{"title":"Goyescas的装饰在巴黎首演(1919年)。关于苏洛阿加和德托马斯工作的新数据","authors":"Guillermo Juberías Gracia","doi":"10.1387/ARS-BILDUMA.21884","DOIUrl":null,"url":null,"abstract":"Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Los decorados de Goyescas en su estreno parisino (1919). Nuevos datos sobre el trabajo de Zuloaga y Dethomas\",\"authors\":\"Guillermo Juberías Gracia\",\"doi\":\"10.1387/ARS-BILDUMA.21884\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.\",\"PeriodicalId\":40150,\"journal\":{\"name\":\"Ars Bilduma\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Bilduma\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1387/ARS-BILDUMA.21884\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Bilduma","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1387/ARS-BILDUMA.21884","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Los decorados de Goyescas en su estreno parisino (1919). Nuevos datos sobre el trabajo de Zuloaga y Dethomas
Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.
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