“A Grotesque, Incurable Disease”: Whiteness as Illness in Gabby Schulz’s Sick

F. Køhlert
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引用次数: 1

Abstract

ABSTRACT:In Sick, his 2016 memoir about suffering from a mysterious illness, Gabby Schulz depicts himself as experiencing extreme pain, which he depicts on the page in the shape of monsters and gargoyles tormenting him. Under the pressure of a rising fever, Schulz eventually achieves a clarity of vision that allows him to see that the illness he suffers from is inseparable from his complicity as a white man in the many injustices of Western culture. This essay reads Sick as an extended meditation on racial whiteness, and argues that because whiteness in many comics is often naturalized as nothing more than an absence of signification on the typically white page, it mirrors the way racial whiteness has historically been conceptualized as invisible and universal. A horror story with whiteness as its monster, Sick works to make whiteness visible through drawn depictions of white racial identity morphing into increasingly disturbing images of the death and destruction upon which it rests.
“一种怪诞的、无法治愈的疾病”:加贝·舒尔茨的《病》中作为疾病的白色
摘要:Gabby Schulz在2016年出版的回忆录《Sick》中描述了自己遭受一种神秘疾病的痛苦,他在书中以怪物和石像鬼的形式描述了自己遭受的极度痛苦。在高烧的压力下,舒尔茨最终获得了清晰的视野,让他看到他所患的疾病与他作为白人在西方文化中许多不公正的同谋是分不开的。这篇文章将《Sick》视为对种族白化的延伸思考,并认为因为在许多漫画中,白人通常被归化为在典型的白色页面上缺乏意义,它反映了种族白化在历史上被概念化为无形和普遍的方式。这是一个以白人为怪物的恐怖故事,Sick通过对白人种族身份的描绘,将白人变成了越来越令人不安的死亡和毁灭的形象,从而使白人可见。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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