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Agnès Varda’s cinematic writing as political art in Black Panthers 阿格尼斯·瓦尔达在《黑豹》中作为政治艺术的电影创作
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00067_1
R. McLaughlin
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引用次数: 0
Manufactured memory and the still photograph: Agnès Varda’s short films Ydessa, les ours et etc… (Ydessa, The Bears and etc…) (2004) and Ulysse (1983) 人造记忆和静态照片：阿格尼斯·瓦尔达的短片《Ydessa》、《les ours》等（《Ydesza》、《熊》等）（2004年）和《尤利西斯》（1983年）
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00068_1
Julia Erhart
{"title":"Manufactured memory and the still photograph: Agnès Varda’s short films Ydessa, les ours et etc… (Ydessa, The Bears and etc…) (2004) and Ulysse (1983)","authors":"Julia Erhart","doi":"10.1386/sfs_00068_1","DOIUrl":"https://doi.org/10.1386/sfs_00068_1","url":null,"abstract":"This article explores how Agnès Varda’s short films Ydessa, les ours et etc… (2004) and Ulysse (1983) examine the role of the photograph in relation to memory and the past. Although the photos that each film scrutinizes have been produced and exhibited under different circumstances, they are alike in providing opportunities for Varda to inquire about their status as archival documents and interrogate the versions of the (sometimes idealized) pasts they appear to depict. While there are pleasures, in both films, for viewers gazing at such imagery, both films advocate a more reflexive approach to the fantasized histories and imagined stories on offer.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47978148","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Original Screenplay for No Bikini(Shooting Script)From the short story by Ivan E. Coyote© Unbound Films, 2007 《不穿比基尼》的原创剧本(拍摄剧本)来自短篇小说Ivan E. Coyote©Unbound Films, 2007
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00063_7
Morgado E. Claudia, Ivan E. Coyote
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引用次数: 0
Enjoyment and alienation of an embodied life 对具体生活的享受和异化
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00073_1
F. Andreescu
{"title":"Enjoyment and alienation of an embodied life","authors":"F. Andreescu","doi":"10.1386/sfs_00073_1","DOIUrl":"https://doi.org/10.1386/sfs_00073_1","url":null,"abstract":"No Bikini playfully reveals the inherent human complexities that render the body simultaneously a site of discipline and shame as well as one of freedom and enjoyment. This article explores Robin’s embodied experience of her symbolic sex change. It does so via three Lacanian\u0000 ontological registers, namely: imaginary, symbolic and real.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41755812","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Historicity and photography in Salut Les Cubains Historicity and Photography in History古巴人
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00066_1
Brittany Murray
{"title":"Historicity and photography in Salut Les Cubains","authors":"Brittany Murray","doi":"10.1386/sfs_00066_1","DOIUrl":"https://doi.org/10.1386/sfs_00066_1","url":null,"abstract":"\u0000Salut les Cubains, Agnès Varda’s short film released in 1963, deploys black-and-white photographs to capture Cuba at a moment of historical transition. Situating the film within the tradition of political films that use a similar formal device, this article explores how the tension between moving and still images in Salut les Cubains honours a momentous present and an uncertain future.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43346057","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beside Du Côté de la côte (1958): Agnès Varda’s early applied cinephilia 海岸边（1958年）：阿格尼丝·瓦尔达的早期应用电影
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00069_1
Tim Palmer
{"title":"Beside Du Côté de la côte (1958): Agnès Varda’s early applied cinephilia","authors":"Tim Palmer","doi":"10.1386/sfs_00069_1","DOIUrl":"https://doi.org/10.1386/sfs_00069_1","url":null,"abstract":"This article reappraises Agnès Varda’s formative career as she made Du Côté de la côte in 1958. To do this, it explores Varda’s situation within the post-war French film ecosystem before the French New Wave, how she engaged key practices\u0000 of that overlooked era. By studying the ways Varda directly cites peer productions in Du Côté de la côte, we reveal her as heir to, and in dialogue with, a number of significant but neglected practitioners, notably women like Nicole Vedrès, Jacqueline Jacoupy\u0000 and Yannick Bellon. Extrapolating from these creative protocols, we can properly gauge Varda’s primary, and long-term, affinities for short films and essay films, two formats that film studies is often reluctant to recognize, let alone canonize. Nourishing Varda’s work as a post-war\u0000 short film essayist, we will also discover how applied cinephilia ‐ intertextual deployments of film history that catalyse actual filmmaking ‐ informed Varda’s professional rise.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49307100","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Beyond documentary: Alanis Obomsawin’s cinematic worldview 超越纪录片:Alanis Obomsawin的电影世界观
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00071_1
Caitlyn Doyle
{"title":"Beyond documentary: Alanis Obomsawin’s cinematic worldview","authors":"Caitlyn Doyle","doi":"10.1386/sfs_00071_1","DOIUrl":"https://doi.org/10.1386/sfs_00071_1","url":null,"abstract":"This article reads Alanis Obomsawin’s short film When All the Leaves are Gone as a privileged site for understanding the aesthetic politics at stake in her cinematic worldview. Departing from both the conventions of documentary film as well as the filmmaker’s own\u0000 established style, the aesthetic logic of this short film models a more profound antagonism between the settler and Indigenous worldviews than her work is conventionally understood to embrace.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41792375","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Germinating the Ant Plant 使蚂蚁植物发芽
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00072_1
G. Dolgopolov
{"title":"Germinating the Ant Plant","authors":"G. Dolgopolov","doi":"10.1386/sfs_00072_1","DOIUrl":"https://doi.org/10.1386/sfs_00072_1","url":null,"abstract":"This article is an investigation into how short film ideas are conceived. It examines Ant Plant as a case study of inspiration based in bio-art, the Australian bushfires of 2020 and critical plant studies. The Ant Plant is set in an apocalyptic near future, in a burnt environment. The Guardian seeking to regenerate near-extinct species summons her brethren to deliver rare plants to her at the Greenhouse. A young woman hears the call and sets off on an arduous journey to deliver the key to a conserved plant kingdom – symbiotic Ant Plant.1","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41830971","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Teaching L’Opéra-Mouffe (1958) 教歌剧-莫夫（1958）
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00070_1
Colleen Kennedy‐Karpat
{"title":"Teaching L’Opéra-Mouffe (1958)","authors":"Colleen Kennedy‐Karpat","doi":"10.1386/sfs_00070_1","DOIUrl":"https://doi.org/10.1386/sfs_00070_1","url":null,"abstract":"This article describes the advantages of teaching Agnès Varda’s early short film L’Opéra-Mouffe, known in English as Diary of a Pregnant Woman, in an introductory course on film form. This award-winning, sixteen-minute film offers a compelling demonstration of the core characteristics of the essay film, along with readily teachable examples of visual metaphor, cinematography, sound, and editing. Its cultural and auteurist contexts can also complement a variety of curricular topics, including the French New Wave and Left Bank creators, post-war France, and feminist filmmaking. Finally, its focus on Varda’s personal experience of pregnancy also makes L’Opéra-Mouffe an ideal vehicle to introduce radical feminist pedagogies that recognize and value personal experience as a valid way of knowing about the world.","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48931538","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
An interview with Claudia Morgado E. on No Bikini Claudia Morgado E.关于“没有比基尼”的采访
Short Film Studies Pub Date : 2022-05-01 DOI: 10.1386/sfs_00065_7
M. Meek
{"title":"An interview with Claudia Morgado E. on No Bikini","authors":"M. Meek","doi":"10.1386/sfs_00065_7","DOIUrl":"https://doi.org/10.1386/sfs_00065_7","url":null,"abstract":"","PeriodicalId":40193,"journal":{"name":"Short Film Studies","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47696116","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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