Studies in South Asian Film and Media最新文献_第3页

‘The gendered film worker: Women in cinema collective, intimate publics and the politics of labour’ 性别化的电影工作者:电影集体中的女性、亲密的公众和劳动政治

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00052_7

引用次数: 1

Unruly Cinema: History, Politics and Bollywood, Rini Bhattacharya Mehta (2020) 《不守规矩的电影：历史、政治和宝莱坞》，Rini Bhattacharya Mehta（2020）

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00048_5

P. Sharma

引用次数: 1

Memories of darkness: Art against anti-democracy in A Long Way Home, Luc Schaedler, China, Go Between Films (2018) 黑暗的记忆:艺术与反民主的长路上,Luc Schaedler之间的中国,去电影(2018)

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00051_5

N. Sathe

引用次数: 0

Contemporary television and the concept of transparency 当代电视与透明概念

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00045_1

Jenson Joseph

{"title":"Contemporary television and the concept of transparency","authors":"Jenson Joseph","doi":"10.1386/safm_00045_1","DOIUrl":"https://doi.org/10.1386/safm_00045_1","url":null,"abstract":"Stuart Hall’s seminal article ‘Encoding, decoding’, while discussing the hegemonic-dominant mode of televisual communication in which the receiver decodes the message ‘straight’, describes it as a ‘transparent’ scenario, referring to the smooth\u0000 symmetry between the two ends of the encoding and the decoding. By the early 1990s, when private satellite television channels started transmission in India, their operations hinged around a notion of transparency which is entirely different from the sense of ‘straight communication’\u0000 which Hall was referring to when he used the term. Calling it ‘process transparency’, I try to show in this article that the private satellite television identified ‘simulating the effect of revealing the encoding process’ as key in producing a spectatorial address\u0000 distinct from how the state broadcast institution had come to address the viewers. Through a performative revelation of the coding process, which in turn can produce an alluring effect of immediacy, the aesthetics of process transparency promises a higher fidelity in representation. The first\u0000 part of this article discusses the case of Asianet, the Malayalam satellite channel which, when it started its telecast in 1993 as one of the first private satellite television channels in India, attempted to institute a new set of professional codes that were meant to produce the effect of\u0000 revealing the internal processes of representation/mediation. The article later explores the larger implications of this route to transparency and immediacy, by identifying and discussing a set of aesthetic registers deployed in news programmes in contemporary television across the world.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48052868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Modernism by Other Means: The Films of Amit Dutta, Srikanth Srinivasan (2020) 其他方式的现代主义:阿米特·杜塔、斯里坎斯·斯里尼瓦桑的电影(2020)

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00049_5

Harmanpreet Kaur

引用次数: 0

Activating Bollywood buzz: Promoting Indian film superstars in supporting roles 激活宝莱坞热潮:促进印度电影超级明星担任配角

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00046_1

P. Pugsley, Saira Ali

引用次数: 0

Tracing the Kafkaesque in neoliberal India: No Smoking (2007) 追寻新自由主义印度的卡夫卡式:禁止吸烟(2007)

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00047_1

Soumik Pal

引用次数: 0

Bollywood’s New Woman: Liberalization, Liberation, and Contested Bodies, Megha Anwar and Anupama Arora (2021) 宝莱坞的新女性:自由化、解放和有争议的身体，梅加·安瓦尔和阿努帕玛·阿罗拉(2021)

Studies in South Asian Film and Media Pub Date : 2022-01-01 DOI: 10.1386/safm_00050_5

Pritha Chakrabarti

引用次数: 1

Singing-in-between spaces: Bhooter Bhabisyat and the music transcending class conflict 在空间中歌唱:Bhooter Bhabisyat和超越阶级冲突的音乐

Studies in South Asian Film and Media Pub Date : 2021-02-01 DOI: 10.1386/SAFM_00034_1

Dhrubaa Mukherjee

{"title":"Singing-in-between spaces: Bhooter Bhabisyat and the music transcending class conflict","authors":"Dhrubaa Mukherjee","doi":"10.1386/SAFM_00034_1","DOIUrl":"https://doi.org/10.1386/SAFM_00034_1","url":null,"abstract":"This article analyses Bhooter Bhabisyat, a Bengali political horror satire, as a counter-narrative to Bengali cinema’s monocultural bhodrolok branding. The article argues that Bhooter Bhabisyat is radical in its refusal to follow hegemonic homogenizing musical styles classified into genres such as folk, popular, traditional and modern, which tend to be ethnocentric and class based with serious value judgments about the superiority of certain musical forms over others. Instead, Bhooter Bhabisyat uses a variety of distinct Bengali musical traditions to problematize the historic role of capitalist media that work to homogenize and popularize the dominant culture of the ruling classes. The hybrid songs of the film disrupt a sense of homogeneous bhodrolok class position that Bengali cinema has historically sustained. Through the strategies of musical pastiche, Bhooter Bhabisyat offers a meta-historic narrative about Bengali cinema, which makes possible a critical investigation of the cultural discourses and historical narratives that are discursively embedded within the history of filmic production, circulation and consumption. If film histories are produced by repressing differences between social groups and constructing universal identification, then foregrounding film songs as decolonial storytelling methods that reemphasize local voices and subject matters can lead to an effort to read history from below.\u0000\u0000The vulgar representation of time as a precise\u0000and homogeneous continuum has […] diluted the\u0000Marxist concept of history.\u0000(Giorgio Agamben)\u0000\u0000\u0000The history of all hitherto existing society is the\u0000history of class struggles.\u0000(Karl Marx)\u0000\u0000","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"12 1","pages":"3-17"},"PeriodicalIF":0.0,"publicationDate":"2021-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42994174","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Radiant Infrastructures: Media, Environment, and Cultures of Uncertainty, Rahul Mukherjee (2020) 《辐射基础设施:不确定性的媒体、环境和文化》，拉胡尔·慕克吉(2020)

Studies in South Asian Film and Media Pub Date : 2021-02-01 DOI: 10.1386/SAFM_00040_5

Yandong Li

引用次数: 1