Anales Galdosianos最新文献

{"title":"Presentación","authors":"Sara Muñoz-Muriana, Gabrielle Miller, Toni Dorca","doi":"10.1353/ang.2022.0006","DOIUrl":"https://doi.org/10.1353/ang.2022.0006","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"101 - 99"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46788527","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Pensamiento nómada y nación española en La vuelta al mundo en la \"Numancia\" (1906) de Benito Pérez Galdós","authors":"Sonia Zarco-Real","doi":"10.1353/ang.2022.0005","DOIUrl":"https://doi.org/10.1353/ang.2022.0005","url":null,"abstract":"Resumen:Este ensayo analiza La vuelta al mundo en la \"Numancia\" (1906) desde una perspectiva que evidencia sus tensiones pos/neocoloniales subyacentes. A partir de la idea de \"pensamiento nómada\" de Gilles Deleuze y Félix Guattari, se desentraña la complejidad de una novela cuyo protagonista en \"fuga\" (Ansúrez) impregna el espacio textual en movimiento para repensar el proyecto de nación española moderna a principios del siglo XX contra y desde fuera de su relación con el Estado. El análisis propuesto permite detectar las dinámicas latentes de la novela: una, desterritorializadora, que resiste las tendencias neocoloniales; y otra, reterritorializadora, que, al resituar España como centro y núcleo de poder de la idea de hispanoamericanismo o \"familia hispana\", reformula la matriz colonial a lo largo del Atlántico hispano.Abstract:This essay analyses La vuelta al mundo en la \"Numancia\" (1906) from a theoretical approach that helps uncover underlying pos/neocolonial tensions. Adopting Gilles Deleuze and Félix Guattari's concept of \"nomad thinking\", this essay unravels both the novel's complexity and its main character. The fleeing nature of the protagonist impregnates the textual space in motion in order to rethink Spain's nation-building project at the beginning of the twentieth century, against and outside its relation to the State. This analysis underlines dormant dynamics in the novel: a deterritorializing one that resists neocolonial tendencies and a reterritorializing move that, by restoring Spain back as the center and nucleus of power that defines the idea of hispanoamericanismo or \"Hispanic family\", reformulates the colonial matrix across the Hispanic Atlantic.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"77 - 96"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44930129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Galdós. Cien años de actualidad ed. by M.a Ángeles Varela Olea (review)","authors":"Dorota Heneghan","doi":"10.1353/ang.2022.0014","DOIUrl":"https://doi.org/10.1353/ang.2022.0014","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"237 - 238"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41558978","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Whole Faith: The Catholic Ideal of Emilia Pardo Bazán by Denise Dupont (review)","authors":"Jennifer Smith","doi":"10.1353/ang.2022.0018","DOIUrl":"https://doi.org/10.1353/ang.2022.0018","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"248 - 249"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47628507","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Epistolario de Emilia Pardo Bazán a Benito Pérez Galdós. Crónica de un encuentro intelectual y sentimental ed. by Ermitas Penas y Marisa Sotelo (review)","authors":"Blanca Ripoll Sintes","doi":"10.1353/ang.2022.0017","DOIUrl":"https://doi.org/10.1353/ang.2022.0017","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"244 - 247"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41551731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Doña Perfecta as Nineteenth-Century Revision of El alcalde de Zalamea","authors":"T. Franz","doi":"10.1353/ang.2022.0002","DOIUrl":"https://doi.org/10.1353/ang.2022.0002","url":null,"abstract":"Abstract:Galdós's 1876 novel Doña Perfecta exhibits a remarkable similarity in overall plot, individual incidents, characterization, and atmosphere to Calderón's 1636? drama El alcalde de Zalamea. But, whereas Calderón's play celebrates the imposition of traditional authority and a necessary sheltering of women, Galdós's novel lays out a new situation in which authority is questioned and women strike out for their own interests. What both works, nevertheless, have in common is a faith in the essential honor of human beings uncorrupted by a system imposed from above. Galdós owned Calderón's play, and he likely attended it at least once in his early work as a theatrical reviewer in Madrid. He disliked nineteenth-century Spain's continuation of Calderonian theatrical traditions including the dramatist's emphasis on honor and retribution for infractions against it. Galdós also owned a copy of an earlier play once attributed to Lope de Vega, and the present study will show why Galdós's novel likely did not find inspiration in this other work. There was also an intervening Alcalde revision that may have intensified Don Benito's reaction to Calderón.Resumen:La novela galdosiana Doña Perfecta (1876) guarda asombrosas semejanzas de argumento global, incidentes, caracterización y ambiente con la comedia El alcalde de Zalamea (¿1636?) de Calderón. No obstante, mientras que el drama de Calderón celebra la imposición de la autoridad tradicional y la protección necesaria de la mujer, la novela de Galdós propone una nueva situación en que se cuestiona la autoridad y las mujeres defienden sus propios intereses. Lo que las dos obras, sin embargo, tienen en común es una fe en el esencial honor del ser humano no corrompido por sistemas impuestos desde arriba. Galdós había leído sin duda esta comedia de Calderón, y es probable que hubiera asistido por lo menos una vez a una producción de ella en calidad de reseñador teatral en Madrid. El autor canario se oponía a la continuación de tradiciones calderonianas en el teatro español del siglo diecinueve, sobre todo el concepto de honor y el castigo por cualquier infracción contra aquel. Galdós también era dueño del drama anteriormente atribuido a Lope de Vega, y el estudio presente demostrará algunas razones por las cuales no encontró inspiración en esta obra. Había también un Alcalde interino que pudo haber intensificado la reacción de Galdós contra Calderón.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"27 - 41"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44074856","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rodolfo Cardona (1924-2022), in memoriam","authors":"Toni Dorca","doi":"10.1353/ang.2022.0000","DOIUrl":"https://doi.org/10.1353/ang.2022.0000","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"9 - 9"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42780258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Galdós: corresponsal de \"La Prensa\" de Buenos Aires by Dolores Troncoso (review)","authors":"R. Rodríguez","doi":"10.1353/ang.2022.0016","DOIUrl":"https://doi.org/10.1353/ang.2022.0016","url":null,"abstract":"","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"242 - 243"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42821755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La idea de intrahistoria: Afinidades entre Miguel de Unamuno, Benito Pérez Galdós y Francisco Giner de los Ríos","authors":"Alba Guimerà Galiana","doi":"10.1353/ang.2022.0003","DOIUrl":"https://doi.org/10.1353/ang.2022.0003","url":null,"abstract":"Resumen:Al establecer la naturaleza y las particularidades de la intrahistoria en los primeros ensayos de En torno al casticismo, Miguel de Unamuno se nutre \"de sus lecturas todas\", pero sobre todo le resulta crucial el aprendizaje que ha ido obteniendo en la lectura de algunas obras de Galdós y en los textos de filiación krausista, especialmente de Francisco Giner de los Ríos. Este artículo atiende a estas analogías desde una perspectiva filológica, y propone que la noción de intrahistoria unamuniana nace de manera incipiente en las primeras series de los Episodios nacionales y adquiere el perfil de \"Idea fuerza\" de sus primeros ensayos, gracias al magisterio del \"maestro de maestros\", Giner de los Ríos.Abstract:In order to define the concept of intrahistoria that he expounded in En torno al casticismo, Unamuno draws on \"all his readings.\" Particulary important for him is the apprenticeship derived from some works by Galdós and from texts of Krausist affiliation, especially the ones by Francisco Giner de los Ríos. This article examines these analogies from a philological perspective, and shows that the notion of intrahistoria was born in an incipient way in the first series of Episodios nacionales and, subsequently, is humanized as an idea thanks to the teaching of Giner de los Ríos.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"43 - 58"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66190541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Un caso de écfrasis en Fortunata y Jacinta: Mauricia y La Libertad guiando al pueblo, de Delacroix","authors":"J. Botello","doi":"10.1353/ang.2022.0001","DOIUrl":"https://doi.org/10.1353/ang.2022.0001","url":null,"abstract":"Resumen:La mayoría de los estudiosos ha destacado la representación negativa del personaje de Mauricia la Dura en Fortunata y Jacinta, fijándose ante todo en su carácter violento y cruel, en su embriaguez y en su caracterización como figura de tentación para Fortunata. Unos pocos han resaltado algunas virtudes positivas exhibidas por el personaje, destacando la ambigüedad del tratamiento de Mauricia y señalando que esta muestra tener cierta espiritualidad y comportamiento ético. Estos estudios han contribuido a una mejor comprensión del personaje, pero aún quedan aspectos importantes por clarificar, en particular los relacionados con su peculiar presentación iconográfica. Este ensayo analiza al personaje de Mauricia basándose en una vinculación con una fuente pictórica concreta que sorprendentemente ha pasado desapercibida para la crítica: La Libertad guiando al pueblo (1830), de Eugène Delacroix (1798-1863). Mediante esta comparación con la célebre tabla del artista francés, se comprueba cómo, al contrario de lo sostenido por una gran parte de los exegetas, Mauricia no es simplemente una demente o una pseudovisionaria alcoholizada. En realidad, es un personaje cuyo significado está anclado en la ambivalencia: junto a sus aspectos negativos, Mauricia se presenta como uno de los símbolos principales de libertad y justicia en la inmortal novela.Abstract:Most scholars have highlighted the negative representation of the character of Mauricia la Dura in Fortunata y Jacinta, pointing out specially her violent and cruel character, her alcoholism, and her characterization as a figure of temptation for Fortunata. A few critics have noticed some positive virtues exhibited by the character, highlighting the ambiguity of Mauricia's treatment and noting that she shows a certain spirituality and ethical behavior. These studies have contributed to a better understanding of the character, but there are still important aspects to be clarified, in particular those related to its peculiar iconographic presentation. This essay analyzes the character of Mauricia based on a connection with a specific pictorial source that has surprisingly gone unnoticed by critics: Liberty Guiding the People (1830), by Eugène Delacroix (1798-1863). By means of this comparison, we can see that, contrary to what most critics believe, Mauricia is not simply an insane or a drunken pseudovisionary. In reality, she is a character whose meaning is anchored in ambivalence: along with her negative aspects, Mauricia is presented as one of the main symbols of freedom and justice in the immortal novel.","PeriodicalId":40152,"journal":{"name":"Anales Galdosianos","volume":"57 1","pages":"13 - 26"},"PeriodicalIF":0.3,"publicationDate":"2022-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45165656","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}