Ars Adriatica最新文献_第2页

Iskazi o ljudskom opstanku u škrtu i surovu podneblju 显示人类生存的严重性和严重性

Ars Adriatica Pub Date : 2022-12-30 DOI: 10.15291/aa.4075

Ivica Župan

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Skadarski ili papinski? Riječ o jednoj vrsti bakrenog novca koji se pripisuje srednjovjekovnom Skadru 恐怖还是帕皮尼？这是关于一种附在地中海框架上的铜钱

Ars Adriatica Pub Date : 2022-12-30 DOI: 10.15291/aa.4070

Marina Odak

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The castellum in Mogorjelo: A Contribution to a Long-Lasting Debate Mogorjelo城堡:对长期争论的贡献

Ars Adriatica Pub Date : 2022-12-30 DOI: 10.15291/aa.4072

Tin Turković, N. Maraković

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Još o fortifikacijskoj strukturi strada del soccorso u Šibeniku

Ars Adriatica Pub Date : 2022-12-30 DOI: 10.15291/aa.4067

Ivona Glavaš

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Đuro Tiljak i Krsto Hegedušić: skica za povijest jednog (ne) prijateljstva kroz prizmu odnosa prema socijalno angažiranoj umjetnosti

Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3561

Ivana Hanaček

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Crisis of the Early Modern Period, Caravaggism, and the Rise of Gallery Painting 近代早期的危机、Caravaggism与画廊绘画的兴起

Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3559

Nikola Dedić

{"title":"Crisis of the Early Modern Period, Caravaggism, and the Rise of Gallery Painting","authors":"Nikola Dedić","doi":"10.15291/aa.3559","DOIUrl":"https://doi.org/10.15291/aa.3559","url":null,"abstract":"In this essay, the emergence of Caravaggist naturalism has been analyzed at the intersection of two historical configurations. The first was a macro-process, an epochal crisis that the Reformation brought with it. The Reformation turn caused a comprehensive crisis of legitimacy that manifested itself in all spheres of life in Western culture: from religion to politics and to the status of images. The most important element of this early modern paradigm was the gradual formation of a new episteme (or system of knowledge organization) that can be defined as postclassical or modern. The classical episteme implied a fixed, stable, and static relationship between images, i.e. phenomena and words, i.e. discourse. The modern episteme was the moment of disintegration of this static worldview, when the organic connection between things and words, the visible and the sayable, came into danger and even a complete discrepancy. The second process took place on the micro-level and was related to the social structuring of Rome at the end of the 16th century, when there was an obvious gap between the “official” policy of the Church and the taste of high aristocratic circles; from this structuring arose the difference between the “official” art of the Counter-Reformation (which nurtured the aesthetics of the altarpiece) and the “unofficial” art, intended for the art market and consumption in a semi-private or completely profane social setting. The once unquestionable space of religion was thus split into the “micro-spaces” of politics and art, with their own special systems of legitimization.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48864080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pluteji centrične kompozicije kao polazište za identifikaciju nove klesarske radionice u Istri 中心作文的流动作为伊斯特拉新课堂研讨会的确定地点

Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3555

Nikolina Belošević

{"title":"Pluteji centrične kompozicije kao polazište za identifikaciju nove klesarske radionice u Istri","authors":"Nikolina Belošević","doi":"10.15291/aa.3555","DOIUrl":"https://doi.org/10.15291/aa.3555","url":null,"abstract":"U radu se tematiziraju istarski primjeri predromaničkih pluteja ukrašeni specifičnom inačicom centrične kompozicijske sheme s dijagonalnim osima i kružnim petljama na krajevima. Nekolicini lokalnih primjera poznatih iz ranije objavljene literature u ovom su radu pridruženi i dijelovi pluteja koji zbog fragmentarne sačuvanosti dosad nisu bili prepoznati kao dio navedene skupine. Razmatrani istarski primjeri dovode se u vezu s cjelovitije sačuvanim istovrsnim reljefima u regiji i umjetničkim središtima iz kojih su na poluotok mogle biti donesene takve kompozicije. Analizom morfoloških i izvedbenih osobina ulomaka ukrašenih razmatranom inačicom centrične kompozicije te njihovim povezivanjem s preostalim dijelovima skulpture s istih lokaliteta upućuje se na postojanje jedne izrazito kvalitetne i dosad neimenovane klesarske radionice, koja je početkom 9. stoljeća kamenim liturgijskim namještajem opremala crkve Pulske, ali i susjednih biskupija. Nove i vrlo složene kompozicije, među kojima i ona centrične osnove s dijagonalama i kružnim petljama na krajevima, svjedoče o plodnoj razmjeni utjecaja između klesara Istre i Veneta te o uklopljenosti poluotoka u suvremena likovna kretanja u razdoblju predromanike.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49428684","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Architecture and Freedom,” or How Attitudes Became Form at Trigon 69 "建筑与自由"或"态度如何成为形式

Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3560

Jasna Galjer

{"title":"“Architecture and Freedom,” or How Attitudes Became Form at Trigon 69","authors":"Jasna Galjer","doi":"10.15291/aa.3560","DOIUrl":"https://doi.org/10.15291/aa.3560","url":null,"abstract":"The topic of this paper is the “Architecture and Freedom” exhibition staged in 1969 at Künstlerhaus Graz as a key example of architectural representation. It was a radical venture into the field of conceptualising architecture, analogous to the contemporary curatorial experiments of Harald Szeemann, who relativised the boundaries between architecture, visual media and critique, counterculture, mass media, and conceptual art. Twenty-seven projects by Superstudio, Coop Himmel(b)lau, Hans Hollein, and other protagonists of radical architecture were submitted in response to an open call to design a hypothetical city in the year 2000, illustrating that exhibiting architecture had indeed become a discipline that accommodated a plurality of platforms, strategies, contexts, and actors. Thus, visitors were invited to record their impressions in a computer system, which projected those recordings into the exhibition space. Using the methodological apparatus of architectural history, critical theory, and cultural studies, the article explores the politics of representation and interpretation of architectural space within the framework of experimental curatorial practices. The aim is to contextualise the exhibition within the framework of radical and experimental curatorial practices and to reinterpret the specific ways in which architectural representation narrated specific cultural values.","PeriodicalId":40226,"journal":{"name":"Ars Adriatica","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48151332","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Igor Zidić u sarajevskom Izrazu (1962.)

Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3558

Dragan Čihorić

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Stambene palače kasnog 18. stoljeća u Rijeci 18日晚些时候的家庭河中的几个世纪

Ars Adriatica Pub Date : 2021-12-30 DOI: 10.15291/aa.3572

Petar Puhmajer

引用次数: 0