{"title":"筛选(跨)性别刻板印象:在印度电影中定位巴特勒式的“性别表演”","authors":"Kiran Raveendran, Dhishna Pannikot","doi":"10.1080/10509208.2023.2275537","DOIUrl":null,"url":null,"abstract":"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsKiran RaveendranKiran Raveendran is a Research Scholar in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.Dhishna PannikotDhishna Pannikot is a Associate Professor in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":"7 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Screening the (Trans)Gender Stereotypes: Locating Butlerian ‘Gender Performativity’ in Indian Films\",\"authors\":\"Kiran Raveendran, Dhishna Pannikot\",\"doi\":\"10.1080/10509208.2023.2275537\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsKiran RaveendranKiran Raveendran is a Research Scholar in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.Dhishna PannikotDhishna Pannikot is a Associate Professor in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.\",\"PeriodicalId\":39016,\"journal\":{\"name\":\"Quarterly Review of Film and Video\",\"volume\":\"7 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-11-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Quarterly Review of Film and Video\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10509208.2023.2275537\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quarterly Review of Film and Video","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10509208.2023.2275537","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
Screening the (Trans)Gender Stereotypes: Locating Butlerian ‘Gender Performativity’ in Indian Films
Click to increase image sizeClick to decrease image size Additional informationNotes on contributorsKiran RaveendranKiran Raveendran is a Research Scholar in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.Dhishna PannikotDhishna Pannikot is a Associate Professor in the School of Humanities at Social Sciences and Management, and National Institute of Technology Karnataka, Surathkal.