阿格尼斯·瓦尔达在《黑豹》中作为政治艺术的电影创作

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2022-05-01 DOI:10.1386/sfs_00067_1

R. McLaughlin

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引用次数: 0

摘要

在《黑豹》中，瓦尔达的标准——她的镜头选择、镜头移动和剪辑——让她能够插入对该组织革命潜力的评论，而不是认同或代表黑豹党，而成员们则将自己确定为主体，而不是接受国家对他们的定义。她的电影突出了社会空间的政治，展示了黑豹队如何将法院及其社区等流通空间转变为竞争空间。

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Agnès Varda’s cinematic writing as political art in Black Panthers

In Black Panthers, rather than identifying with or speaking for the Black Panther Party, Varda’s cinécriture ‐ her shot choices, camera movement and editing ‐ allows her to insert her commentary about the group’s revolutionary potential while the members determine themselves as subjects rather than accepting their definition by the state. Her film foregrounds the politics of social space, showing how the Panthers transform spaces of circulation like the courthouse and their neighbourhoods into spaces of contestation.

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来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.