Historicity and photography in Salut Les Cubains

IF 0.1 0 FILM, RADIO, TELEVISION

Short Film Studies Pub Date : 2022-05-01 DOI:10.1386/sfs_00066_1

Brittany Murray

引用次数: 0

Abstract

Salut les Cubains, Agnès Varda’s short film released in 1963, deploys black-and-white photographs to capture Cuba at a moment of historical transition. Situating the film within the tradition of political films that use a similar formal device, this article explores how the tension between moving and still images in Salut les Cubains honours a momentous present and an uncertain future.

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Historicity and Photography in History古巴人

Agnès Varda于1963年发行的短片《Salut les Cubains》采用黑白照片捕捉了历史转折时刻的古巴。本文将这部电影置于使用类似形式手段的政治电影的传统中，探讨了《古巴人》中运动图像和静止图像之间的紧张关系是如何纪念一个重要的现在和一个不确定的未来的。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

Short Film Studies FILM, RADIO, TELEVISION-

CiteScore

0.20

自引率

0.00%

发文量

期刊介绍： The main purposes of SFS are: To stimulate ongoing research on individual short films as a basis for a better understanding of the art form To provide a flow of cutting-edge teaching materials that can be used in courses in which short films are either studied or produced, at film schools or universities To offer fresh inspiration to filmmakers and other professionals working with short films in connection with festivals, national film institutes, regional film centres, etc. While the principal focus is on the short fiction film, other classic forms – such as the short documentary, the short experimental film and the short animation film – are also covered from time to time. In each issue, two productions are singled out for comprehensive presentation and close study. For each film, the reader will find production data, an interview with the director, a shot-by-shot breakdown of the film with a still illustrating every shot, a number of peer-reviewed articles that illuminate the film from a variety of perspectives and a link enabling subscribers to view the film.