{"title":"复仇/色情:被解放的姜戈,特伦斯的太监,以及罗马奴隶制在美国人想象中的作用","authors":"Ricardo Apostol","doi":"10.2307/arion.23.1.0091","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Revenge/Porn: Django Unchained , Terence's Eunuchus , and the Role of Roman Slavery in the American Imagination\",\"authors\":\"Ricardo Apostol\",\"doi\":\"10.2307/arion.23.1.0091\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":39571,\"journal\":{\"name\":\"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2015-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/arion.23.1.0091\",\"RegionNum\":4,\"RegionCategory\":\"历史学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"CLASSICS\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/arion.23.1.0091","RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"CLASSICS","Score":null,"Total":0}
期刊介绍:
MORE THAN humane philology is essential for keeping the classics as a living force. Arion therefore exists to publish work that needs to be done and that otherwise might not get done. We want to stimulate, provoke, even "plant" work that now finds no encouragement or congenial home elsewhere. This means swimming against the mainstream, resisting the extremes of conventional philology and critical fashion into which the profession is now polarized. But occupying this vital center should in no way preclude the crucial centrifugal movement that may lead us across disciplinary lines and beyond the academy. Our commitment is to a genuine and generous pluralism that opens up rather than polarizes classical studies.