Journal of British and Irish Innovative Poetry最新文献_第2页

Thomas A. Clark in Conversation with David Bellingham 托马斯·a·克拉克与大卫·贝灵汉的对话

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Journal of British and Irish Innovative Poetry Pub Date : 2019-09-10 DOI: 10.16995/BIP.756

D. Bellingham

引用次数: 1

a place apart: Papers from the Edinburgh Symposium on the Poetry and Practice of Thomas A. Clark Papers from the Edinburgh Symposium on the Poetry and Practice of Thomas A. Clark 一个地方：托马斯·克拉克诗歌与实践爱丁堡研讨会论文

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Journal of British and Irish Innovative Poetry Pub Date : 2019-09-10 DOI: 10.16995/BIP.814

A. Tarbuck

引用次数: 0

Poetry's Law 诗歌定律

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Journal of British and Irish Innovative Poetry Pub Date : 2019-08-12 DOI: 10.16995/BIP.746

Joe Luna

引用次数: 0

Book Reviews: Toward. Some. Air. reviewed by Lila Matsumoto; For the Future reviewed by Shalini Sengupta 书评：走向。一些空气审查人：Lila Matsumoto；Shalini Sengupta评论的未来

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Journal of British and Irish Innovative Poetry Pub Date : 2019-07-30 DOI: 10.16995/BIP.1298

Lila Matsumoto, Shalini Sengupta

引用次数: 0

Conference Report: ‘Peter Larkin: Poetry, Phenomenology, and Ecology’, 26th of April 2017, University of Warwick. 会议报告:“彼得·拉金:诗歌、现象学和生态学”，2017年4月26日，华威大学。

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Journal of British and Irish Innovative Poetry Pub Date : 2019-07-22 DOI: 10.16995/BIP.1340

Gabriel James de Sousa, Gabriel James de Sousa

引用次数: 0

Bright Discontinuities: Peter Manson and Contemporary Scottish Poetry 明亮的间断：彼得·曼森与当代苏格兰诗歌

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Journal of British and Irish Innovative Poetry Pub Date : 2019-07-05 DOI: 10.16995/BIP.754

Stewart Sanderson

{"title":"Bright Discontinuities: Peter Manson and Contemporary Scottish Poetry","authors":"Stewart Sanderson","doi":"10.16995/BIP.754","DOIUrl":"https://doi.org/10.16995/BIP.754","url":null,"abstract":"Critical responses to Peter Manson’s work often refer to him as a Scottish or Glasgow-based poet. In a review of Manson’s 2017 pamphlet Factitious Airs, Alice Tarbuck proposes that one of the key things differentiating Manson from his avant-garde contemporaries is his attentiveness to place and particularly “to Scottish speech rhythms and cultural ideas.” Nonetheless, most critical writing on Manson has sought to read his work primarily in terms of international movements in experimental poetics. This article therefore considers Manson’s relationship with and place within contemporary Scottish poetry, asking what connections can be made between his writing and that of his geographical peers. Manson has, notably, written very sympathetically about Tom Leonard’s work. Another potential point of contact would be Object Permanence, which, like Poor. Old. Tired. Horse thirty years before, brought writers from Scotland into contact with new currents in international poetry (and vice versa). In Manson’s work as a translator of Mallarme there is also a connection with the modern(ist) Scottish tradition of poetic translation exemplified by Edwin Morgan. Situating Manson’s work in the landscape of contemporary Scottish poetry, this article asks to what extent this offers a potentially fruitful context within which to read his work – going on to explore what the implications of such a reading might be.","PeriodicalId":40210,"journal":{"name":"Journal of British and Irish Innovative Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-07-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49054643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

“Sourd-Muet”: The Poetics of Non-communication in Peter Manson’s ‘Sourdough Mutation’ “酵母- muet”:彼得·曼森“酵母突变”中的非传播诗学

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Journal of British and Irish Innovative Poetry Pub Date : 2019-05-15 DOI: 10.16995/BIP.765

Greg Thomas

{"title":"“Sourd-Muet”: The Poetics of Non-communication in Peter Manson’s ‘Sourdough Mutation’","authors":"Greg Thomas","doi":"10.16995/BIP.765","DOIUrl":"https://doi.org/10.16995/BIP.765","url":null,"abstract":"This article explores the formal characteristics of, and some possible motivations for, what I call ‘non-communication’ in Peter Manson’s 2014 poem-sequence ‘Sourdough Mutation’. Initially, I consider the distinctions between the compositional mode which defines this sequence and those which had characterised Manson’s previous poetry and prose – this distinction resting on a unique attentiveness in ‘Sourdough Mutation’ to the visual and sonic surfaces of language – before enumerating some of the grammatical, visual, and phonetic effects which generate this emphasis. I consider some potential influences on this aspect of the work, turning first to concrete poetry and secondly – and at greater length – to the Symbolist poetry of Stephane Mallarme. The main critical contention of this article is that ‘Sourdough Mutation’ partly constitutes a formal homage to the grammatical and phonetic playfulness of Mallarme’s poetry, an homage which could not have been incorporated into the translations of that poetry which Manson was concurrently producing because of his primary focus as a translator on the work’s semantic dimensions. Defining ‘Sourdough Mutation’ as ‘neo-symbolist’ on this basis, I consider some potential readings of the sequence’s political significance. Like Julia Kristeva’s reading of Mallarme’s poetry, the non-communicative register of ‘Sourdough Mutation’ might manifest a disturbance in the boundaries of the socially-mediated linguistic subject, with revolutionary implications. However, I acknowledge the tendency of this ‘Kristevan’ reading to lead to repetitive analysis of experimental poetry, and in conclusion offer an alternative, more contextually attentive 'political' reading of ‘Sourdough Mutation’, presenting its processes of formal permutation as analogies for the systems of financial exchange which precipitated the 2007-08 economic crash.","PeriodicalId":40210,"journal":{"name":"Journal of British and Irish Innovative Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-05-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43195174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Time, Attention and the Gift in the Work of Thomas A. Clark 托马斯·A·克拉克作品中的时间、注意力和天赋

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Journal of British and Irish Innovative Poetry Pub Date : 2019-05-14 DOI: 10.16995/BIP.766

A. Roberts

{"title":"Time, Attention and the Gift in the Work of Thomas A. Clark","authors":"A. Roberts","doi":"10.16995/BIP.766","DOIUrl":"https://doi.org/10.16995/BIP.766","url":null,"abstract":"This article considers Thomas A. Clark’s critical stance towards modernity embodied in: (a) the presentation of time in his work; (b) the specific ways in which it values forms of aesthetic attention; (c) its treatment of the theme of the gift. It argues that, while his poetry doesn’t engage in direct polemic, nor focus on overtly political themes, its ecopoetic underpinnings and aesthetic values have ethical and political force. It is suggested that the invocation of specific forms of attention in Clark’s work resists the quantification of human experience; that its reimagining of time critiques the discourses of instrumental efficiency; and that its celebration of the gift as a form of relation seeks to hold at bay the commodification of aesthetic values. Time and attention are interpreted here via Deleuze’s philosophy of time, expounded in Difference and Repetition and Logic of Sense; in particular the distinction between ‘generality’ and ‘repetition’ and the three syntheses of time. Art’s critical function is seen in terms of Adorno’s concept of the artwork as the ‘social antithesis of society’. T.J. Clark’s study of Poussin, which reinserts the temporality of viewing artworks into the interpretation of visual art, is considered as a model for aesthetic attention; the elements of pastoral and the theme of mortality in Poussin’s landscape painting parallels aspects of Thomas A. Clark’s work.","PeriodicalId":40210,"journal":{"name":"Journal of British and Irish Innovative Poetry","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2019-05-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41888162","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

a common idiom ... call it a place 一个常见的成语……叫它一个地方

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Journal of British and Irish Innovative Poetry Pub Date : 2019-05-14 DOI: 10.16995/BIP.733

T. Jones

引用次数: 0

Attention: Thomas A. Clark and Simone Weil 收件人：Thomas A.Clark和Simone Weil

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Journal of British and Irish Innovative Poetry Pub Date : 2019-05-13 DOI: 10.16995/BIP.732

Simone Kotva

引用次数: 3