Quarterly Review of Film and Video最新文献

{"title":"Film, Memory and Women’s Recovery: Analyzing Woman in Gold (2015) and Wild Nights with Emily (2018) as Cine-Memory","authors":"Ana Manuella Viegas","doi":"10.1080/10509208.2023.2281193","DOIUrl":"https://doi.org/10.1080/10509208.2023.2281193","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"9 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139265279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Rethinking Darkness: Night, Malayalam Cinema and Kumbalangi Nights","authors":"Rajesh James, Malavika P. Pillai","doi":"10.1080/10509208.2023.2269887","DOIUrl":"https://doi.org/10.1080/10509208.2023.2269887","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"14 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139271520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"25 Years Later: An Autoethnographic Study of the Teenage Textbook Movie (1998) in 2023","authors":"Yi Wei Chew","doi":"10.1080/10509208.2023.2282946","DOIUrl":"https://doi.org/10.1080/10509208.2023.2282946","url":null,"abstract":"","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"BME-27 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139275336","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Breaking through Barriers: Empowering Women through Sports in Recent Bollywood Cinema","authors":"Sheetal Yadav, Smita Jha","doi":"10.1080/10509208.2023.2276642","DOIUrl":"https://doi.org/10.1080/10509208.2023.2276642","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsSheetal YadavSheetal Yadav (Author) is Assistant Professor in the department of Literature and Languages, SRM University, AP. She is also a Research Scholar in the Department of Humanities and Social Sciences, IIT Roorkee, India. Her research interests include Women and Gender Studies, Violence and Trauma in Fiction, Film Studies and Cultural Comparative Literature. She has presented at major national and international conferences and published her research on women’s studies in noted journals.Smita JhaSmita Jha (Co-author) is a Professor in the Department of Humanities and Social Sciences at IIT Roorkee, India. She has completed her Ph.D. from CIEFL, Hyderabad. She has published numerous papers in reputed journals like SAGE, Routledge, and many others. She is interested in Common Wealth Literature, Indian Writing in English, Linguistics, Critical Theories, and Gender and Culture Studies.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"27 14","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135043014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Newsies: Carrying the Banner through Film, Live Theater, and Virtual Theater","authors":"Ann Broda","doi":"10.1080/10509208.2023.2276019","DOIUrl":"https://doi.org/10.1080/10509208.2023.2276019","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 The Dead End Kids were a group of 14 adolescent boys from New York who appeared in Sidney Kingsley’s Broadway play Dead End in 1935. Two years later, film producer, Samuel Goldwyn, worked with the same cast to turn the play into a film. The Dead End Kids’ popularity resulted in more movies, including: The East Side Kids, The Little Tough Guys, and The Bowery Boys.2 For a more detailed account of how the production team brought Newsies from the film to the live theatre medium as well as from the live theatre medium to the virtual theatre medium, the author recommends 1) Ken Cerniglia’s (Citation2014) Newsies: Stories of the Unlikely Broadway Hit; 2) Chapter 6 of Amy Osatinski’s (Citation2019) Disney Theatrical Productions: Producing Broadway Musicals the Disney Way; 3) Amanda Marie Miller’s (2022) article, “Newsies—An Oral History: How It All Happened”; and 4) Courtney Potter’s (Citation2017) article, “Extra! Extra! Newsies Stars Talk About Bringing the Show from Stage to Screen!Additional informationNotes on contributorsAnn BrodaAnn Broda (MA Strategic Communication, Liberty University, 2017; MA Theater, Regent University, 2019) is an Instructional Designer at Spring Arbor University and an online Adjunct Instructor for Olivet Nazarene University. She is currently a doctoral candidate in her Doctor of Philosophy in Communication program through Regent University. Her research interests include exploring and analyzing the historical, cultural, and rhetorical impact of narratives on individuals’ lives and the discipline of communication.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135242552","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Double Timing and the Second Coming of the Trauma: A Study of Performative Agency of Trauma from Sadomasochism to Empathy","authors":"Remya V. R., Rukmini S.","doi":"10.1080/10509208.2023.2273708","DOIUrl":"https://doi.org/10.1080/10509208.2023.2273708","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsRemya V. R.Remya VR is a writer and a doctoral candidate in English literature at Vellore Institute of Technology, Vellore. She is exceedingly interested in creating writing and excelled in working with words. She has published an anthology of poems, NEELAJARMBUKAL, BLUE VEINS and short stories in Malayalam and English and She was a former article writer at Way2News and currently focuses on her research on War Trauma. She aspires to coin a new theory on Trauma Studies to capsule the parasite of trauma creating emotionally handicapped society.Rukmini S.Dr. Rukmini. S is a Senior academic in the Department of English, School of Social Sciences and Languages, VIT University, Vellore, Tamil Nadu. She has more than two-decade experience in Teaching and Research. She has been teaching in the areas of English Language and Literature, Indian Writing in English, ELT, Soft skills to undergraduates and Postgraduates of all streams of Arts, Science, Technology and Management Studies and Ph.Ds. in English Language and Literature. She has taught in Indian institutions and Abroad. She has taught English Language and Literature to Undergraduates of all streams in Nakhon Pathom Rajabhat University (NPRU), Nakhon Pathom, Thailand and as a visiting faculty delivered lectures in Postcolonial Literature in the International University of Sarajevo (IUS), and National University of Sarajevo, Bosnia & Herzegovina, Europe. Her areas of Research include Indian Writing in English, Postcolonial Literature, Scientific and Technical Writing, Spiritual Ecology, etc. She has reviewed books, presented papers more than 50 research papers in National and International Conferences and Seminars and published more than 40 research papers which includes Springer, inderscience, Apple American press, a Taylor and Francis group and also indexed in Scopus, Web of Science. Presently, She is working on Indic Knowledge Tradition and its application in the present curriculum of various school taught courses at the Higher Education level. She puts on a humble effort to indigenize ELT Methods, Techniques and Approaches for imparting Language Skills and Communication Skills in Arts, Technology and Management Studies. Under her guidance one Scholar got awarded with Ph.D. on Internet Linguistics and Ancient knowledge tradition. She is presently guiding six Ph.D. scholars in the areas of Digital Humanities focusing on Digitizing IKT (Indian Knowledge Tradition), Travel Writing, Australian Literature and Indian Knowledge Tradition, AI and Humanities, AI and Environment, and Spiritual Ecology. She has been conducting Training for Teachers and Management Professionals in Academic Research Writing, Scientific and Technical writing, and Applications of indigenizing novel Teaching Methods, Techniques and Approaches in Technology and Management Studies. Her passions are Reading, Writing and contemplating th","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"509 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135637397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Montage for/as Unsettling Thinking: An Interview With Nguyen Trinh Thi","authors":"Shweta Kishore","doi":"10.1080/10509208.2023.2276017","DOIUrl":"https://doi.org/10.1080/10509208.2023.2276017","url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 In 2009, Nguyen founded Hanoi based Doclab, Vietnam’s major filmmaking and experimental media collective which nurtured Vietnamese filmmakers and media artists for over a decade. Doclab’s critical pedagogy devised by Nguyen, exposed students to international cinema classics and visiting filmmakers including Harun Farocki (2013) and Ulli Gaulke (2014) and rigorous hands-on production training focused on artistic voice and reflection.Additional informationNotes on contributorsShweta KishoreShweta Kishore lectures in Screen and Media at RMIT (Royal Melbourne Institute of Technology) University. Her research focuses on Indian documentary, documentary ethics, feminist film, documentary film practice, co-constructed documentary, and film festivals. She is the author of Indian Documentary Film and Filmmakers: Independence in Practice (2018, Edinburgh University Press). Her research has appeared in Camera Obscura, Feminist Media Studies, Studies in Documentary Film and Senses of Cinema. Kishore is a documentary practitioner and in 2019 curated Artist Cinema: Documentary from Vietnam at the Kochi Muziris Biennale, India.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"538 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135637374","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Breaking the Cycle: Resisting Violence & Reclaiming Voices in Sarah Polley’s Women Talking (2022)","authors":"Khushboo Verma, Nagendra Kumar","doi":"10.1080/10509208.2023.2276641","DOIUrl":"https://doi.org/10.1080/10509208.2023.2276641","url":null,"abstract":"Click to increase image sizeClick to decrease image size Disclosure statementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsKhushboo VermaKhushboo Verma, PhD candidate, Department of Humanities & Social Sciences, IIT Roorkee, India.Nagendra KumarNagendra Kumar, Professor, Department of Humanities & Social Sciences, IIT Roorkee, India.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"31 13","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135869106","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Screening the (Trans)Gender Stereotypes: Locating Butlerian ‘Gender Performativity’ in Indian Films","authors":"Kiran Raveendran, Dhishna Pannikot","doi":"10.1080/10509208.2023.2275537","DOIUrl":"https://doi.org/10.1080/10509208.2023.2275537","url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsKiran RaveendranKiran Raveendran is a Research Scholar in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.Dhishna PannikotDhishna Pannikot is a Associate Professor in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135934020","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Gendered Space and Alpha Male in <i>The Great Indian Kitchen</i> (2021)","authors":"Anjali M. R., Priyanka Chaudhary","doi":"10.1080/10509208.2023.2274787","DOIUrl":"https://doi.org/10.1080/10509208.2023.2274787","url":null,"abstract":"Click to increase image sizeClick to decrease image size Disclosure StatementNo potential conflict of interest was reported by the author(s).Additional informationNotes on contributorsAnjali M. R.Priyanka Chaudhary is Professor of English in the department of Languages, Literatures & Cultural Studies at Manipal University Jaipur. She has twenty years of experience of UG and PG (English Literature) students. She has supervised ten PhD scholars. She has significant contribution in publishing her research in five books, edited volumes, 25 research articles in Scopus, Web of Science, and UGC care listed journals. She has conducted many workshops, international conferences, and seminars.Priyanka ChaudharyAnjali M. R. is a Research Scholar of English in the Department of Languages, Literatures & Cultural Studies at Manipal University Jaipur. Her area of interest is Migration & Diaspora, Women’s Studies. She has cleared UGC-NET in 2020.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"21 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135934659","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}