ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS最新文献_第4页

Orpheus' Plea (“Prière d'Orphée”) 音乐之眼’Plea(“革命党èd 'Orphée”)

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2012-01-01 DOI: 10.2307/ARION.19.3.0131

M. Durry, John Fraser

引用次数: 0

Greek Laughter and the Problem of the Absurd 希腊的笑声和荒谬的问题

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2005-01-01 DOI: 10.1017/CBO9780511483004.009

S. Halliwell

引用次数: 5

The Gods of Politics in Early Greek Cities 早期希腊城市中的政治之神

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2004-01-01 DOI: 10.5422/fso/9780823226443.003.0002

M. Détienne

{"title":"The Gods of Politics in Early Greek Cities","authors":"M. Détienne","doi":"10.5422/fso/9780823226443.003.0002","DOIUrl":"https://doi.org/10.5422/fso/9780823226443.003.0002","url":null,"abstract":"A have decided to speak of \"the gods\" rather than \"religion,\" and the \"political domain\" (le politique) to identify the specific domain that has been recognized as such (to politikon) ever since Aristotle. As for the earliest Greek cities, they constitute the area of my present fieldwork. No doubt you thought, \"Presumably, he's a Hellenist\" . . . and there is, for heaven's sake, surely nothing shameful about being a Hellenist. All the sanie, I should like to make it clear that, very early on, I was lucky enough to embark upon comparative studies. What kind of comparative stud ies? The kind that involves historians working with anthro pologists, and vice versa. But to work as an anthropologist particularly concerned with the comparativist approaches of ethnologists and historians is more complex than it may ap pear.1 When Hellenists hear of someone \"doing anthropology with the ancient Greeks,\" they manifest irritation, and as for historians?I am thinking of mainstream historians, those of our \"major\" nations of both today and yesterday?they too are usually less than enthusiastic, particularly if it is a matter of embarking upon comparativism of a widely ranging na ture.","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"27 1","pages":"49-66"},"PeriodicalIF":0.1,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77898940","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 6

Dante and the Modern Cult of the Artist 但丁与现代艺术家崇拜

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2004-01-01 DOI: 10.5325/j.ctv14gp1k4.8

Paul Barolsky

{"title":"Dante and the Modern Cult of the Artist","authors":"Paul Barolsky","doi":"10.5325/j.ctv14gp1k4.8","DOIUrl":"https://doi.org/10.5325/j.ctv14gp1k4.8","url":null,"abstract":".L/Ess than a millennium ago, circa 1300, there began to emerge in Italy, specifically in Tuscany, a new con sciousness of the artist?a development that eventually led to the publication in Florence, 250 years later, of Vasari's Lives. A monumental series of biographies of painters, sculptors, and architects from Cimabue to Michelangelo, organized to dem onstrate the overall progress of art toward perfection, Vasari's book is seen as the foundation of art history, which is part of a broader phenomenon that I wish to call the cult of the artist. The modern fame of the artist as hero in the Western world from the Renaissance masters to Rembrandt, Van Gogh, Pi casso, and Jackson Pollock, among many others, extends far beyond art history as an intellectual discipline or field of study. Such glory is closely tied to the rise of the modern art museum and its blockbuster exhibitions of artists as stars; and it is reflected in celebratory novels, stories, poetry and films about artists, which proliferate in our own day. This aggrandizement of the artist is central to what in the nineteenth century came to be called the religion of art. The el evated status of the artist, or what Vasari called the artificer, is one of the principal, distinguishing features of our own cul ture, since there were no biographies of artists before the mod ern period. In fact, the celebration of the artist is one of the many defining features of modernity or, as it is called, mod ernism. The famous, classical anecdotes about Phidias and Apelles, among other Greek artists preserved by Pliny the El der in his Natural History, are the taproots of the modern ex altation of the artist as hero. Despite the glory of such artists in these pre-biographical fables, artists remained largely anony","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"69 1","pages":"1-16"},"PeriodicalIF":0.1,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74563144","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 8

Towards a Theory of Performance Reception 表演接受理论初探

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2004-01-01 DOI: 10.5040/9781472540430.ch-002

E. Hall

{"title":"Towards a Theory of Performance Reception","authors":"E. Hall","doi":"10.5040/9781472540430.ch-002","DOIUrl":"https://doi.org/10.5040/9781472540430.ch-002","url":null,"abstract":"theoretical issues facing the classicist who wants to study the ways in which ancient Greece and Rome have been \"re ceived\" in performed media. It attempts to identify an intel lectual ancestry for this type of scholarship, above all in schools of aesthetics deriving from German idealism, and thereby to define what it is about performance arts that makes the study of the ways they use Greek and Roman an tiquity different from Reception in non-performed arts. Since this inquiry addresses cultural phenomena extending from the Renaissance to the twenty-first century, it does not engage with the scholarly controversy surrounding the legit imacy of the concept of performance in relation to the an cient world, which knew neither the term nor the category it denotes.1 While acknowledging that performance is a concept with its own (relatively recent) historical specificity, the discussion nevertheless assumes a commonsense defini tion of the word performance as it is used in our own time: to say that something from ancient Greece or Rome has been performed implies an aesthetic phenomenon in which humans have realized an archetypal text, narrative or idea by acting, puppet manipulation, dance, recital, or song; the category Performance Reception therefore excludes individ uals reading a text to themselves, or the visual arts (except, hypothetically, when they are of a type requiring the label performance art).","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"30 1 1","pages":"51-90"},"PeriodicalIF":0.1,"publicationDate":"2004-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"78098517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 20

Selected data for stream subbasins in the Le Sueur River basin, south-central Minnesota 明尼苏达州中南部Le Sueur河流域的河流子盆地精选数据

4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 1990-01-01 DOI: 10.3133/ofr9162

D. L. Lorenz, G. A. Payne

引用次数: 3