{"title":"缺失与抹去:回顾伊拉克","authors":"Clare M. Wilkinson","doi":"10.1386/safm_00065_4","DOIUrl":null,"url":null,"abstract":"What is implied by the absence of signifiers of identity in film? Analysing the forms of concealment and dissembling in the 2008 film Firaaq as an example, this article inquires into performance and pretence in both film and real life.","PeriodicalId":38659,"journal":{"name":"Studies in South Asian Film and Media","volume":"21 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Absences and erasures: Re-viewing Firaaq\",\"authors\":\"Clare M. Wilkinson\",\"doi\":\"10.1386/safm_00065_4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What is implied by the absence of signifiers of identity in film? Analysing the forms of concealment and dissembling in the 2008 film Firaaq as an example, this article inquires into performance and pretence in both film and real life.\",\"PeriodicalId\":38659,\"journal\":{\"name\":\"Studies in South Asian Film and Media\",\"volume\":\"21 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-12-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in South Asian Film and Media\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/safm_00065_4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in South Asian Film and Media","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/safm_00065_4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
What is implied by the absence of signifiers of identity in film? Analysing the forms of concealment and dissembling in the 2008 film Firaaq as an example, this article inquires into performance and pretence in both film and real life.