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Ushering in the Soundscape: For a Poetics of Listening across Time and Space 引入音景:跨时空聆听的诗学
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-cala
A. Calanchi
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引用次数: 0
Silences that Ride the Air: Soundscaping Slavery in Caryl Phillips’s Crossing the River 寂静飘过空气:卡里尔·菲利普斯的《渡河》中的奴隶制声景
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-temp
Carla Tempestoso
{"title":"Silences that Ride the Air: Soundscaping Slavery in Caryl Phillips’s Crossing the River","authors":"Carla Tempestoso","doi":"10.7358/ling-2020-001-temp","DOIUrl":"https://doi.org/10.7358/ling-2020-001-temp","url":null,"abstract":"Is anyone listening out there? The artists who write and produce radio dramas believe that a limitless imaginative world is possible. Radio drama is the most flexible of forms, allowing a freedom to experiment usually inhibited by considerations of space, time, and money in live theatre. It is no coincidence that the experimental nature of Caryl Phillips’s radio plays fits perfectly into Brater’s idea of “performative voice” (Brater 1994). Caryl Phillips’s Crossing the River (1985), in particular, illustrates the necessity of filling silence with something, anything at all, by telling the Africans’ trade story and trauma created by way of soundscaping sounds, pauses and silences.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"9 6 1","pages":"119-131"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88072153","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Loss of Identity in the Urban Soundscape of John Gay’s Trivia 约翰·盖伊的《琐事》中城市声景中的身份丧失
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-klav
J. Klaver
{"title":"Loss of Identity in the Urban Soundscape of John Gay’s Trivia","authors":"J. Klaver","doi":"10.7358/ling-2020-001-klav","DOIUrl":"https://doi.org/10.7358/ling-2020-001-klav","url":null,"abstract":"Literary critics and historians have often stressed the importance of the sensory experience in John Gay’s Trivia (1716) and have concentrated on the visual impact of the London cityscape as being responsible for the sensory impressions in the poem. But, as Trivia’s London is largely represented by street noise, this essay argues that it is above all sound that gives the poem this impressionistic quality. City noise is constantly present as a backdrop to Gay’s eighteenth-century urban setting. Moreover, much of the text reveals social tensions in an urban setting where individual identities are effaced, and Trivia’s speaker is constantly at pains to preserve the integrity of his own self. But as neither silence nor distance are possible in Gay’s London, there is no escape from the crowd’s press or from the continuous invasion of sound. Especially the emphasis on the presence of traffic noise, and the allusions to Homeric and Biblical chariots of war, turns into a powerful symbol of fear of the city as a place of moral degradation and cultural annihilation.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"30 1","pages":"19-33"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"80615564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Animal Soundscape of Thoreau’s Walden 梭罗《瓦尔登湖》中的动物声景
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-bugl
Paolo Bugliani
{"title":"The Animal Soundscape of Thoreau’s Walden","authors":"Paolo Bugliani","doi":"10.7358/ling-2020-001-bugl","DOIUrl":"https://doi.org/10.7358/ling-2020-001-bugl","url":null,"abstract":"This essay singles out the peculiar animal soundscape that Thoreau sketches in Walden, especially in the following chapters: “Higher Laws”, “Brute Neighbors” and “Winter Animals”. In them, in fact, the ‘I’ describes and recollects the voices of the various animals at Walden Pond. In order to make sense of this variegated and multifarious soundscape, Thoreau resorts to many possible exegetic tools, among which there is literature.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"85 1","pages":"51-76"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81211782","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Soundscape of Ophelias Zimmer / Ophelia’s Room 奥菲利亚斯·齐默的音景/奥菲利亚的房间
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-mont
Maria Elisa Montironi
{"title":"The Soundscape of Ophelias Zimmer / Ophelia’s Room","authors":"Maria Elisa Montironi","doi":"10.7358/ling-2020-001-mont","DOIUrl":"https://doi.org/10.7358/ling-2020-001-mont","url":null,"abstract":"Ophelias Zimmer / Ophelia’s Room is a feminist spin-off of Shakespeare’s Hamlet. It retells the famous story of the Prince of Denmark from Ophelia’s perspective and questions issues about the plot that are taken for granted – first and foremost, the reasons that led to the girl’s death. As it will be shown in this paper, the play tells the story of Hamlet not only from Ophelia’s viewpoint, but also from her ‘earpoint’ and thus defies ocularcentric theatre semiosis and builds a soundscape capable of denouncing the patriarchy even more effectively than both visual and linguistic elements. In this paper, Ophelias Zimmer / Ophelia’s Room will be analysed using emerging theories on ‘theatre noise’ to demonstrate the dramatic and semiotic value of the play’s silences, sounds, noises, embodied sounds, and musicality.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"1 1","pages":"133-154"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91034706","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Langston Hughes. Interplay, bebop & hip hop 兰斯顿·休斯。互动，比波普和嘻哈
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-elia
A. Elia
{"title":"Langston Hughes. Interplay, bebop & hip hop","authors":"A. Elia","doi":"10.7358/ling-2020-001-elia","DOIUrl":"https://doi.org/10.7358/ling-2020-001-elia","url":null,"abstract":"In Langston Hughes’s poetics, the blues assumed a cathartic role in facing adversities, taking the shape of both a declaration of sorrow as well as of a therapy helping to relieve it, often by weakening its tragic elements through irony. To this purpose, Hughes wrote poems that could reproduce the rhythms, melodies and harmonies of the blues, using the music as an accompaniment to his suggestive poetic readings. This paper addresses the interaction of poetry and music in some of Hughes’s works. In particular, we shall focus on the one hand on the issue of the interplay between poet, musicians and public, and on the other on the influence exerted by his readings on a contemporary movement such as hip hop, revealing itself both in formal terms – rhythmic and syncopated lyrics, ideal to be read aloud – and in content, encouraging an assertive ethics aimed at the development of a form of art freed from the white dominant culture.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"3 1","pages":"103-118"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84916056","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Singing Corporate Social Responsibility: A Multimodal Analysis of the 2018 Budweiser Super Bowl Commercial 歌唱企业社会责任:2018年百威超级碗广告的多模式分析
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-mowi
Ilaria Moschini, Johnny Wingstedt
{"title":"Singing Corporate Social Responsibility: A Multimodal Analysis of the 2018 Budweiser Super Bowl Commercial","authors":"Ilaria Moschini, Johnny Wingstedt","doi":"10.7358/ling-2020-001-mowi","DOIUrl":"https://doi.org/10.7358/ling-2020-001-mowi","url":null,"abstract":"The 2018 Super Bowl Commercial of the Budweiser Beer is entitled “Stand by You” and revolves around the pluriannual Water Donation Program of the Anheuser-Busch brewing company. The video features images of the employees of the Budweiser Cartersville, GA brewery organizing the emergency drinking water delivery with the help of American Red Cross, its partner in such disaster-relief efforts over the past 30 years. The images are accompanied by a cover of the 1961 Ben E. King iconic song “Stand by me”. Adopting a socio-semiotic multimodal perspective, the paper aims at analyzing the meaning-making construction of the video in its YouTube contextualization. In detail, the focus of the paper is to understand how the sound and the lyrics of the cover, with their cultural, linguistic and semiotic layers of meaning, constitute the semiotic entry point in the narration and create the soundscape for the framing of Corporate Social Responsibility.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"6 1","pages":"155-171"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89257480","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Silence and Voices in James’s Venice 詹姆斯的威尼斯的沉默与声音
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-zorz
R. Zorzi
{"title":"Silence and Voices in James’s Venice","authors":"R. Zorzi","doi":"10.7358/ling-2020-001-zorz","DOIUrl":"https://doi.org/10.7358/ling-2020-001-zorz","url":null,"abstract":"Henry James’s descriptions, rich in visual details, often seem ‘muted’ from the point of view of sound. However, one particular sound seems to interest him more and more through the years: voices. In his works on Venice, voices seem to acquire a special value against the silence of the city, i.e. the absence of mechanical noises. Voices belong to people, but also to Venetian buildings, forecasting the use of voices regularly attributed to buildings in The American Scene. In Venice, gondoliers’ voices have a special relevance: in spite of their “contempt for consonants and other disagreeables” James does not seem to condemn them, on the contrary he appreciates them. An odd position for a writer who criticized harshly the language of American women and of ethnic groups in America. The reason may be ascribed to the fact that Italian is not the beloved language of Shakespeare and of American democracy, but also to the dreamlike quality of the city, or to the writer’s seeing Venice as a woman with whom he falls in love.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"7 1","pages":"91-102"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90052883","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mani che cantano e occhi che ascoltano. La percezione musicale nei non udenti 唱歌的手，倾听的眼睛。聋人的音乐感知
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2020-07-16 DOI: 10.7358/ling-2020-001-ross
Enrica Rossi
{"title":"Mani che cantano e occhi che ascoltano. La percezione musicale nei non udenti","authors":"Enrica Rossi","doi":"10.7358/ling-2020-001-ross","DOIUrl":"https://doi.org/10.7358/ling-2020-001-ross","url":null,"abstract":"Hands that Sing, Eyes that Listen: How the Deaf Perceive Music – Can deaf people hear music? And can they enjoy and appreciate what hearing people do when attending live events such as concerts or music shows? The answer to both questions is yes, and the present paper examines how vibrating instruments, generous sign language interpreters and the senses of touch and sight – generally devoted to touching and seeing – may be transformed into powerful tools to break down barriers, build relationships and foster active and effective communication. All this can be achieved through a collective, universal language, the language of music, which is able to bring to life silent but truly vibrant soundscapes.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"116 1","pages":"193-200"},"PeriodicalIF":0.0,"publicationDate":"2020-07-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77812482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Fin-de-Siècle 'Femme Fatale' and the God Pan 《蛇蝎美人》和《潘神
Linguae &-Rivista di Lingue e Culture Moderne Pub Date : 2018-02-06 DOI: 10.7358/LING-2017-002-AMBR
Luca Ambrogiani
{"title":"The Fin-de-Siècle 'Femme Fatale' and the God Pan","authors":"Luca Ambrogiani","doi":"10.7358/LING-2017-002-AMBR","DOIUrl":"https://doi.org/10.7358/LING-2017-002-AMBR","url":null,"abstract":"This study offers a reading of the widespread character type of the ‘Femme Fatale’ which focuses on the developments of this figure as a trope of Decadent literature in British works of the 1890s. In particular, the paper finds an element of comparison between the Decadent orientation towards an instrumental depiction of the Orient and the portrayal, in theater and fiction, of mysterious and seductive women corresponding to the trope. The texts used to illustrate the functional role of these female characters are Oscar Wilde’s play Salome and Arthur Machen’s novella The Great God Pan, both of which employ aestheticizing strategies that are meant to elevate the object of desire by making it inaccessible. These strategies are ultimately defined as a process of identification between Wilde’s and Machen’s female protagonists and the features, or remnants, of a remote, pagan past.","PeriodicalId":40208,"journal":{"name":"Linguae &-Rivista di Lingue e Culture Moderne","volume":"111 1","pages":"29-44"},"PeriodicalIF":0.0,"publicationDate":"2018-02-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79063437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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