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De Musica Disserenda最新文献

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A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments 十九世纪意大利新中世纪晚期和文艺复兴时期象牙乐器工作室
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.04
Florence Gétreau
{"title":"A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments","authors":"Florence Gétreau","doi":"10.3986/dmd19.2.04","DOIUrl":"https://doi.org/10.3986/dmd19.2.04","url":null,"abstract":"Some twenty ivory stringed instruments preserved in three main collections and corresponding to an instrumentarium in use at the end of the Middle Ages and the beginning of the Renaissance form a very homogeneous group. These instruments seem to have been made by the same workshop at the very end of the nineteenth century. Are they attempts of reconstruction or counterfeits?","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"109 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139596760","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Strobach Syndrome: François-Joseph Fétis, Historical Fakes and the Early Music Revival 斯特罗巴赫综合症弗朗索瓦-约瑟夫-费蒂斯、历史赝品与早期音乐复兴
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.01
Peter Holman
{"title":"The Strobach Syndrome: François-Joseph Fétis, Historical Fakes and the Early Music Revival","authors":"Peter Holman","doi":"10.3986/dmd19.2.01","DOIUrl":"https://doi.org/10.3986/dmd19.2.01","url":null,"abstract":"Some pieces included by François-Joseph Fétis in his concerts historiques are now known to be “historical fakes”, which he composed himself and attributed to Emilio de’ Cavalieri, Heinrich Schütz, Alessandro Stradella and others. He even provided a spoof entry for his invented composer Jean Strobach in his Biographie universelle des musiciens. This paper traces the history of historical musical fakes from Fétis to Winfried Michel, arguing that they are uncovered because they go out of date like other cultural artefacts.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"1 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139597653","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Programmatic Pieces Turned into a Ballet Score: The Music for the Ballet The Taming of the Shrew Choreoggraphed by László Seregi 被改编成芭蕾舞剧乐谱的节目曲目：拉斯洛-塞雷吉编舞的芭蕾舞剧《驯悍记》音乐
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.09
Júlia Fedoszov
{"title":"Programmatic Pieces Turned into a Ballet Score: The Music for the Ballet The Taming of the Shrew Choreoggraphed by László Seregi","authors":"Júlia Fedoszov","doi":"10.3986/dmd19.2.09","DOIUrl":"https://doi.org/10.3986/dmd19.2.09","url":null,"abstract":"The Hungarian choreographer László Seregi created a ballet based on William Shakespeare’s The Taming of the Shrew in 1994. He and his musician colleagues used excerpts from eleven orchestral pieces by Carl Goldmark, cut and pasted together to fit perfectly the play as told through dance. I argue that although the ballet score does not convey the composer’s original intentions, its authenticity as a successful theatrical piece is unquestionable.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"29 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139597886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Investigating the Shipton Hoard 调查希普顿藏品
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.02
Iain Fenlon
{"title":"Investigating the Shipton Hoard","authors":"Iain Fenlon","doi":"10.3986/dmd19.2.02","DOIUrl":"https://doi.org/10.3986/dmd19.2.02","url":null,"abstract":"In August 1840 a letter published in The Musical World announced the discovery of “four large iron chests filled with music-books”, some of great rarity, which have never been recovered. The truth is that the announcement is a hoax. But who perpetrated it? This essay sifts the evidence and attempts to solve the mystery.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"22 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139595835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music for Tarquinia Molza Rediscovered: Cantate o nove alme/Mater misericordiae by Domenico Micheli/Geronimo Cavaglieri 重新发现的塔尔奎尼亚-莫尔扎音乐：多梅尼科-米凯利/杰罗尼莫-卡瓦列里的 Cantate o nove alme/Mater misericordiae
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.08
Gabriele Taschetti
{"title":"Music for Tarquinia Molza Rediscovered: Cantate o nove alme/Mater misericordiae by Domenico Micheli/Geronimo Cavaglieri","authors":"Gabriele Taschetti","doi":"10.3986/dmd19.2.08","DOIUrl":"https://doi.org/10.3986/dmd19.2.08","url":null,"abstract":"Through the recent identification of the model for a contrafactum, a composition by Domenico Micheli dedicated to Tarquinia Molza has been discovered. This has turned out to be of earlier date than those dedicated to her by other composers. The incompletely preserved madrigal can be partially reconstructed with the aid of the parts belonging to the contrafactum and opens up new research perspectives on Molza and Micheli as well as on the process of retextualization carried out by Geronimo Cavaglieri, author of the new text.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"55 43","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139598752","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Authorship and Attribution in the Wurstisen Lute Book 伍尔斯蒂森琵琶谱》中的作者与归属
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.10
Yavor Genov
{"title":"Authorship and Attribution in the Wurstisen Lute Book","authors":"Yavor Genov","doi":"10.3986/dmd19.2.10","DOIUrl":"https://doi.org/10.3986/dmd19.2.10","url":null,"abstract":"The so called Wurstisen Lute Book (CH-Bu, Ms. F.IX.70) is a remarkable anthology containing a huge repertory that was written down in German lute tablature at the end of the sixteenth century. Serving most likely as a private music collection, it relatively infrequently contains names or indications of authors. The present article deals with what the scribe has left in the way of indications, shedding more light on, and interpreting, some of them. Additionally, the research suggests some sources that may have been at the disposal of the compiler, Emanuel Wurstisen, or were possibly related to his book when they came to be printed years later.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"86 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139596643","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Profectio Moysis in Aegyptum (1784): A “Fake” Neapolitan Oratorio? Profectio Moysis in Aegyptum（1784 年）：那不勒斯清唱剧 "赝品"？
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.03
Eric Boaro
{"title":"Profectio Moysis in Aegyptum (1784): A “Fake” Neapolitan Oratorio?","authors":"Eric Boaro","doi":"10.3986/dmd19.2.03","DOIUrl":"https://doi.org/10.3986/dmd19.2.03","url":null,"abstract":"One manuscript of an oratorio in I-Mc dating from 1784 is described, on its title page, as a pasticcio by “celebrated Neapolitan maestri”. I suggest that the source is actually a forgery and linked to three non-Neapolitan composers. The inference is that it was associ- ated with Naples purely for marketing reasons.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"116 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139596568","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem 缺失部分重建的 "真实性"？对错位问题的一些思考
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.07
Marina Toffetti
{"title":"The “Authenticity” of the Reconstruction of Missing Parts? Some Reflections on a Misplaced Problem","authors":"Marina Toffetti","doi":"10.3986/dmd19.2.07","DOIUrl":"https://doi.org/10.3986/dmd19.2.07","url":null,"abstract":"Some would argue that the idea we get of a composer by listening to his incomplete music in which a voice has been reconstructed is not “authentic”. But the idea we can get of him by ignoring his incomplete compositions altogether, as if they never existed, is much less “authentic”. The article examines the issue and validity of the reconstruction of polyphonic music with one or more missing parts in critical editions from a philosophical, philological and practical point of view and establishes some criteria for the acceptability of the results.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"21 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139597285","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Debussy’s Old Hindu Chant (La Boîte à joujoux): Exotic Humorous Fakery and Rejuvenation of Music 德彪西的《印度古歌》（La Boîte à joujoux）：异国风情的幽默赝品与音乐的复兴
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.11
Benjamin Lassauzet
{"title":"Debussy’s Old Hindu Chant (La Boîte à joujoux): Exotic Humorous Fakery and Rejuvenation of Music","authors":"Benjamin Lassauzet","doi":"10.3986/dmd19.2.11","DOIUrl":"https://doi.org/10.3986/dmd19.2.11","url":null,"abstract":"Debussy’s ballet for children La Boîte à joujoux (1913) contains a fake “Old Hindu chant”. But the comic fakery seems to provide the key to understanding the deep meaning of the ballet, in which Debussy strives to rejuvenate and revitalize Western music by referring to the so-called spontaneity of both childhood and foreign traditions, for the sake of recovered authenticity.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"32 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139596014","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Original, Fake, or a Little of Both? On the Question of the Authenticity of a Pandurina by Giovanni Smorsone 原作、赝品，还是两者皆有？关于乔瓦尼-斯莫尔松的潘杜丽娜的真伪问题
De Musica Disserenda Pub Date : 2024-01-25 DOI: 10.3986/dmd19.2.05
Heidi Von Rüden
{"title":"Original, Fake, or a Little of Both? On the Question of the Authenticity of a Pandurina by Giovanni Smorsone","authors":"Heidi Von Rüden","doi":"10.3986/dmd19.2.05","DOIUrl":"https://doi.org/10.3986/dmd19.2.05","url":null,"abstract":"The Museum collection of the Staatliches Institut für Musikforschung in Berlin houses a pandurina built by Giovanni Smorsone. However, this instrument came to the museum from within the circle of a violin forger. Investigations have proved that it is not a forgery. Nevertheless, alterations were found that do not match the original state of the instrument.","PeriodicalId":38033,"journal":{"name":"De Musica Disserenda","volume":"9 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-01-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139597637","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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