ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS最新文献_第3页

Revenge/Porn: Django Unchained , Terence's Eunuchus , and the Role of Roman Slavery in the American Imagination 复仇/色情:被解放的姜戈，特伦斯的太监，以及罗马奴隶制在美国人想象中的作用

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2015-01-01 DOI: 10.2307/arion.23.1.0091

Ricardo Apostol

引用次数: 0

Advice to Prospective Contributors 给未来投稿人的建议

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2015-01-01 DOI: 10.2307/arion.26.2.0185

引用次数: 0

The Five-Paragraph Essay 五段作文

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2015-01-01 DOI: 10.2307/arion.23.2.0187

W. Desmond

引用次数: 1

Some Protreptic Anecdotes about the Cynic Philosopher Crates (ca. 365–285 bce ) 关于愤世嫉俗的哲学家克拉底(约公元前365-285年)的一些神秘轶事

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2015-01-01 DOI: 10.2307/arion.23.2.0183

Apuleius, Th D McCreight

引用次数: 0

Greek Ideal as Hyperreal: Greco-Roman Sculpture and the Athletic Male Body 作为超真实的希腊理想:希腊罗马雕塑和健壮的男性身体

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2014-01-01 DOI: 10.2307/ARION.21.3.0045

C. Stocking

引用次数: 3

Classics at the Dawn of the Museum Era: The Life and Times of Antoine Chrysostome Quatremère De Quincy (1755–1849) 博物馆时代之初的经典作品:安东尼·克里索斯托姆·昆西(1755-1849)的生平与时代

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2014-01-01 DOI: 10.2307/ARION.22.1.0133

J. Ruprecht

引用次数: 6

An African Oresteia : Field Notes on Pasolini's Appunti per un' Orestiade africana 非洲Oresteia: pasolinian非洲Orestiade的实地笔记

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2014-01-01 DOI: 10.2307/arion.21.3.0111

M. D. Usher

{"title":"An African Oresteia : Field Notes on Pasolini's Appunti per un' Orestiade africana","authors":"M. D. Usher","doi":"10.2307/arion.21.3.0111","DOIUrl":"https://doi.org/10.2307/arion.21.3.0111","url":null,"abstract":"rome, 1975 A beach in Ostia, just outside of Rome, was the scene of a grisly killing in 1975. The victim was Pier Paolo Pasolini, a one-time schoolteacher, who went on to become one of Italy’s most important public intellectuals. Pasolini was many things to many people—poet, translator, staunch advocate for his native Friulian dialect, semiotic theorist, journalist, social critic, political activist, novelist, and, ultimately, a filmmaker. Pasolini’s corpse had been badly mutilated and was hardly recognizable. His skull had been crushed with a wooden plank and, according to the coroner’s report, he had been kicked repeatedly in the scrotum with such vehemence that his groin area was black and grotesquely distended. Pasolini’s attackers then drove over his body multiple times with his own Alpha Romeo GT. A seventeen-year-old hustler and convicted felon named Giuseppe Pelosi (nicknamed “Pino la Rana,” or “Joey the Frog”) was charged with the murder and initially confessed to the crime. Pelosi served nine years. He was released from prison in 1984, but he retracted his confession in 2005, claiming that he did not kill Pasolini, but had taken the fall because certain men with Sicilian accents had threatened to hurt his family. From the outset of the investigation, police reports indicated that Pelosi’s story—that Pasolini had picked him up for sex at the Stazione Termini and that their transaction had turned vi-","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"21 1","pages":"111"},"PeriodicalIF":0.1,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82112298","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Rembrandt: Turn of the Key 伦勃朗:钥匙的转动

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2014-01-01 DOI: 10.2307/ARION.21.3.0079

Zhenya Gershman

{"title":"Rembrandt: Turn of the Key","authors":"Zhenya Gershman","doi":"10.2307/ARION.21.3.0079","DOIUrl":"https://doi.org/10.2307/ARION.21.3.0079","url":null,"abstract":"There are many mysteries and much contradictory evidence surrounding Rembrandt’s life. Why was Rembrandt, the ninth of ten children, the only one to be enrolled in Latin school? Around age fifteen, why was he then pulled out to apprentice as a painter with Jacob Isaacz van Swanenburg? Why was Swanenburg, whom we would call a second-rate artist, chosen as a teacher? How did Rembrandt, the son of a miller, cross paths with Constantijn Huygens, one of the most erudite people in the Netherlands and a secretary to Stadholder, prince of Orange? How did Rembrandt, a newcomer to Amsterdam and only in his mid-twenties, become one of the most famous and sought-after artists almost overnight? And why did he then have to declare bankruptcy in 1656, dying in near poverty, abandoned by most of his students and prior collectors? Most of these questions have been dealt with by puzzled art historians in one way or another. Each of their hypotheses often contradicts the other—and in some cases, Rembrandt’s history is constructed solely from guesses. The actual evidence of his biography is largely based on two sources, the first of which is a 350-word account by Jan Jansz from 1641, part of his Leiden city guidebook.1 Even this contemporary description of Rembrandt’s career is full of generalities and subjective interpretations. The other famous source of facts about Rembrandt is the exhaustive bankruptcy list of his possessions, which, though it tells us a lot of details about Rembrandt’s private life, is full of gaps when it comes to explaining his work. Titles of Rembrandt paintings were attributed posthumously, with paintings often being revisited on numerous occasions with diametrically opposing theories and subject attributions. Such is the case with","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"601 1","pages":"79"},"PeriodicalIF":0.1,"publicationDate":"2014-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77338605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sic Semper Tyrannis

IF 0.1 4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2014-01-01 DOI: 10.2307/ARION.21.3.0163

Constanze Güthenke

引用次数: 1

Templát – imunologický pojem ve službách genetiky. O imunologických teoriích první poloviny 20. století a jejich vlivu na terminologii molekulární genetiky

4区历史学

ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS Pub Date : 2013-01-01 DOI: 10.70391/7dd.3.a

Jana Hájková

引用次数: 0