Newsies: Carrying the Banner through Film, Live Theater, and Virtual Theater

Q2 Arts and Humanities
Ann Broda
{"title":"Newsies: Carrying the Banner through Film, Live Theater, and Virtual Theater","authors":"Ann Broda","doi":"10.1080/10509208.2023.2276019","DOIUrl":null,"url":null,"abstract":"Click to increase image sizeClick to decrease image size Notes1 The Dead End Kids were a group of 14 adolescent boys from New York who appeared in Sidney Kingsley’s Broadway play Dead End in 1935. Two years later, film producer, Samuel Goldwyn, worked with the same cast to turn the play into a film. The Dead End Kids’ popularity resulted in more movies, including: The East Side Kids, The Little Tough Guys, and The Bowery Boys.2 For a more detailed account of how the production team brought Newsies from the film to the live theatre medium as well as from the live theatre medium to the virtual theatre medium, the author recommends 1) Ken Cerniglia’s (Citation2014) Newsies: Stories of the Unlikely Broadway Hit; 2) Chapter 6 of Amy Osatinski’s (Citation2019) Disney Theatrical Productions: Producing Broadway Musicals the Disney Way; 3) Amanda Marie Miller’s (2022) article, “Newsies—An Oral History: How It All Happened”; and 4) Courtney Potter’s (Citation2017) article, “Extra! Extra! Newsies Stars Talk About Bringing the Show from Stage to Screen!Additional informationNotes on contributorsAnn BrodaAnn Broda (MA Strategic Communication, Liberty University, 2017; MA Theater, Regent University, 2019) is an Instructional Designer at Spring Arbor University and an online Adjunct Instructor for Olivet Nazarene University. She is currently a doctoral candidate in her Doctor of Philosophy in Communication program through Regent University. Her research interests include exploring and analyzing the historical, cultural, and rhetorical impact of narratives on individuals’ lives and the discipline of communication.","PeriodicalId":39016,"journal":{"name":"Quarterly Review of Film and Video","volume":" 4","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-11-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Quarterly Review of Film and Video","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10509208.2023.2276019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0

Abstract

Click to increase image sizeClick to decrease image size Notes1 The Dead End Kids were a group of 14 adolescent boys from New York who appeared in Sidney Kingsley’s Broadway play Dead End in 1935. Two years later, film producer, Samuel Goldwyn, worked with the same cast to turn the play into a film. The Dead End Kids’ popularity resulted in more movies, including: The East Side Kids, The Little Tough Guys, and The Bowery Boys.2 For a more detailed account of how the production team brought Newsies from the film to the live theatre medium as well as from the live theatre medium to the virtual theatre medium, the author recommends 1) Ken Cerniglia’s (Citation2014) Newsies: Stories of the Unlikely Broadway Hit; 2) Chapter 6 of Amy Osatinski’s (Citation2019) Disney Theatrical Productions: Producing Broadway Musicals the Disney Way; 3) Amanda Marie Miller’s (2022) article, “Newsies—An Oral History: How It All Happened”; and 4) Courtney Potter’s (Citation2017) article, “Extra! Extra! Newsies Stars Talk About Bringing the Show from Stage to Screen!Additional informationNotes on contributorsAnn BrodaAnn Broda (MA Strategic Communication, Liberty University, 2017; MA Theater, Regent University, 2019) is an Instructional Designer at Spring Arbor University and an online Adjunct Instructor for Olivet Nazarene University. She is currently a doctoral candidate in her Doctor of Philosophy in Communication program through Regent University. Her research interests include exploring and analyzing the historical, cultural, and rhetorical impact of narratives on individuals’ lives and the discipline of communication.
新闻:通过电影、现场戏剧和虚拟戏剧来高举旗帜
注1“死胡同孩子”是一群来自纽约的14个青春期男孩,他们出现在1935年西德尼·金斯利的百老汇戏剧《死胡同》中。两年后,电影制片人塞缪尔·戈德温(Samuel Goldwyn)与同一批演员合作,将该剧改编成电影。《死胡同孩子》的受欢迎程度导致了更多的电影,包括:《东区孩子》、《小硬汉》和《Bowery男孩》。为了更详细地了解制作团队如何将《Newsies》从电影带到现场剧院媒体,以及从现场剧院媒体到虚拟剧院媒体,作者推荐1)肯·塞尼利亚(Citation2014)的《Newsies:不可能的百老汇热门故事》;2) Amy Osatinski的《迪士尼戏剧作品:以迪士尼方式制作百老汇音乐剧》第六章(Citation2019);3)阿曼达·玛丽·米勒(2022)的文章,“新闻-口述历史:这一切是如何发生的”;4)考特尼·波特(Citation2017)的文章《Extra!额外的!新闻明星谈论将节目从舞台搬上银幕!ann Broda(利伯缇大学战略传播学硕士,2017;戏剧硕士,摄政大学,2019年)是春树大学的教学设计师,也是橄榄拿撒勒大学的在线兼职讲师。她目前是摄政大学传播学博士学位的博士生。她的研究兴趣包括探索和分析叙事对个人生活和传播学科的历史、文化和修辞影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 求助全文
来源期刊
Quarterly Review of Film and Video
Quarterly Review of Film and Video Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.70
自引率
0.00%
发文量
70
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术官方微信