斯特罗巴赫综合症弗朗索瓦-约瑟夫-费蒂斯、历史赝品与早期音乐复兴

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2024-01-25 DOI:10.3986/dmd19.2.01

Peter Holman

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引用次数: 0

摘要

弗朗索瓦-约瑟夫-费蒂斯（François-Joseph Fétis）在其《历史音乐会》中收录的一些乐曲现在被认为是 "历史赝品"，这些乐曲是他自己创作的，却被认为是埃米利奥-德-卡瓦列里（Emilio de' Cavalieri）、海因里希-舒兹（Heinrich Schütz）、亚历山德罗-斯特拉德拉（Alessandro Stradella）等人的作品。他甚至在《世界音乐家传记》中恶搞地记载了他编造的作曲家让-斯特罗巴赫（Jean Strobach）。本文追溯了从费蒂斯到温弗里德-米歇尔的历史音乐赝品的历史，认为这些赝品之所以被发现，是因为它们像其他文物一样会过时。

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The Strobach Syndrome: François-Joseph Fétis, Historical Fakes and the Early Music Revival

Some pieces included by François-Joseph Fétis in his concerts historiques are now known to be “historical fakes”, which he composed himself and attributed to Emilio de’ Cavalieri, Heinrich Schütz, Alessandro Stradella and others. He even provided a spoof entry for his invented composer Jean Strobach in his Biographie universelle des musiciens. This paper traces the history of historical musical fakes from Fétis to Winfried Michel, arguing that they are uncovered because they go out of date like other cultural artefacts.

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

自引率

0.00%

发文量

期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.