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Los decorados de Goyescas en su estreno parisino (1919). Nuevos datos sobre el trabajo de Zuloaga y Dethomas Goyescas的装饰在巴黎首演(1919年)。关于苏洛阿加和德托马斯工作的新数据
Ars Bilduma Pub Date : 2021-03-29 DOI: 10.1387/ARS-BILDUMA.21884
Guillermo Juberías Gracia
{"title":"Los decorados de Goyescas en su estreno parisino (1919). Nuevos datos sobre el trabajo de Zuloaga y Dethomas","authors":"Guillermo Juberías Gracia","doi":"10.1387/ARS-BILDUMA.21884","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21884","url":null,"abstract":"Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"15-31"},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66563813","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El proyecto holístico de Emma Kunz: cuando el arte se convierte en algo más 艾玛·昆兹的整体项目:当艺术成为更多的东西
Ars Bilduma Pub Date : 2021-03-29 DOI: 10.1387/ARS-BILDUMA.21615
Íñigo Sarriugarte Gómez
{"title":"El proyecto holístico de Emma Kunz: cuando el arte se convierte en algo más","authors":"Íñigo Sarriugarte Gómez","doi":"10.1387/ARS-BILDUMA.21615","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.21615","url":null,"abstract":"The Swiss artist Emma Kunz (1892-1963) developed a rich production of energetic patterns, which assumed a visual and symbolic proximity to yantras and mandalas. Although no reliable data have been found in this regard, according to the bibliography consulted, as well as the contributions made by the creator's own museum, it is believed that she read the alchemical literature of Paracelsus and Christian texts, as well as written sources of hermetic schools. The majority of her graphics was made for therapeutic purposes, in the belief that they emitted a wave form in a way that could affect the patient or viewer when they were viewed.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"33-47"},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43523763","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La producción xilogŕafica de Frans Masereel (1889-1972). Ilustraciones, estampas y novelas gráficas al servicio del compromiso social Frans Masereel生产xilogŕafica(1889-1972)。插图、印刷品和漫画小说服务于社会承诺
Ars Bilduma Pub Date : 2021-03-29 DOI: 10.1387/ARS-BILDUMA.22110
M. González
{"title":"La producción xilogŕafica de Frans Masereel (1889-1972). Ilustraciones, estampas y novelas gráficas al servicio del compromiso social","authors":"M. González","doi":"10.1387/ARS-BILDUMA.22110","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22110","url":null,"abstract":"Frans Masereel's contribution to the renewal of avant-garde language is transcendent. The unity of his plastic discourse protects his evolution in the various cultivated procedures. The Belgian artist exceeds the expectations aroused by the German Expressionists of the first quarter of the 20th century. From the hemerographic and historiographic documentary sources, the trajectory of the xylographer and his exile, the fruit of his pacifist commitment, is analyzed. His social creed, attested in the works conceived during his extensive period of activity, is not eluded either.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"83-106"},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47898104","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
La exposición del Arca Santa de la Catedral de Oviedo en el Museo del Prado (1935) 普拉多博物馆奥维耶多大教堂圣方舟展览（1935年）
Ars Bilduma Pub Date : 2021-03-29 DOI: 10.1387/ARS-BILDUMA.22268
Juan Carlos Aparicio Vega
{"title":"La exposición del Arca Santa de la Catedral de Oviedo en el Museo del Prado (1935)","authors":"Juan Carlos Aparicio Vega","doi":"10.1387/ARS-BILDUMA.22268","DOIUrl":"https://doi.org/10.1387/ARS-BILDUMA.22268","url":null,"abstract":"In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de Don Juan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"157-169"},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47629674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
BARTOLOMÉ GARCÍA, F. R.; CALVO GARCÍA, L. (Coords.): El retablo mayor de santa Catalina de Lizartza (Gipuzkoa)
Ars Bilduma Pub Date : 2020-05-27 DOI: 10.1387/ars-bilduma.21445
Jesús Fermín Criado Mainar
{"title":"BARTOLOMÉ GARCÍA, F. R.; CALVO GARCÍA, L. (Coords.): El retablo mayor de santa Catalina de Lizartza (Gipuzkoa)","authors":"Jesús Fermín Criado Mainar","doi":"10.1387/ars-bilduma.21445","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21445","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"209-210"},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44028027","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pintzelak, loreak eta paisaiak. Emakumeentzako heziketa artistikoa Euskal Herrian Pinches，鲜花和风景。尤斯卡市妇女艺术教育
Ars Bilduma Pub Date : 2020-05-27 DOI: 10.1387/ars-bilduma.21134
Ane Lekuona Mariskal
{"title":"Pintzelak, loreak eta paisaiak. Emakumeentzako heziketa artistikoa Euskal Herrian","authors":"Ane Lekuona Mariskal","doi":"10.1387/ars-bilduma.21134","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21134","url":null,"abstract":"espanolEste texto plantea un estudio sobre la educacion artistica femenina impartida en el Pais Vasco a lo largo del siglo XX. Por una parte, se revisan las diferentes opciones y las tendencias mas usuales que siguieron aquellas alumnas interesadas en la formacion artistica. En segundo lugar, se intenta identificar de que manera influyo tal educacion femenina en la produccion y en el modo de vida de estas artistas. Por ultimo, se reflexiona en torno a los cambios que se han ido dando a lo largo de las decadas EnglishThis essay raises a study on artistic training of women in the Basque Country throughtout the 20th century. On the one hand, the text examines the different options and the most usual tendencies followed by those female interested in artistic training. Secondly, the author investigate how this education influenced the art production and the way of living of those women artists. Finally, it reflects on the changes that have been taking place over decades EuskaraXX. mendean zehar Euskal Herrian emakumeek jasotako heziketa artistikoa aztertuko da testu honetan. Alde batetik, arte plastikan interesa zuten neskek formakuntza lortzeko zituzten aukerak baita izan ziren joera desberdinak berrikusiko dira. Bestetik, emakumezkoen generoarekin lotura zuten heziketa baldintza bereziak, artista hauen produkzioan baita bizimoduan nolako eragina izan zuten identifikatzen saiatuko da. Azkenik, denboran aurrera gaiaren inguruan eman diren aldaketen hausnarketekin amaituko da azterketa","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"109-121"},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45078443","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aldeas extintas y arquitectura románica inédita en el alfoz medieval de Almoguera (Guadalajara)
Ars Bilduma Pub Date : 2020-05-27 DOI: 10.1387/ars-bilduma.20926
José Arturo Salgado Pantoja
{"title":"Aldeas extintas y arquitectura románica inédita en el alfoz medieval de Almoguera (Guadalajara)","authors":"José Arturo Salgado Pantoja","doi":"10.1387/ars-bilduma.20926","DOIUrl":"https://doi.org/10.1387/ars-bilduma.20926","url":null,"abstract":"espanolLos despoblados medievales cristianos ofrecen un sustancial campo de trabajo desde la perspectiva documental y arqueologica, pero conviene recalcar las aportaciones que puede brindar su estudio a la Historia del Arte. Solo en la provincia de Guadalajara, hemos constatado la existencia de mas de medio centenar de casos en los que se conservan testimonios fisicos de los antiguos templos parroquiales de los siglos XII y XIII. Los seis que aqui se presentan, encuadrados en el Alfoz de Almoguera, revelan una informacion significativa acerca de los sistemas constructivos, planimetrias y repertorios ornamentales empleados en el romanico alcarreno. EnglishThe deserted medieval villages offer a substantial field of work from the documentary and archaeological perspective, but it is important to emphasize the contributions that their study can give to the History of Art. In the province of Guadalajara, we have found more than fifty cases in which physical evidences of the old parish churches from the 12th and 13th centuries are conserved. The six presented in this paper, located in the alfoz of Almoguera, offer a significant information about the construction systems, planimetries and ornamental repertoires used in the Romanesche arquitecture of La Alcarria. francaisLes depeuples medievaux chretiens offrent un champ de travail substantiel du point de vue documentaire et archeologique, mais il faut souligner les contributions que leur etude peut offrir a l'Histoire de l'Art. Dans la province de Guadalajara, nous avons verifie l’existence de plus de cinquante cas dans lesquels sont conserves des temoignages materiels des anciens temples paroissiaux des XII et XIII siecles. Les six presentes ici, situes dans l’alfoz d’Almoguera, offrent des informations importantes sur les systemes de construction, les planimetries et les repertoires decoratifs utilises en l’architecture romane dans la region de La Alcarria.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"13-35"},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42681809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Salvador Azpiazu y José Gestoso en La ilustración artística. Relaciones personales y profesionales Salvador Azpiazu和jose Gestoso在艺术插图。个人和职业关系
Ars Bilduma Pub Date : 2020-05-27 DOI: 10.1387/ars-bilduma.21321
Manuel Antonio Ramos Suárez, Ramón Ramos Alfonso
{"title":"Salvador Azpiazu y José Gestoso en La ilustración artística. Relaciones personales y profesionales","authors":"Manuel Antonio Ramos Suárez, Ramón Ramos Alfonso","doi":"10.1387/ars-bilduma.21321","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21321","url":null,"abstract":"This article analyzes the work done by the illustrator Salvador Azpiazu together with the Sevillian writer Jose Gestoso in The Artistic Illustration, magazine of chronicles of the late nineteenth century. Thanks to the correspondence preserved, as well as the accounting documentation of the Barcelona publisher Montaner and Simon, personal and professional relationships can be established between them.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"153-170"},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44490756","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Los Goyas de Zubieta. Retratos de la familia Adán de Yarza 祖比塔的戈雅。亚扎的亚当家族肖像
Ars Bilduma Pub Date : 2020-05-27 DOI: 10.1387/ars-bilduma.21617
Ismael Manterola Ispizua
{"title":"Los Goyas de Zubieta. Retratos de la familia Adán de Yarza","authors":"Ismael Manterola Ispizua","doi":"10.1387/ars-bilduma.21617","DOIUrl":"https://doi.org/10.1387/ars-bilduma.21617","url":null,"abstract":"","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"211-212"},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47420891","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
El Liber Magnificarum del polifonista Miguel Navarro impreso por Carlos Labayen en 1614 由卡洛斯·拉巴扬于1614年印刷的多才多艺的米格尔·纳瓦罗的自由壮丽
Ars Bilduma Pub Date : 2020-05-27 DOI: 10.1387/ars-bilduma.20554
Javier Itúrbide Díaz
{"title":"El Liber Magnificarum del polifonista Miguel Navarro impreso por Carlos Labayen en 1614","authors":"Javier Itúrbide Díaz","doi":"10.1387/ars-bilduma.20554","DOIUrl":"https://doi.org/10.1387/ars-bilduma.20554","url":null,"abstract":"The book printed with polyphonic music in a workshop in Pamplona at the beginning of the 17th century, in the meantime other similar europeans workshops of equivalent expertise, constituted an exceptional event. Testimony of this relevant event, is that in Navarra some form of musical was dated from over half a century ago, however over two centuries had to pass for a similar printed work to come to fruition. The present article analyses the editorial, technical and commercial background surrounding the Liber Magnificarum.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":"1 1","pages":"69-89"},"PeriodicalIF":0.0,"publicationDate":"2020-05-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42730035","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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