Enjoyment and alienation of an embodied life

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2022-05-01 DOI:10.1386/sfs_00073_1

F. Andreescu

引用次数: 0

Abstract

No Bikini playfully reveals the inherent human complexities that render the body simultaneously a site of discipline and shame as well as one of freedom and enjoyment. This article explores Robin’s embodied experience of her symbolic sex change. It does so via three Lacanian ontological registers, namely: imaginary, symbolic and real.

查看原文本刊更多论文

对具体生活的享受和异化

《没有比基尼》幽默地揭示了人类固有的复杂性，使身体同时成为纪律和羞耻的场所，也是自由和享受的场所。这篇文章探讨了罗宾对她的象征性变性的具体体验。它通过三个拉康本体论的域来实现，即:想象的，象征的和真实的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.