Original, Fake, or a Little of Both? On the Question of the Authenticity of a Pandurina by Giovanni Smorsone

Q4 Arts and Humanities

De Musica Disserenda Pub Date : 2024-01-25 DOI:10.3986/dmd19.2.05

Heidi Von Rüden

引用次数: 0

Abstract

The Museum collection of the Staatliches Institut für Musikforschung in Berlin houses a pandurina built by Giovanni Smorsone. However, this instrument came to the museum from within the circle of a violin forger. Investigations have proved that it is not a forgery. Nevertheless, alterations were found that do not match the original state of the instrument.

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原作、赝品，还是两者皆有？关于乔瓦尼-斯莫尔松的潘杜丽娜的真伪问题

柏林国立音乐研究所博物馆收藏了一把由乔瓦尼-斯莫松（Giovanni Smorsone）制作的潘杜里纳琴。然而，这把琴是从一个小提琴伪造者的圈子里来到博物馆的。调查证明它并非伪造。尽管如此，还是发现了一些与乐器原貌不符的改动。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

De Musica Disserenda Arts and Humanities-Music

CiteScore

0.30

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0.00%

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期刊介绍： De musica disserenda is an international journal of musical scholarship. It is published by the Institute of Musicology ZRC SAZU (Scientific Research Centre of the Slovenian Academy of Sciences and Arts) at the ZRC Publishing (Založba ZRC). The journal is publishing musicological as well as interdisciplinary articles regarding music, with a special attention given to the texts on history of music on the territory of today’s Slovenia in wider European context. Individual issues of the journal with various dissertations are published twice a year, while thematic double issues are published at the end an individual year. The articles are published in Slovenian, English, German, French or Italian languages, with keywords and abstracts in English and Slovenian. A longer summary in Slovenian or English is given at the end of each article.