Anales Galdosianos最新文献

{"title":"Pardo Bazán y Pérez Galdós: Una intimidad imaginada en público","authors":"Elena Cueto Asín","doi":"10.1353/ang.2022.0012","DOIUrl":"https://doi.org/10.1353/ang.2022.0012","url":null,"abstract":"Resumen:Se trata aquí el conjunto de obras de narrativa, teatro y televisión que imaginan el contacto habido entre Galdós y Pardo Bazán según se revela en su intercambio epistolar, el cual traiciona la relación amorosa que mantuvieran en secreto y constituye, más allá de un objeto de estudio, un artefacto discursivo de una trayectoria ideológica en el país. Se analizan las estrategias y resultados de transformar las figuras literarias en personajes de ficción histórica, lo que convierte la esfera íntima de su relación en vehículo de conmemoración pública. Con ese fin, se provee ambos escritores un cuerpo dinámico que les humaniza y a la vez desacraliza la monumentalidad que adquieren como objeto patrimonial, sin que se deje de honrar su legado intelectual. El análisis identifica el marco de efemérides como práctica institucional basada en una celebración de la herencia cultural, burguesa y liberal en esencia, como valor de progreso, que en este caso inscribe a Galdós y Pardo Bazán como agentes de un desarrollo social en materia de igualdad de género.Abstract:This article deals with a corpus of plays, television dramas, and narrative fictions that depicts the relationship between Galdós and Pardo Bazán as it can be reconstructed from their private correspondence. The epistolary as an artifact uncovers both their friendship and love affair, yet its incompleteness also lends to speculation and inquiry as well as to discourses about the nation's ideological past and present. Analyzed are the strategies, goals, and ethics of turning both writers into fictional characters that make public an intimate contact that was meant to be kept a secret. This maneuver is examined here as a mode of commemoration that honors their intellectual while it humanizes and desacralizes the pair as national monuments by giving them a body. Commemoration is framed as an institutional practice that celebrates notions of progress embedded in cultural heritage and is inherent to liberal bourgeois society. In their camaraderie and romance, it is argued, Galdós and Pardo Bazán are showcased as active but not radical agents for gender equality.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46219523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pensamiento nómada y nación española en La vuelta al mundo en la \"Numancia\" (1906) de Benito Pérez Galdós","authors":"Sonia Zarco-Real","doi":"10.1353/ang.2022.0005","DOIUrl":"https://doi.org/10.1353/ang.2022.0005","url":null,"abstract":"Resumen:Este ensayo analiza La vuelta al mundo en la \"Numancia\" (1906) desde una perspectiva que evidencia sus tensiones pos/neocoloniales subyacentes. A partir de la idea de \"pensamiento nómada\" de Gilles Deleuze y Félix Guattari, se desentraña la complejidad de una novela cuyo protagonista en \"fuga\" (Ansúrez) impregna el espacio textual en movimiento para repensar el proyecto de nación española moderna a principios del siglo XX contra y desde fuera de su relación con el Estado. El análisis propuesto permite detectar las dinámicas latentes de la novela: una, desterritorializadora, que resiste las tendencias neocoloniales; y otra, reterritorializadora, que, al resituar España como centro y núcleo de poder de la idea de hispanoamericanismo o \"familia hispana\", reformula la matriz colonial a lo largo del Atlántico hispano.Abstract:This essay analyses La vuelta al mundo en la \"Numancia\" (1906) from a theoretical approach that helps uncover underlying pos/neocolonial tensions. Adopting Gilles Deleuze and Félix Guattari's concept of \"nomad thinking\", this essay unravels both the novel's complexity and its main character. The fleeing nature of the protagonist impregnates the textual space in motion in order to rethink Spain's nation-building project at the beginning of the twentieth century, against and outside its relation to the State. This analysis underlines dormant dynamics in the novel: a deterritorializing one that resists neocolonial tendencies and a reterritorializing move that, by restoring Spain back as the center and nucleus of power that defines the idea of hispanoamericanismo or \"Hispanic family\", reformulates the colonial matrix across the Hispanic Atlantic.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44930129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Galdós. Cien años de actualidad ed. by M.a Ángeles Varela Olea (review)","authors":"Dorota Heneghan","doi":"10.1353/ang.2022.0014","DOIUrl":"https://doi.org/10.1353/ang.2022.0014","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41558978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Whole Faith: The Catholic Ideal of Emilia Pardo Bazán by Denise Dupont (review)","authors":"Jennifer Smith","doi":"10.1353/ang.2022.0018","DOIUrl":"https://doi.org/10.1353/ang.2022.0018","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47628507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Doña Perfecta as Nineteenth-Century Revision of El alcalde de Zalamea","authors":"T. Franz","doi":"10.1353/ang.2022.0002","DOIUrl":"https://doi.org/10.1353/ang.2022.0002","url":null,"abstract":"Abstract:Galdós's 1876 novel Doña Perfecta exhibits a remarkable similarity in overall plot, individual incidents, characterization, and atmosphere to Calderón's 1636? drama El alcalde de Zalamea. But, whereas Calderón's play celebrates the imposition of traditional authority and a necessary sheltering of women, Galdós's novel lays out a new situation in which authority is questioned and women strike out for their own interests. What both works, nevertheless, have in common is a faith in the essential honor of human beings uncorrupted by a system imposed from above. Galdós owned Calderón's play, and he likely attended it at least once in his early work as a theatrical reviewer in Madrid. He disliked nineteenth-century Spain's continuation of Calderonian theatrical traditions including the dramatist's emphasis on honor and retribution for infractions against it. Galdós also owned a copy of an earlier play once attributed to Lope de Vega, and the present study will show why Galdós's novel likely did not find inspiration in this other work. There was also an intervening Alcalde revision that may have intensified Don Benito's reaction to Calderón.Resumen:La novela galdosiana Doña Perfecta (1876) guarda asombrosas semejanzas de argumento global, incidentes, caracterización y ambiente con la comedia El alcalde de Zalamea (¿1636?) de Calderón. No obstante, mientras que el drama de Calderón celebra la imposición de la autoridad tradicional y la protección necesaria de la mujer, la novela de Galdós propone una nueva situación en que se cuestiona la autoridad y las mujeres defienden sus propios intereses. Lo que las dos obras, sin embargo, tienen en común es una fe en el esencial honor del ser humano no corrompido por sistemas impuestos desde arriba. Galdós había leído sin duda esta comedia de Calderón, y es probable que hubiera asistido por lo menos una vez a una producción de ella en calidad de reseñador teatral en Madrid. El autor canario se oponía a la continuación de tradiciones calderonianas en el teatro español del siglo diecinueve, sobre todo el concepto de honor y el castigo por cualquier infracción contra aquel. Galdós también era dueño del drama anteriormente atribuido a Lope de Vega, y el estudio presente demostrará algunas razones por las cuales no encontró inspiración en esta obra. Había también un Alcalde interino que pudo haber intensificado la reacción de Galdós contra Calderón.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44074856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rodolfo Cardona (1924-2022), in memoriam","authors":"Toni Dorca","doi":"10.1353/ang.2022.0000","DOIUrl":"https://doi.org/10.1353/ang.2022.0000","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42780258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Epistolario de Emilia Pardo Bazán a Benito Pérez Galdós. Crónica de un encuentro intelectual y sentimental ed. by Ermitas Penas y Marisa Sotelo (review)","authors":"Blanca Ripoll Sintes","doi":"10.1353/ang.2022.0017","DOIUrl":"https://doi.org/10.1353/ang.2022.0017","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41551731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Galdós: corresponsal de \"La Prensa\" de Buenos Aires by Dolores Troncoso (review)","authors":"R. Rodríguez","doi":"10.1353/ang.2022.0016","DOIUrl":"https://doi.org/10.1353/ang.2022.0016","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42821755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La idea de intrahistoria: Afinidades entre Miguel de Unamuno, Benito Pérez Galdós y Francisco Giner de los Ríos","authors":"Alba Guimerà Galiana","doi":"10.1353/ang.2022.0003","DOIUrl":"https://doi.org/10.1353/ang.2022.0003","url":null,"abstract":"Resumen:Al establecer la naturaleza y las particularidades de la intrahistoria en los primeros ensayos de En torno al casticismo, Miguel de Unamuno se nutre \"de sus lecturas todas\", pero sobre todo le resulta crucial el aprendizaje que ha ido obteniendo en la lectura de algunas obras de Galdós y en los textos de filiación krausista, especialmente de Francisco Giner de los Ríos. Este artículo atiende a estas analogías desde una perspectiva filológica, y propone que la noción de intrahistoria unamuniana nace de manera incipiente en las primeras series de los Episodios nacionales y adquiere el perfil de \"Idea fuerza\" de sus primeros ensayos, gracias al magisterio del \"maestro de maestros\", Giner de los Ríos.Abstract:In order to define the concept of intrahistoria that he expounded in En torno al casticismo, Unamuno draws on \"all his readings.\" Particulary important for him is the apprenticeship derived from some works by Galdós and from texts of Krausist affiliation, especially the ones by Francisco Giner de los Ríos. This article examines these analogies from a philological perspective, and shows that the notion of intrahistoria was born in an incipient way in the first series of Episodios nacionales and, subsequently, is humanized as an idea thanks to the teaching of Giner de los Ríos.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66190541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Montañeses y almogávares para salvar la nación: Las Escenas montañesas (1864) de José María de Pereda y los Cuentos de mi tierra (1864-65) de Víctor Balaguer","authors":"Mikel Lorenzo-Arza","doi":"10.1353/ang.2022.0004","DOIUrl":"https://doi.org/10.1353/ang.2022.0004","url":null,"abstract":"Resumen:La publicación de las Escenas montañesas (1864) y de los Cuentos de mi tierra (1864-65) escenifica el origen, desarrollo y conflicto entre dos concepciones de la identidad española durante el tormentoso Sexenio Revolucionario (1868-74). En las Escenas montañesas, un joven José María de Pereda reivindica el Hinterland cántabro (frente al Santander portuario) como territorio confluyente con Castilla en la forja del origen histórico de la nación española durante la Reconquista. Esta tradición nacionalcatólica contrasta con los Cuentos de mi tierra, donde Víctor Balaguer reivindica el vigor industrial de la sociedad civil catalana; la herencia grecolatina y civilizadora de la Cataluña abierta al mar; y, en definitiva, su capacidad material y espiritual para reemplazar a Castilla no solo como la cabeza de la nación, sino también de un nuevo imperialismo hispánico.Abstract:The publication of Escenas montañesas (1864) and Cuentos de mi tierra (1864-65) shows the origin, development and conflict among two national traditions that emerge at the full swing of the subsequent institutional and political crises during the Revolutionary Sexennium (1868-74). In Escenas montañesas, a young José María de Pereda claims the Cantabrian hinterland (opposite to the port area of Santander) as a territory aligned with Castille in the birth of the Spanish nation during the Reconquista. This national-catholic tradition differs from Cuentos de mi tierra where Víctor Balaguer emphasizes the industrial strength of Catalonia's civil society; its Greco-Latin heritage; and, above all, its capacities to displace Castille not only from its political centrality inside of the nation but also from the axis of a new pan-Hispanic imperialism.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":null,"pages":null},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46609213","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}