A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2024-01-25 DOI:10.3986/dmd19.2.04

Florence Gétreau

引用次数: 0

Abstract

Some twenty ivory stringed instruments preserved in three main collections and corresponding to an instrumentarium in use at the end of the Middle Ages and the beginning of the Renaissance form a very homogeneous group. These instruments seem to have been made by the same workshop at the very end of the nineteenth century. Are they attempts of reconstruction or counterfeits?

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十九世纪意大利新中世纪晚期和文艺复兴时期象牙乐器工作室

保存在三个主要藏品中的二十多件象牙弦乐器，与中世纪末期和文艺复兴初期使用的乐器库相对应，构成了一个非常单一的群体。这些乐器似乎是同一个作坊在十九世纪末制作的。它们是重建的尝试还是赝品？

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

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0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.