garden Painting Manual
Kaishien gaden was a widely read and influential pair of Japanese books based on the famous Chinese painting manual, Jieziyuan huazhuan. They are among the earliest examples of Japanese color printing. Close examination of many almost identical copies of Series A (1748) and Series B (1753) offers insight into the publishing practices of four different sets of publishers. Even with exemplars printed by the same publisher, there was much variation in the use of seals and color palettes, leading to many different states of each book. Assuming that each print run would be identical in not only the pages printed from the blocks, but also in the use of seals and colors, it can be estimated that there were roughly fifty to eighty print runs of each of these books over their 65–70 year initial history.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
CiteScore
0.30
自引率
0.00%
发文量
14
期刊介绍: East Asian Publishing and Society is a journal dedicated to the study of the publishing of texts and images in East Asia, from the earliest times up to the present. The journal provides a platform for multi-disciplinary research by scholars addressing publishing practices in China, Korea, Japan, Taiwan and Vietnam. East Asian Publishing and Society invites articles that treat any aspect of publishing history: production, distribution, and reception of manuscripts, imprints (books, periodicals, pamphlets, and single sheet prints), and electronic text. Studies of authorship and editing, the business of publishing, reading audiences and reading practices, libraries and book collection, the relationship between the state and publishing—to name just a few possible topics—are welcome.
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信