Emiliano Degl’Innocenti, Francesco Pinna, Alessia Spadi, Federica Spinelli
{"title":"Supporting executable scientific workflows in a clustered Infrastructure: DARIAH-IT and H2IOSC","authors":"Emiliano Degl’Innocenti, Francesco Pinna, Alessia Spadi, Federica Spinelli","doi":"10.46298/transformations.14776","DOIUrl":"https://doi.org/10.46298/transformations.14776","url":null,"abstract":"Workflows have become essential in digital humanities, enabling the formalisation, automation and reproducibility of complex research processes. As the humanities increasingly adopt data-driven methodologies, workflows offer structured approaches to manage diverse data and tools while supporting transparency and collaboration. Recognising this need, DARIAH-IT has advanced research infrastructure development by focusing on workflow-based services within the H2IOSC (Humanities and Cultural Heritage Italian Open Science Cloud) project. DARIAH-IT leads the design and implementation of a national cloud system to support digital humanities research, ensuring interoperability, FAIR data practices and semantic integration across disciplines. Central to DARIAH-IT’s effort within H2IOSC is AEON (dAriah sErvice Oriented iNfrastructure), a platform that enables the creation, execution and management of scientific workflows. AEON integrates service provisioning, semantic validation and runtime orchestration, supporting reproducible research and collaborative practices. I workflow sono diventati sempre più rilevanti nell’ambito Digital Humanities, poiché permettono di formalizzare, automatizzare e rendere riproducibili processi di ricerca complessi. Con la crescente adozione di metodologie basatesui dati nelle scienze umane e sociali, i workflow offrono approcci strutturati per gestire dati e strumenti eterogenei, promuovendo al contempo trasparenza e collaborazione. Riconoscendo questa esigenza, DARIAH-IT ha contribuito allo sviluppo di infrastrutture di ricerca focalizzandosi su servizi basati su workflow all’interno del progetto H2IOSC (Humanities and Cultural Heritage Italian Open Science Cloud). In questo contesto, DARIAH-IT ha come obiettivol’implementazione di un sistema cloud nazionale a supporto della ricerca nelle digital humanities, garantendo interoperabilità, pratiche FAIR per i dati e integrazione semantica tra le risorse. Al centro di questo impegno di DARIAH-IT nell’ambito di H2IOSC si colloca AEON (dAriah sErvice Oriented iNfrastructure), una piattaforma che consente la creazione, l’esecuzione e la gestione di workflow scientifici. AEON integra l’erogazione di servizi, la validazione semantica e l’orchestrazione in fase di esecuzione, supportando la riproducibilità della ricerca e le pratiche collaborative.","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"Workflows Metadata-based workflows","pages":""},"PeriodicalIF":0.0,"publicationDate":"2025-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147909636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"OA","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing in This Issue","authors":"","doi":"10.1353/arn.2023.a905664","DOIUrl":"https://doi.org/10.1353/arn.2023.a905664","url":null,"abstract":"","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"474 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135529152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Image Credits","authors":"","doi":"10.1353/arn.2023.a905665","DOIUrl":"https://doi.org/10.1353/arn.2023.a905665","url":null,"abstract":"","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135529151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Writing in This Issue","authors":"","doi":"10.2307/arion.28.3.0167","DOIUrl":"https://doi.org/10.2307/arion.28.3.0167","url":null,"abstract":"","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"187 4 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86313199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Freud between Oedipus and the Sphinx","authors":"Miriam Leonard","doi":"10.1353/arn.2020.0020","DOIUrl":"https://doi.org/10.1353/arn.2020.0020","url":null,"abstract":"Freud between Oedipus and the Sphinx MIRIAM LEONARD Areproduction of Jean-Auguste-Dominique Ingres’s neo-classical painting Oedipus and the Sphinx famously hung over Freud’s couch in his consulting room at Berggasse 19 [figure 1]. Nobody doubts the significance of the figure of Oedipus to the development of Freud’s thought, arion 28.3 winter 2021 Jean-Auguste-Dominique Ingres, (1780–1867). Oedipus and the Sphinx, 1808. Oil on canvas. Photo Credit : Scala/ Art Resource, NY. 132 freud between oedipus and the sphinx but the presence of the Sphinx in this picture raises a series of questions about Freud’s interests which have not been as extensively explored. Indeed, this is far from being the only depiction of the Sphinx which graced Freud’s study. A large etching of the Sphinx at Giza was displayed amongst his bookshelves and a terracotta figurine was amongst his most prized objects.1 These representations of the Sphinx testify to Freud’s broader fascination with Egyptian culture—a fascination which, as we have seen, manifests itself both in his writings and his collection of antiquities. Judith Butler and George Steiner have wondered: “what would happen if psychoanalysis were to have taken Antigone rather than Oedipus as its point of departure?”2 I want to reformulate their question to ask, what would happen if Freud had taken the Sphinx rather than Oedipus as his point of departure? With this counterfactual, I hope to deepen the exploration already undertaken in the previous two articles about Egypt as an origin myth for psychoanalysis—an origin both for the development of the self and for the history of humanity. One possibility, suggested by Edward Said in his last work, Freud and the Non European, is that Freud’s turn to Egypt opened psychoanalysis to a less Eurocentric perspective. For Said, Freud’s foregrounding of Egypt and his interest in the crossover of “non-European” and “European ” cultures testified to his openness and his frustration with the nationalist and racist theories which were so prevalent at the end of his life.3 Said’s claims are compelling but as he would have been the first to note, Freud’s Egyptomania could equally be captive to orientalizing fantasies.4 In what follows I trace the evidence for Freud’s fascination with Egypt and, reading it hieroglyphically (as he would invite us to do), I speculate about its possible impacts on psychoanalysis as art and / or science. Ingres’s first version of Oedipus and the Sphinx—the painting whose reproduction Freud displayed—was completed in 1808. Ingres originally painted the picture in Rome where Miriam Leonard 133 he was studying at the French Academy. In common with other students at the academy, Ingres was required to produce figure studies and the original version of this painting was focused on Oedipus and the representation of his bodily form. Ingres had asked his model to use the same pose as the classical statue of Hermes with the Sandal which is displayed in the Louvre. A","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"28 3","pages":"131-155"},"PeriodicalIF":0.0,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147901482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Economy, Society, Tragedy: Moral Reflections in an Age of Crisis and\u0000 Austerity","authors":"Ruprecht","doi":"10.2307/ARION.28.2.0137","DOIUrl":"https://doi.org/10.2307/ARION.28.2.0137","url":null,"abstract":"","PeriodicalId":39571,"journal":{"name":"ARION-A JOURNAL OF HUMANITIES AND THE CLASSICS","volume":"27 1","pages":""},"PeriodicalIF":0.1,"publicationDate":"2020-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84321620","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":4,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}