Creative Industries Journal最新文献_第9页

The impact of innovative technologies on small players in the recorded music sector: a chronological overview 创新技术对唱片行业小型播放器的影响：按时间顺序概述

IF 1.1

Creative Industries Journal Pub Date : 2021-07-08 DOI: 10.1080/17510694.2021.1939545

Ali Kiresci

引用次数: 4

Blockchain and publishing: towards a publisher-centred distributed ledger for the book publishing industry 区块链与出版:面向图书出版行业以出版商为中心的分布式账本

IF 1.1

Creative Industries Journal Pub Date : 2021-06-30 DOI: 10.1080/17510694.2021.1939541

M. Ryan, Phoebe Macrossan, Sue Wright, Michael Adams

{"title":"Blockchain and publishing: towards a publisher-centred distributed ledger for the book publishing industry","authors":"M. Ryan, Phoebe Macrossan, Sue Wright, Michael Adams","doi":"10.1080/17510694.2021.1939541","DOIUrl":"https://doi.org/10.1080/17510694.2021.1939541","url":null,"abstract":"Abstract There is a small but growing volume of scholarly research and technological experiments in relation to blockchain and book publishing. However, to date, appropriate and feasible blockchain models for rights management and copyright exploitation remain largely untested. Furthermore, extant research has focussed on author-centred models of intellectual property and royalty management, with limited focus on publisher-centred models. Consequently, there are few practical prototypes and little understanding of blockchain models that are mutually beneficial for both writers and publishers. This article presents the findings of a two-year research project, No Point in Stopping, that explores a publisher-centred model of blockchain publishing that creates value for micro-publishers. The project developed a custom blockchain prototype and digital ledger to manage intellectual property agreements, royalty payments, and the tracking of both physical in-store and online purchases. The authors argue that for publishers, blockchain can create and monetise new digital publishing products from the drafting and editing process, thereby using intellectual property that would normally be an input into the publishing process rather than a commercial output. Blockchain can also create a new contract and revenue system that disrupts the current fee-for-service model by paying royalties to all creative professionals involved in this publishing process.","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"16 1","pages":"2 - 21"},"PeriodicalIF":1.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17510694.2021.1939541","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45878947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Recipes for textual engagement: Accessing aspiration in girls’ character-based events 文本参与的食谱：在女孩基于性格的活动中获取愿望

IF 1.1

Creative Industries Journal Pub Date : 2021-06-22 DOI: 10.1080/17510694.2021.1938925

A. Benson

引用次数: 0

Redressing digital orientalism: how Vietnamese cultural professionals are harnessing new digital technologies to reclaim the narrative on Vietnamese art and culture 纠正数字东方主义:越南文化专业人士如何利用新的数字技术来重新叙述越南艺术和文化

IF 1.1

Creative Industries Journal Pub Date : 2021-06-21 DOI: 10.1080/17510694.2021.1938926

Emma Duester, Michal Teague

{"title":"Redressing digital orientalism: how Vietnamese cultural professionals are harnessing new digital technologies to reclaim the narrative on Vietnamese art and culture","authors":"Emma Duester, Michal Teague","doi":"10.1080/17510694.2021.1938926","DOIUrl":"https://doi.org/10.1080/17510694.2021.1938926","url":null,"abstract":"Abstract Cultural professionals in the art and cultural sector in Hanoi, Vietnam, are carrying out digitization projects and utilizing digital platforms, tools and applications in order to curate their own narrative on Vietnamese art and culture. This can help to counter digital orientalism by redressing the imbalance in the amount of accessible content online as well as control over the production and circulation of cultural content. An increase in the amount of digitized cultural content can help to engage local audiences and introduce a contemporary image of Vietnamese culture to an international audience. Today, Vietnamese cultural professionals are able to decide what to digitize, what to make publicly accessible and how to curate it online. This paper presents findings from a case study on Manzi Art Space, including a digital ethnography of an augmented reality public art project entitled ‘Into Thin Air’ and 20 interviews with art and cultural professionals working in Hanoi. The findings show how digitization allows cultural professionals to shape the narrative on contemporary Vietnamese art and culture. However, the findings also show there are particular challenges faced by cultural professionals in Hanoi, including lack of human resources, technical resources and funding as well as concerns around copyright law and government permissions. These challenges are hindering the ability to utilize new digital technologies.","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"15 1","pages":"272 - 292"},"PeriodicalIF":1.1,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17510694.2021.1938926","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42108433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Industry standard? Technocapitalist depictions of music production 行业标准？技术资本主义对音乐制作的描述

IF 1.1

Creative Industries Journal Pub Date : 2021-06-21 DOI: 10.1080/17510694.2021.1939540

S. Keith, S. Collins, Adrian Renzo, A. Mesker

{"title":"Industry standard? Technocapitalist depictions of music production","authors":"S. Keith, S. Collins, Adrian Renzo, A. Mesker","doi":"10.1080/17510694.2021.1939540","DOIUrl":"https://doi.org/10.1080/17510694.2021.1939540","url":null,"abstract":"Abstract The term ‘creative industries’ describes a policy-based view of multiple creative sectors, which in turn are linked to higher education and training, digital technology, and economic outcomes. The term ‘creative industries’ (as opposed to cultural industries) is ‘a shorthand reference to the information society and that set of economic analyses and policy arguments to which that term now refers’. The music industry, as part of the broader creative industries, has been profoundly affected by the ‘information society’; technological changes to production and distribution over the last two decades have radically reconfigured the sector. At the same time, the importance of digital technology within the interdisciplinary creative industries has allowed audio technology manufacturers to claim a central role. This paper examines the nexus between technology and participation in the creative industries, namely how the discourse of industry and professionalism is used by audio technology manufacturers to construct an idealised image of the creative music industries. We investigate how notions of ‘industry’ and ‘professionalism’ relate to disruptions within the creative and media industries more widely, and how it serves the corporate interests of Digital Audio Workstation (DAW) manufacturers.","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"15 1","pages":"317 - 331"},"PeriodicalIF":1.1,"publicationDate":"2021-06-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17510694.2021.1939540","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41839779","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Wearables of the past and the future: an immersive and cross-cultural learning experience of undergraduate students in an international design collaboration 过去与未来的可穿戴设备:在国际设计合作中为本科生提供沉浸式跨文化学习体验

IF 1.1

Creative Industries Journal Pub Date : 2021-06-18 DOI: 10.1080/17510694.2021.1939539

M. Chamorro-Koc, G. Caldwell, Alejandro Villaneda Vasquez, Ivan Franco Rodriguez, C. Nates

{"title":"Wearables of the past and the future: an immersive and cross-cultural learning experience of undergraduate students in an international design collaboration","authors":"M. Chamorro-Koc, G. Caldwell, Alejandro Villaneda Vasquez, Ivan Franco Rodriguez, C. Nates","doi":"10.1080/17510694.2021.1939539","DOIUrl":"https://doi.org/10.1080/17510694.2021.1939539","url":null,"abstract":"Abstract Short term, collaborative, immersive and situated learning experiences through cross cultural design projects are key to elevating design students’ global perspectives and ability to perform in international contexts. In this article we examine students’ experiences during an international study tour that took Australian university undergraduates to collaborate with peer students in a design project at a university in Colombia. Our examination identifies three key dimensions contributing to the enhancement of students’ global perspectives: 1) intercultural engagement through peer-to-peer exchange, 2) cross cultural collaboration during remote and immersive design work, and 3) immersing in place-based experiences that enable cultural sensitivity. An analysis of students’ essays and design work demonstrates how these three dimensions were fundamental to broaden their worldviews and ability to perform globally. In the context of increasing participation of graduates from the Creative Industries in the global economy, this article contributes to the discourse about the value of short-term mobility programs in Design in Higher Education.","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"15 1","pages":"293 - 316"},"PeriodicalIF":1.1,"publicationDate":"2021-06-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/17510694.2021.1939539","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45406819","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Making digital adventure games: a conversation with Mark Yohalem 制作数字冒险游戏:与Mark Yohalem的对话

IF 1.1

Creative Industries Journal Pub Date : 2021-06-16 DOI: 10.1080/17510694.2021.1939543

J. Klaehn

引用次数: 0

Live literature in the Philippines: an ethnographic study of #RomanceClass and reading as performance 菲律宾的生活文学:#罗曼史课堂和阅读作为表演的民族志研究

IF 1.1

Creative Industries Journal Pub Date : 2021-06-12 DOI: 10.1080/17510694.2021.1939544

C. Parnell, A. A. Trinidad, J. McAlister

引用次数: 2

Mobilizing traditional music in the rural creative economy of Argyll and Bute, Scotland 在苏格兰阿盖尔和布特的乡村创意经济中动员传统音乐

IF 1.1

Creative Industries Journal Pub Date : 2021-06-01 DOI: 10.1080/17510694.2021.1928420

S. McKerrell, J. Hornabrook

引用次数: 1

Art toy as a tool for engaging the global public on the city of Surabaya 艺术玩具是泗水市吸引全球公众的工具

IF 1.1

Creative Industries Journal Pub Date : 2021-04-22 DOI: 10.1080/17510694.2021.1912536

A. P. Kuntjara

引用次数: 1