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Inks: The Journal of the Comics Studies Society最新文献

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Superhero Thought Experiments: Comic Book Philosophy by Chris Gavaler and Nathaniel Goldberg (review) 《超级英雄思想实验:漫画哲学》作者:克里斯·加瓦勒和纳撒尼尔·戈德堡(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0015
J. Flowers
{"title":"Superhero Thought Experiments: Comic Book Philosophy by Chris Gavaler and Nathaniel Goldberg (review)","authors":"J. Flowers","doi":"10.1353/ink.2020.0015","DOIUrl":"https://doi.org/10.1353/ink.2020.0015","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114765632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Drawn to Reconcile: The Queer Reparative Journey of ElfQuest 被吸引去和解:精灵之旅的古怪修复之旅
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0012
Madeline B. Gangnes, Kevin Cooley
{"title":"Drawn to Reconcile: The Queer Reparative Journey of ElfQuest","authors":"Madeline B. Gangnes, Kevin Cooley","doi":"10.1353/ink.2020.0012","DOIUrl":"https://doi.org/10.1353/ink.2020.0012","url":null,"abstract":"ABSTRACT:ElfQuest is a fantastical independent comics series, but, as we argue, it is also an attempt to make sense of the seeming contradictions between theories of queerness and between the identities claimed by individuals. We analyze ElfQuest's paradoxical visualizations of sexual identities as both analogous to and critical of historically contingent sexualities. To enact this analysis, we make good on the often untapped potential for collaborative writing to showcase panoramic views of difference within the same textual body: through seemingly contradictory theoretical and affective readings of ElfQuest, we demonstrate that the text naturally evokes such contradictory readings and, within those contradictions, challenges divisions between identity politics and more abstract theories of queerness. After a pointed walkthrough of ElfQuest's arc, our paper parses the comics series' cartooned visualizations of a language unfettered by Western sexual norms, questions its elfin biologies that are unshackled from heteronormativity, and illustrates the generatively queer and decidedly real spaces that the journey of ElfQuest's publication and reception has given rise to. We conclude with some speculations about how this comics phenomenon may continue to resonate within projects that treat cartooning and queer theory as overlapping pursuits.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"5 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123686547","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
"The Body of the Nation": Ta-Nehisi Coates' Black Panther and the Black Literary Tradition “民族之体”:塔-内希斯·科茨的《黑豹》与黑人文学传统
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0011
Eli Boonin-Vail
{"title":"\"The Body of the Nation\": Ta-Nehisi Coates' Black Panther and the Black Literary Tradition","authors":"Eli Boonin-Vail","doi":"10.1353/ink.2020.0011","DOIUrl":"https://doi.org/10.1353/ink.2020.0011","url":null,"abstract":"ABSTRACT:In his philosophical work on black phenomenology, James B. Haile III has explicitly made connections between the work of Ta-Nehisi Coates in Between the World and Me and a larger black American literary tradition extending back to Richard Wright. Coates' extensive meditation on the role of the black body in that volume deserves further consideration now that the author has been writing Marvel Comics' Black Panther title for over three years. The superhero comic book is a medium and genre combination that uniquely foregrounds the role of the body in space, and Coates' adoption of this medium, genre, and implicit audience indicates a shifting literary tactic that nevertheless preserves the phenomenological core of his previous efforts.Combining comic book history, critical race theory, and adaptation approaches, this article seeks to trace Coates' recent comic book efforts within the larger context of his own writings, the writings of Richard Wright, James Baldwin, and Franz Fanon. Additionally, it seeks to address the complicated history of the T'Challa character in the light of Coates' recent construction of the character. In this way, the article argues for Coates' Black Panther as a comic book project invested in popular intellectual critique, a process of rewriting as much as writing which seeks to redeem not only the cultural legacy of one particular popular character, but the framework of popular black intellectualism more generally.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122590371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Graphic Memories of the Civil Rights Movement by Jorge J. Santos (review) 《民权运动的图形记忆》作者:豪尔赫·j·桑托斯(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0014
Joanna Davis-McElligatt
{"title":"Graphic Memories of the Civil Rights Movement by Jorge J. Santos (review)","authors":"Joanna Davis-McElligatt","doi":"10.1353/ink.2020.0014","DOIUrl":"https://doi.org/10.1353/ink.2020.0014","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125889689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
From the Archives: The Alain Van Passen Collection: At the Crossroads of Comics Collecting and Critique 从档案:阿兰·范·帕森收藏:在漫画收集和批评的十字路口
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0013
Maaheen Ahmed
{"title":"From the Archives: The Alain Van Passen Collection: At the Crossroads of Comics Collecting and Critique","authors":"Maaheen Ahmed","doi":"10.1353/ink.2020.0013","DOIUrl":"https://doi.org/10.1353/ink.2020.0013","url":null,"abstract":"ABSTRACT:This essay introduces the Alain Van Passen comics collection recently acquired by Ghent University with the financial support of a European Research Council grant for a project on children in European comics. Covering publications from the 1930s through the 1980s, the collection is comprised of French and Belgian comics magazines and fanzines. Since the story of Van Passen's collection is intertwined with the establishment of comics clubs, the essay introduces the rise and organization of francophone comics collecting and highlights the connections established between early francophone comics criticism and (fan) scholarship. It also discusses the first Belgian comics fanzine, Ran Tan Plan, for which Van Passen was an editorial board member and a regular contributor. After arguing for the importance of collector knowledge for comics scholarship, the essay ends with a few remarks on the potential of such private collections for better understanding the materiality of comics making and the vast visual archive contributing to comics history.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134180049","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Rethinking Racial Ontology through McDuffie's Deathlok 从麦克杜菲的死亡战士重新思考种族本体论
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0017
Sam Cowling
{"title":"Rethinking Racial Ontology through McDuffie's Deathlok","authors":"Sam Cowling","doi":"10.1353/ink.2020.0017","DOIUrl":"https://doi.org/10.1353/ink.2020.0017","url":null,"abstract":"ABSTRACT:This paper examines the philosophy of race through critical engagement with Dwayne McDuffie's run on Deathlok. After setting out some foundational puzzles regarding the projection of racial categories onto fictional characters, we examine the patterns of racialization of the character Deathlok, as written by Moench and Buckler and in McDuffie's subsequent revamping of the character. We conclude by investigating how Hardimon's recent work on the philosophy of race sheds light on the metaphysics of racial projection under the conditions of fantastic transformation.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"127 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120989143","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“A Grotesque, Incurable Disease”: Whiteness as Illness in Gabby Schulz’s Sick “一种怪诞的、无法治愈的疾病”:加贝·舒尔茨的《病》中作为疾病的白色
Inks: The Journal of the Comics Studies Society Pub Date : 2020-09-12 DOI: 10.1353/ink.2020.0018
F. Køhlert
{"title":"“A Grotesque, Incurable Disease”: Whiteness as Illness in Gabby Schulz’s Sick","authors":"F. Køhlert","doi":"10.1353/ink.2020.0018","DOIUrl":"https://doi.org/10.1353/ink.2020.0018","url":null,"abstract":"ABSTRACT:In Sick, his 2016 memoir about suffering from a mysterious illness, Gabby Schulz depicts himself as experiencing extreme pain, which he depicts on the page in the shape of monsters and gargoyles tormenting him. Under the pressure of a rising fever, Schulz eventually achieves a clarity of vision that allows him to see that the illness he suffers from is inseparable from his complicity as a white man in the many injustices of Western culture. This essay reads Sick as an extended meditation on racial whiteness, and argues that because whiteness in many comics is often naturalized as nothing more than an absence of signification on the typically white page, it mirrors the way racial whiteness has historically been conceptualized as invisible and universal. A horror story with whiteness as its monster, Sick works to make whiteness visible through drawn depictions of white racial identity morphing into increasingly disturbing images of the death and destruction upon which it rests.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-09-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128703798","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
EC Comics: Race, Shock, and Social Protest by Qiana Whitted (review) 《欧共体漫画:种族、冲击和社会抗议》作者:Qiana Whitted(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2020-06-06 DOI: 10.1353/ink.2020.0001
andré carrington
{"title":"EC Comics: Race, Shock, and Social Protest by Qiana Whitted (review)","authors":"andré carrington","doi":"10.1353/ink.2020.0001","DOIUrl":"https://doi.org/10.1353/ink.2020.0001","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133482999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Breaking the Frames: Populism and Prestige in Comics Studies by Marc Singer (review) 打破框架:漫画研究中的民粹主义和声望(书评)
Inks: The Journal of the Comics Studies Society Pub Date : 2020-06-06 DOI: 10.1353/ink.2020.0002
Nhora Lucía Serrano
{"title":"Breaking the Frames: Populism and Prestige in Comics Studies by Marc Singer (review)","authors":"Nhora Lucía Serrano","doi":"10.1353/ink.2020.0002","DOIUrl":"https://doi.org/10.1353/ink.2020.0002","url":null,"abstract":"","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128856999","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 4
No Reclaimed Homeland: Thi Bui's Postcolonial Historiography in The Best We Could Do 没有被开垦的家园:Thi Bui的后殖民史学在我们能做的最好的
Inks: The Journal of the Comics Studies Society Pub Date : 2020-06-06 DOI: 10.1353/ink.2020.0008
Layli Maria Miron
{"title":"No Reclaimed Homeland: Thi Bui's Postcolonial Historiography in The Best We Could Do","authors":"Layli Maria Miron","doi":"10.1353/ink.2020.0008","DOIUrl":"https://doi.org/10.1353/ink.2020.0008","url":null,"abstract":"Abstract:Thi Bui's The Best We Could Do, a graphic memoir centering on her family's experience with war in Vietnam and resettlement in the United States, earned critical acclaim upon its publication in 2017. It touched a nerve with US readers attuned to their country's rising xenophobia, eliciting praise for humanizing refugees. Her comic certainly stirs compassion with its fusion of emotive drawings and text—but it does more. Bui subtly encourages readers not only to see refugees as human but also to realize that no polity exists apart from migrancy. Situating her book in recent postcolonial theory, I read it as a commentary on the shifting nature of history and nation. Bui presents no singular homeland, past or present, implicitly calling into question some Americans' desire for a walled nation and bounded culture.","PeriodicalId":392545,"journal":{"name":"Inks: The Journal of the Comics Studies Society","volume":"89 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126803041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
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