Los decorados de Goyescas en su estreno parisino (1919). Nuevos datos sobre el trabajo de Zuloaga y Dethomas

Abstract

Ignacio Zuloaga and Maxime Dethomas produced the sets of Enrique Granados' opera Goyescas for its Parisian premiere in 1919. We present new data about their work thanks to the study of the letters preserved in the Archives du Theatre National de l’Opera, the discovery of two unpublished models of the first and third Goyescas acts and a rich photographic material. Through this article we study these works in their production context, analyzing the sources used by their creators.