Creative Industries Journal最新文献

{"title":"Cultural, creative and collective recovery: exploring a creative Worker income Guarantee (CWIG)","authors":"Laura Caldow, Callum Lee, S. L. Nelson, Kate O’Riordan, Martha Pym","doi":"10.1080/17510694.2023.2301120","DOIUrl":"https://doi.org/10.1080/17510694.2023.2301120","url":null,"abstract":"","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"14 8","pages":""},"PeriodicalIF":1.1,"publicationDate":"2024-01-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139443242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The arduous art of empowering visual artists: why the Dutch digital sales platform Patty Morgan ultimately failed","authors":"Milja A. Vriesema","doi":"10.1080/17510694.2023.2277482","DOIUrl":"https://doi.org/10.1080/17510694.2023.2277482","url":null,"abstract":"This article investigates Patty Morgan, a Dutch digital sales platform for emerging visual artists, founded in 2013 out of a dissatisfaction with capitalistic practices. The analysis is situated against the backdrop of the increasing financial struggles of small-scale galleries, which play a crucial role in promoting new artists, consequently threatening a loss of innovation. Patty Morgan’s goal was to generate cultural and economic value through scouting, promoting and mediating activities, all the while maintaining a fair, digital approach with supportive settings for artists. It can be seen as an atypical case of how idealistic entrepreneurs try to enable visual artists to capture more of the value they create. Using key elements of the Global Production Network approach, i.e. governance and embeddedness, this article investigates why Patty Morgan’s digital approach ultimately failed. Discussing the reasons behind Patty Morgan’s financial hardship helps grasp why scouting and promoting emerging artists is not financially rewarding within the current visual arts ecosystem, especially in relation to the Dutch sociocultural and institutional context. This article suggests that, for the purpose of safeguarding the visual arts industry, funding policy needs to be reconsidered and responsibility for demand needs to be further discussed.","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"31 12","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135974824","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Artificial Creative Intelligence (ACI)","authors":"Graeme Harper","doi":"10.1080/17510694.2023.2273127","DOIUrl":"https://doi.org/10.1080/17510694.2023.2273127","url":null,"abstract":"","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"44 7","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136382055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nigeria’s creative industries: issues, challenges, and way forward for the software subsector","authors":"Uchenna Stephen Ogbonna","doi":"10.1080/17510694.2023.2270797","DOIUrl":"https://doi.org/10.1080/17510694.2023.2270797","url":null,"abstract":"","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134909195","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Writing Chance: adjusting the lens on social class and diversity in the UK publishing industry","authors":"Katy Shaw","doi":"10.1080/17510694.2023.2270746","DOIUrl":"https://doi.org/10.1080/17510694.2023.2270746","url":null,"abstract":"A Writing Chance was launched in June 2021 as a new talent development programme open to aspiring writers from under-represented backgrounds. The programme aimed to offer a positive intervention, designed to discover new talent, support writers from under-represented backgrounds to break into the UK creative industries, and empower UK publishers and editors to represent a broader range of perspectives in commercial outputs. Levering resources, experiences and capacity, the programme mobilised an innovative model of partnership working to explore what happens when cross-sector organisations come together to tackle a shared challenge. This article explores the origin story of the programme, its activities and impacts from launch to publication, and offers recommendations on how we can take the legacies of this work forwards to offer others the writing chance that is needed now more than ever in a post-pandemic world.","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135729889","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Realizing the Values of Art. Making Space for Cultural Civil Society, Erwin Dekker and Valeria Morea, Cham (CH): Palgrave Macmillan, 2023 <i>Realizing the Values of Art. Making Space for Cultural Civil Society</i> , Erwin Dekker and Valeria Morea, Cham (CH): Palgrave Macmillan, 2023","authors":"Michele Trimarchi","doi":"10.1080/17510694.2023.2234684","DOIUrl":"https://doi.org/10.1080/17510694.2023.2234684","url":null,"abstract":"\"Realizing the Values of Art. Making Space for Cultural Civil Society, Erwin Dekker and Valeria Morea, Cham (CH): Palgrave Macmillan, 2023.\" Creative Industries Journal, ahead-of-print(ahead-of-print), pp. 1–2","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-10-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135895664","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The interplay between digital platforms and user-generated content in reinterpreting and recreating mythological narratives with traditional Chinese cultural elements: the animated series <i>Yao-Chinese Folktales</i>","authors":"Aiqing Wang, Thomas William Whyke, Levi Dean","doi":"10.1080/17510694.2023.2252423","DOIUrl":"https://doi.org/10.1080/17510694.2023.2252423","url":null,"abstract":"AbstractThis paper critically unpacks the reinvigoration of mythological narratives with traditional Chinese cultural elements on 哔哩哔哩Bilibili using the animated series 中国奇谭 Zhongguo Qitan ‘Yao-Chinese Folktales’, specifically focusing on the narrative 小妖怪的夏天 Xiao Yaoguai De Xiatian ‘Nobody’ (Lit. ‘A Little Monster’s Summer’) as the case study. The article explores Bilibili’s unique digital ecosystem and user-generated content, shedding light on how they shape the reinterpretation and recreation of narratives with traditional Chinese cultural elements. An in-depth analysis is conducted on various fan-maderecreations, from alternative endings to fan videos, critically examining how audiences connect with ‘Nobody’ through nostalgic personal memories, societal commentary and creative expression. This study seeks to reconcile the divide between participatory culture and mythological storytelling. By doing so, it underscores the significant role that digital platforms, like Bilibili, play in reinvigorating narratives with traditional Chinese cultural elements. The research findings unveil innovative insights beneficial for stakeholders seeking to gain traction in the Chinese market through culturally attuned content. More than just underlining the transformative influence of these digital platforms, the study also contributes to the ongoing discourse on the need for more diverse narratives in global storytelling, as opposed to the ‘universal’ paradigms centred on the Hero’s Journey perpetuated from the West. Ultimately, this article provides a nuanced understanding of the elements that resonate with audiences within the Chinese sociocultural context.Keywords: Bilibiliuser-generated contentnarratives with traditional Chinese cultural elementsreinterpretationrecreationstorytellingcultural resonancedigital platforms Disclosure statementThe authors confirm that there is no conflict of interest.Notes1 See above for our detailed explanation of the Bilibili platform.2 All comments in this paper are translated from Chinese into English by the authors.3 PUA, an acronym for Pick-up Artist, originally denotes heterosexual men’s self-identification for being sexually successful with women (Strauss Citation2005; Baker Citation2013). The concept of PUA was imported into China in the 2000s, whereas it subsequently degenerates into to conduct exclusively intent on sexual intercourse and even emotionally manipulative techniques annihilating women’s self-esteem (Xu and Yao Citation2019; Zhou Citation2019; Zhao and Lu Citation2021). In a workplace context, PUA is synonymous with exploitation, bullying and suppression, and sometimes emotional abuse in a broad sense.Additional informationNotes on contributorsAiqing WangDr. Aiqing Wang is a Senior Lecturer at the University of Liverpool. Her works have appeared in journals such as Global Media and China and Asian Studies.Thomas William WhykeDr. Thomas William Whyke is an Assistant Professor at the University of Nottingham ","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-09-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"136312973","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"‘It’s almost a full-time job just marketing your own book’: understanding novelists marketing knowledge and practices","authors":"J. Burgess, P. Williams, Amy Curran","doi":"10.1080/17510694.2023.2233982","DOIUrl":"https://doi.org/10.1080/17510694.2023.2233982","url":null,"abstract":"","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":" ","pages":""},"PeriodicalIF":1.1,"publicationDate":"2023-07-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48541867","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"New Zealand’s creative economy: in search of research","authors":"Gudrun Frommherz, Aditya Narayan","doi":"10.1080/17510694.2023.2234894","DOIUrl":"https://doi.org/10.1080/17510694.2023.2234894","url":null,"abstract":"","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":"1 1","pages":""},"PeriodicalIF":1.1,"publicationDate":"2023-07-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41741912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"What happens behind the ‘transnational’ of transnational films? Examining China and South Korea’s co-productions","authors":"K. Soh","doi":"10.1080/17510694.2023.2223397","DOIUrl":"https://doi.org/10.1080/17510694.2023.2223397","url":null,"abstract":"","PeriodicalId":38664,"journal":{"name":"Creative Industries Journal","volume":" ","pages":""},"PeriodicalIF":1.1,"publicationDate":"2023-06-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45262110","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}