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Studies in South Asian Film and Media最新文献

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Re-Focus: The Films of Shyam Benegal, Sneha Kar Chaudhuri and Ramit Samaddar (Eds) (2022) 重新聚焦:希亚姆·贝内戈尔、斯尼哈·卡尔·乔杜里和拉米特·萨玛达尔的电影(编)(2022)
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00058_5
S. Dutta
{"title":"Re-Focus: The Films of Shyam Benegal, Sneha Kar Chaudhuri and Ramit Samaddar (Eds) (2022)","authors":"S. Dutta","doi":"10.1386/safm_00058_5","DOIUrl":"https://doi.org/10.1386/safm_00058_5","url":null,"abstract":"Review of: Re-Focus: The Films of Shyam Benegal, Sneha Kar Chaudhuri and Ramit Samaddar (Eds) (2022)\u0000 Edinburgh: Edinburgh University Press, 255 pp.,\u0000 ISBN 978-1-47445-286-1, h/bk, £90","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74812857","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
DigiNaka: Subaltern Politics and Digital Media in Post-Capitalist India, Anjali Monteiro, K. P. Jayasankar and Amit S. Rai (Eds) (2020) DigiNaka:后资本主义印度的次等政治和数字媒体，Anjali Monteiro, k.p. Jayasankar和Amit S. Rai(编)(2020)
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00057_5
Soni Wadhwa
{"title":"DigiNaka: Subaltern Politics and Digital Media in Post-Capitalist India, Anjali Monteiro, K. P. Jayasankar and Amit S. Rai (Eds) (2020)","authors":"Soni Wadhwa","doi":"10.1386/safm_00057_5","DOIUrl":"https://doi.org/10.1386/safm_00057_5","url":null,"abstract":"Review of: DigiNaka: Subaltern Politics and Digital Media in Post-Capitalist India, Anjali Monteiro, K. P. Jayasankar and Amit S. Rai (Eds) (2020)\u0000 Hyderabad: Orient Black Swan, 276 pp.,\u0000 ISBN 978-9-35287-906-9, p/bk, ₹695","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74804395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Nowhere to belong: Migration narratives in Eeb Allay Oo! (2019) and Gamak Ghar (2019) 无处可归:伊布阿莱乌的移民叙事!(2019)和Gamak Ghar (2019)
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00053_1
Harmanpreet Kaur
{"title":"Nowhere to belong: Migration narratives in Eeb Allay Oo! (2019) and Gamak Ghar (2019)","authors":"Harmanpreet Kaur","doi":"10.1386/safm_00053_1","DOIUrl":"https://doi.org/10.1386/safm_00053_1","url":null,"abstract":"This article analyses the narratives of migration in the films Eeb Allay Oo! and Gamak Ghar which also incidentally speak to a moment in India during the pandemic when the precarious lives of migrants working in the informal sector took centre stage in the public discourse. While Eeb Allay Oo! follows the life of a migrant unable to find suitable work till he is recruited as a monkey repeller in central Delhi, Gamak Ghar introspects the idea of home in the filmmaker’s own village near Darbhanga in Bihar when various family members leave it to work and live elsewhere. The article addresses these films through an interdisciplinary lens of migration studies and cinema studies and as alternative to the mainstream commercial cinema of the country in terms of aesthetics and the circular journeys of the filmmakers themselves.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"28 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74015366","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media, Monika Mehta and Madhuja Mukherjee (2021) 印度的工业网络和电影院:流星、移动的地理位置和倍增的媒体，Monika Mehta和Madhuja Mukherjee (2021)
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00062_5
Dattatreya Ghosh
{"title":"Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media, Monika Mehta and Madhuja Mukherjee (2021)","authors":"Dattatreya Ghosh","doi":"10.1386/safm_00062_5","DOIUrl":"https://doi.org/10.1386/safm_00062_5","url":null,"abstract":"Review of: Industrial Networks and Cinemas of India: Shooting Stars, Shifting Geographies and Multiplying Media, Monika Mehta and Madhuja Mukherjee (2021)\u0000 London and New York: Routledge, 275 pp.,\u0000 ISBN 978-0-42932-602-8, e-book, £39.99","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"28 11","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"72546795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Desperately seeking answers to the future of stardom in the age of neoliberalism 在新自由主义时代拼命寻找明星未来的答案
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00064_4
Soumik Pal
{"title":"Desperately seeking answers to the future of stardom in the age of neoliberalism","authors":"Soumik Pal","doi":"10.1386/safm_00064_4","DOIUrl":"https://doi.org/10.1386/safm_00064_4","url":null,"abstract":"Shrayana Bhattacharya’s book Desperately Seeking Shah Rukh: India’s Lonely Young Women and the Search for Intimacy and Independence is about women in contemporary India, how their gendered existence is shaped by patriarchal structures of exclusion and censure, and how women often use fandom (for Shah Rukh Khan) to build communities of solidarity and togetherness. This review article uses the book’s analysis to move the discussion of stardom beyond the star’s romantic appeal to women, to contextualize Shah Rukh Khan’s appeal in the broader milieu of precarity, alienation and heightened misogyny produced by neoliberalism. Ironically, the very culture that is responsible for the misery of women, has also created an unstable public that is putting real, violent limits to the phenomenon of stardom itself.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"24 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88501079","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Subverting war narrative in the purview of gender justice: Analysing Bishkanta (2015): A Liberation War documentary from Bangladesh 在性别正义的范围内颠覆战争叙事:分析比什坎塔(2015):一部来自孟加拉国的解放战争纪录片
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00054_1
A. Bulbul, Shyamika Jayasundara-Smits
{"title":"Subverting war narrative in the purview of gender justice: Analysing Bishkanta (2015): A Liberation War documentary from Bangladesh","authors":"A. Bulbul, Shyamika Jayasundara-Smits","doi":"10.1386/safm_00054_1","DOIUrl":"https://doi.org/10.1386/safm_00054_1","url":null,"abstract":"This article analyses how a Bangladeshi documentary film Bishkanta (The Poison Thorn) () directed by a feminist and cultural activist Farzana Boby negotiates the gendered war narrative of Bangladesh and how the film is being used as an enabling platform for the Birangonas (‘war-raped women’) to express their long-time endured suffering and outrage. The Liberation War of Bangladesh (1971) is amongst the most represented themes in Bangladeshi media culture. However, feminist scholars have been critical about the gender blindness of the depictions, with women’s experiences encoded only as victims. Hence, a documentary demanding recognition of women’s contributions and enabling space for women to speak about their losses, pains and grievance is an exception. By analysing the narrative techniques (i.e. plot, perspective, language and frames) this article shows how Bishkanta represents the stories of female rape survivors and make a claim for gender justice. Our findings suggest, despite Boby’s good intentions, Bishkanta has been reproducing the mainstream victimhood narrative ascribed to these women and occasionally reinscribing the gendered ideology of Liberation War in the mainstream nationalist discourse.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"48 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86809609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, Rochona Majumdar (2021) 《艺术电影与印度被遗忘的未来:后殖民地的电影与历史》，罗乔纳·马宗达(2021)
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00063_5
Swikrita Dowerah
{"title":"Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, Rochona Majumdar (2021)","authors":"Swikrita Dowerah","doi":"10.1386/safm_00063_5","DOIUrl":"https://doi.org/10.1386/safm_00063_5","url":null,"abstract":"Review of: Art Cinema and India’s Forgotten Futures: Film and History in the Postcolony, Rochona Majumdar (2021)\u0000 New York: Columbia University Press, 320 pp.,\u0000 ISBN 978-0-23120-105-6, p/bk, $35","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88729324","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Cinema of Satyajit Ray, Bhaskar Chattopadhyay (2021) 萨蒂亚吉特·雷的电影，巴斯卡尔·查托帕德海伊(2021)
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00059_5
S. Pal
{"title":"The Cinema of Satyajit Ray, Bhaskar Chattopadhyay (2021)","authors":"S. Pal","doi":"10.1386/safm_00059_5","DOIUrl":"https://doi.org/10.1386/safm_00059_5","url":null,"abstract":"Review of: The Cinema of Satyajit Ray, Bhaskar Chattopadhyay (2021)\u0000 Chennai: Westland Publications Private Limited, 315 pp.,\u0000 ISBN 978-9-39123-424-9, p/bk, ₹449","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"20 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82589052","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Understanding feminism on online platforms: Exploration and analysis of two online platforms 理解网络平台上的女性主义:对两个网络平台的探索与分析
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00056_1
Ankita Chatterjee
{"title":"Understanding feminism on online platforms: Exploration and analysis of two online platforms","authors":"Ankita Chatterjee","doi":"10.1386/safm_00056_1","DOIUrl":"https://doi.org/10.1386/safm_00056_1","url":null,"abstract":"This article explores how feminism is practised and communicated on digital platforms. Feminism in India and Khabar Lahariya are two online platforms studied with interviews of respondents to understand how the online spaces are used for knowledge sharing that take feminist perspective. New media opened up spaces for people to communicate from any part of the world, create media content and circulate it. Visibility, privacy, accessibility and risks are negotiated by the reporters and content creators to produce alternative cultural production from an intersectional feminist standpoint.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"57 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89986984","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Absences and erasures: Re-viewing Firaaq 缺失与抹去:回顾伊拉克
Studies in South Asian Film and Media Pub Date : 2022-12-01 DOI: 10.1386/safm_00065_4
Clare M. Wilkinson
{"title":"Absences and erasures: Re-viewing Firaaq","authors":"Clare M. Wilkinson","doi":"10.1386/safm_00065_4","DOIUrl":"https://doi.org/10.1386/safm_00065_4","url":null,"abstract":"What is implied by the absence of signifiers of identity in film? Analysing the forms of concealment and dissembling in the 2008 film Firaaq as an example, this article inquires into performance and pretence in both film and real life.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89589373","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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