Linguae &-Rivista di Lingue e Culture Moderne最新文献

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Enhancing Comprehension and Production of Argumentation through Critical Thinking Awareness-Raising 通过提高批判性思维意识来提高对论证的理解和产生
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/LING-2017-002-SEIF
M. Akbari, Z. Seifoori, Touran Ahour
{"title":"Enhancing Comprehension and Production of Argumentation through Critical Thinking Awareness-Raising","authors":"M. Akbari, Z. Seifoori, Touran Ahour","doi":"10.7358/LING-2017-002-SEIF","DOIUrl":"https://doi.org/10.7358/LING-2017-002-SEIF","url":null,"abstract":"Language pedagogy aims to equip learners with tools to cope critically with the complexity of the language input and rationally evaluate the authenticity of the data. An indispensable part of learning to read and write a foreign language should, hence, develop critical thinking skills that allow interpretation and accurate expression of overt and covert propositions. The purpose of this quasi-experimental study was to examine the impact of an eleven-session critical thinking (CT) awareness-raising (AR) mingled with an Advanced Writing Course on 50 male and female Iranian postgraduate TEFL students’ reading comprehension and the accuracy, complexity, and organization of their writing of argumentative texts. The participants in two intact classes were randomly assigned as the experimental and control groups. The treatment followed a reading to writing direction with a stronger focus on explicit presentation and practice of reading-embedded argumentation elements and CT skills in the experimental group. The control group, however, started off with the same materials with now CT focus and proceeded to the detailed process-oriented writing phase. Comparison of the groups’ reading and writing post-test scores verified superior performance of the experimental group in reading and writing of argumentative texts and offer pedagogical implications.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"31 1","pages":"111-130"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82849795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 6
French Poetic Realism and American Noir: “It’s always too late’” 法国诗意现实主义与美国黑色文学:“一切都太迟了”
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/LING-2017-002-MART
Rebecca E. Martin
{"title":"French Poetic Realism and American Noir: “It’s always too late’”","authors":"Rebecca E. Martin","doi":"10.7358/LING-2017-002-MART","DOIUrl":"https://doi.org/10.7358/LING-2017-002-MART","url":null,"abstract":"This paper investigates the connections between French Poetic Realism of the 1930s and American film noir and argues that their significance has been understated. The goals of this study are three-fold. It begins with an examination of the treatment of Poetic Realism in the most significant critical views of the genealogy of American film noir; then several films are analyzed in some detail to reinforce the connections and contrasts in specific French and American films. The paper concludes with several proposals about why the role of Poetic Realism has been so often presented as relatively insignificant.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"58 1","pages":"13-27"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83901430","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rear Window di Alfred Hitchcock e Mademoiselle Cœur Solitaire di Sébastien Ortiz. Dallo schermo alla pagina: un regolamento di sguardi Rear str阿尔弗雷德·希区柯克和Mademoiselle Cœ窗Solitaire sebastien Ortiz。从屏幕到页面:表情规则
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/ling-2017-002-amat
M. Amatulli
{"title":"Rear Window di Alfred Hitchcock e Mademoiselle Cœur Solitaire di Sébastien Ortiz. Dallo schermo alla pagina: un regolamento di sguardi","authors":"M. Amatulli","doi":"10.7358/ling-2017-002-amat","DOIUrl":"https://doi.org/10.7358/ling-2017-002-amat","url":null,"abstract":"Rear Window (1954), one of Alfred Hicthcock’s most successful films, is a constant object not only of critical reflection but also of creative manipulations and proliferations that go beyond the original medium. The film forms the backbone to Sebastien Ortiz’s novel Mademoiselle Coeur Solitaire (2005), which takes up and re-elaborates one of the secondary characters living in the internal courtyard onto which the apartment of the film’s protagonist faces. The article shows how, through a clever and amusing change of perspective, the novel tries to sabotage the Hitchcockian hypotext – and more generally the role of cinema –highlighting at the same time the themes and motives represented, thus reactivating the vision and confirming the fame of the master of suspense.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"24 1","pages":"95-110"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75383431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From Convicts to Contemporary Convictions: Two Hundred Years of Australian Crime Fiction 从罪犯到当代定罪:澳大利亚犯罪小说的两百年
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/LING-2017-002-KNIG
S. Knight
{"title":"From Convicts to Contemporary Convictions: Two Hundred Years of Australian Crime Fiction","authors":"S. Knight","doi":"10.7358/LING-2017-002-KNIG","DOIUrl":"https://doi.org/10.7358/LING-2017-002-KNIG","url":null,"abstract":"European Australia began in 1788 as an English jail, and from 1818 novels and stories appeared locally and in London about escaped convicts acting against free settlers, and sometimes Indigenous people resisting the taking of their land. Gold, discovered in 1851, brought new stories and locations, including suddenly rich Melbourne, and past convicts and bushrangers were recreated sympathetically as a tough, independent national image. Twentieth-century fiction continued to feature the crime novel and the bush detective; police remained unpopular, but some mid-century women writers used them before moving on to strong psychothrillers, while American war-time presence led to popular private-eye fiction. Both the imperial weight of London publishing and local literary prejudice made Australian crime fiction little known at home, but this changed by 1980, and well-recognised local crime writing and publishing has strongly developed. Private eyes, both men and women and even police detectives are well-known, crime novels and psychothrillers are flourishing, many contemporary issues are debated in the genre, including Indigenous writers and their concerns.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"33 1","pages":"59-74"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73454361","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“A Jaguar is an Awful Cat”. Animals and Animal Metaphors in James M. Cain’s Novels “美洲虎是一只可怕的猫”。詹姆斯·凯恩小说中的动物及其隐喻
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/LING-2017-002-SEGA
Giulio Segato
{"title":"“A Jaguar is an Awful Cat”. Animals and Animal Metaphors in James M. Cain’s Novels","authors":"Giulio Segato","doi":"10.7358/LING-2017-002-SEGA","DOIUrl":"https://doi.org/10.7358/LING-2017-002-SEGA","url":null,"abstract":"James M. Cain is often linked with hard-boiled writers such as Dashiell Hammett and Raymond Chandler. Actually, he wrote a different kind of novels, where there are no ‘private eye’ detectives and very few murders. Robert Polito describes them as Noir Novels, using a term normally associated with the famous Hollywood genre, because of their particular emphasis on psyche and drama issues – distinctive elements of the Film Noir Era.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"99 ","pages":"45-57"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72505925","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Investigazione e caos nei gialli postmoderni 后现代侦探的调查和混乱
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/LING-2017-002-DARC
G. Darconza, Gian Italo Bischi
{"title":"Investigazione e caos nei gialli postmoderni","authors":"G. Darconza, Gian Italo Bischi","doi":"10.7358/LING-2017-002-DARC","DOIUrl":"https://doi.org/10.7358/LING-2017-002-DARC","url":null,"abstract":"This paper is devoted to a comparison, leading to possible intersections and cross-fertilization, between the evolutions of mathematics and literature of the 20th century through the analysis of the concepts of deterministic chaos and complexity on the one hand, and detective and noir stories, from classical investigation novels to metaphysical thrillers in postmodern literature on the other.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"55 1","pages":"75-94"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90123355","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les particularités stylistiques du manuscrit de L’Église est une [Cerkov’odna], d’Alexeï Khomiakov 教堂手稿的风格特征是阿列克谢·霍米亚科夫(alexey Khomiakov)的《cerkov ' odna》
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2017-07-18 DOI: 10.7358/ling-2017-001-cava
Antonella Cavazza
{"title":"Les particularités stylistiques du manuscrit de L’Église est une [Cerkov’odna], d’Alexeï Khomiakov","authors":"Antonella Cavazza","doi":"10.7358/ling-2017-001-cava","DOIUrl":"https://doi.org/10.7358/ling-2017-001-cava","url":null,"abstract":"In Russia, during the Soviet era, Cerkov ‘odna (The One and Only Church) by A. S. Chomjakov was a censored work because of its religious content. Outside of its borders, in the West, it was known and quoted mostly by theologians and philosophers. Over the past twenty years, studies in Russian literature have shown the importance of this work. An echo of Cerkov ‘odna can, for example, be found, more or less explicitly, in the novels and poems of some great authors of the 19th and 20th centuries, such as, for example, L.N. Tolstoy, F.M. Dostoevsky and L.P. Karsavin. This article, however, focuses on its less frequently studied stylistic, which is characterized by a number of innovative choices.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"58 1","pages":"29-40"},"PeriodicalIF":0.0,"publicationDate":"2017-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85807737","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bruits en lettres brutes. Variations onomatopéiques dans trois mouvements d’avant-garde au XXe siècle: Futurisme, Dadaïsme, Lettrisme 原始字母的噪音。20世纪三个前卫运动的拟声变奏:未来主义、达达主义、lettrism
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2017-07-18 DOI: 10.7358/LING-2017-001-FARGI
Noémie Fargier
{"title":"Bruits en lettres brutes. Variations onomatopéiques dans trois mouvements d’avant-garde au XXe siècle: Futurisme, Dadaïsme, Lettrisme","authors":"Noémie Fargier","doi":"10.7358/LING-2017-001-FARGI","DOIUrl":"https://doi.org/10.7358/LING-2017-001-FARGI","url":null,"abstract":"Standing between an original expression and a universal language, a poetic game and a linguistic system, onomatopoeia occupied a cen­tral spot in three avan­t-gardes of the twen­tieth-cen­tury: futurism, dadaism, lettrism, regarding their own artistic research and the competition between them. Audible, graphic and linguistic material composing works halfway between poetry, music and graphic arts, onomatopoeia seems to converge in the three avan­t-gardes’ artistic and historic goals because of their intermedial, interdisciplinary and transnational dimension. They assert themselves by shaping this ambiguous material in a new approach, and each of them pretends to be the inven­tor of the onomatopoeic creation. Questioning origin, onomatopoeia looks however toward novelty, and wish to appear as a modern medium, with which the so-called fossilized arts could be revolutionized.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"43 1","pages":"41-58"},"PeriodicalIF":0.0,"publicationDate":"2017-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73190343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les procédés métalinguistiques et la saisie du référent exotique. Le cas d’incompatibilité sémantico-référentielle 元语言过程和外来指称物的输入。语义-引用不兼容的情况
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2017-07-18 DOI: 10.7358/LING-2017-001-POUR
Afsaneh Pourmazaheri
{"title":"Les procédés métalinguistiques et la saisie du référent exotique. Le cas d’incompatibilité sémantico-référentielle","authors":"Afsaneh Pourmazaheri","doi":"10.7358/LING-2017-001-POUR","DOIUrl":"https://doi.org/10.7358/LING-2017-001-POUR","url":null,"abstract":"Which metalinguistic processes are used in a travel narrati­ve, when the universe of reference (which serves as the referen­tial framework experienced by the author-traveler) is fundamen­tally heterogeneous to the language of the author and to his readers? What does he do to name the referen­ts which have not received a name in that language? This is an importan­t question especially at the beginning of the nineteen­th cen­tury when Orien­talists began to take an interest in the East. The Western author feels a priori that his poten­tial reader is capable of grasping the represen­tations he transcribed of real referen­ts of exotic character. However, the estimate made is false, resulting in a break in understanding on the reader’s side. This occurs especially when the textual referen­t moves away from the “real” referen­t. The cogniti­ve and seman­tic-referen­tial difference or approximation are analyzed in the case of unexplained foreign words, using the strategies implemen­ted by the author that we will discuss. For us, it is a question of studying, from a seman­tico-discursive perspecti­ve, the differen­t processes that allow the writer to describe the exotic referen­t, starting from a limited corpus of texts of French travelers in Persia in the nineteen­th cen­tury.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"12 1","pages":"9-28"},"PeriodicalIF":0.0,"publicationDate":"2017-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74416025","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
On the Threshold: Time and the Speaking Subject in Harold Pinter’s Silence 在门槛上:品特《沉默》中的时间与说话主体
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2017-07-18 DOI: 10.7358/ling-2017-001-nori
Beatrice Nori
{"title":"On the Threshold: Time and the Speaking Subject in Harold Pinter’s Silence","authors":"Beatrice Nori","doi":"10.7358/ling-2017-001-nori","DOIUrl":"https://doi.org/10.7358/ling-2017-001-nori","url":null,"abstract":"The article investigates Harold Pinter’s play Silence from a linguistic and phenomenological point of view. Silence is probably one of the least studied – though one of the most difficult and compelling – of Pinter’s plays. The author iden­tifies the broken syntax and the combi­nation of utterances and silences as indicators of time and space shifts. She claims that the patchwork which appears from the structure of the play depicts the loss of logic, and that the abandonmen­t of chronological time in linguistic terms conveys the subjecti­ve, circular, and illogical elemen­t of the human experience of time. Characters’ bodies and utterances materialize both their own past recollections and their presen­t experiences. The presen­t work may be useful to theatre scholars as an example of drama as a portrayal of philosophical and linguistic theories about time and discourse.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"93 1","pages":"59-72"},"PeriodicalIF":0.0,"publicationDate":"2017-07-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91200360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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