Proceedings of the 17th International Audio Mostly Conference最新文献

Schrödinger’s box: an artifact to study the limits of plausibility in auditory augmentations Schrödinger的盒子:一个人工制品，用于研究听觉增强的合理性限制

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561222

Marian Weger, Iason Svoronos-Kanavas, Robert Höldrich

{"title":"Schrödinger’s box: an artifact to study the limits of plausibility in auditory augmentations","authors":"Marian Weger, Iason Svoronos-Kanavas, Robert Höldrich","doi":"10.1145/3561212.3561222","DOIUrl":"https://doi.org/10.1145/3561212.3561222","url":null,"abstract":"For every physical interaction with our environment, we have some expectations concerning the resulting sound. As these expectations are quite rough, the auditory feedback can be modulated to convey additional information, without restricting the object’s original purpose. Such auditory augmentation is calm and unobtrusive as long it stays plausible with respect to the performed action. The plausibility range defines a hard limit for the information capacity of the auditory display. In order to maximize the information capacity of auditory augmentations, an estimate of the plausibility range of augmented auditory feedback is required. Here we present Schrödinger’s box, a mobile hardware- and software-platform that is designed for exploring the limits of plausibility of auditory feedback for unknown sounding objects. It renders augmented auditory feedback for its one and only affordance: striking it with a mallet. While hiding all electronics from the users, it meets the extreme requirements of latency that are necessary so that the original auditory feedback is effectively masked by the synthetic auditory feedback. With Schrödinger’s box, we now have a valuable research tool, not only for optimizing auditory augmentations, but also for investigating the plausibility of auditory feedback in general.","PeriodicalId":379319,"journal":{"name":"Proceedings of the 17th International Audio Mostly Conference","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114711559","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Comparing Musicians and Non-musicians’ Expectations in Music and Vision 比较音乐家和非音乐家对音乐和视觉的期望

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561251

Kat R. Agres, Ting Yuan Tay, M. Pearce

{"title":"Comparing Musicians and Non-musicians’ Expectations in Music and Vision","authors":"Kat R. Agres, Ting Yuan Tay, M. Pearce","doi":"10.1145/3561212.3561251","DOIUrl":"https://doi.org/10.1145/3561212.3561251","url":null,"abstract":"The role of expectation in music has been of research interest for decades. Expectation mechanisms have also received considerable attention in vision, due in part to the widespread interest in predictive coding. Past research has uncovered different types of expectations that may be formed when exposed to a sequential stimulus, such as schematic expectation (based on general knowledge) and dynamic expectation (based on properties within the current stimulus). Yet to our knowledge, a direct comparison of the relative contribution of these types of expectation has not been performed within the same subjects through careful manipulation of stimuli, nor has this comparison been made across the musical and visual domains. This listener study aims to uncover the relative influence of dynamic and schematic expectations in musical and visual stimuli, and investigate the role of expertise in forming expectations by testing both musicians and non-musicians. Our findings suggest that musicians are indeed more sensitive than non-musicians to the dynamic and schematic properties of musical stimuli, and they generally produce a wider range of expectedness ratings than non-musicians. Interestingly, musicians also interpret schematic information in the visual condition differently than non-musicians, suggesting that musical training may have influenced their expectation mechanisms more generally.","PeriodicalId":379319,"journal":{"name":"Proceedings of the 17th International Audio Mostly Conference","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125623553","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

In Pursuit of Measuring Pre-reflective Music Listening Experiences 在追求测量前反思音乐聆听体验

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561220

Kai Tuuri, Oskari Koskela, Jukka Vahlo

{"title":"In Pursuit of Measuring Pre-reflective Music Listening Experiences","authors":"Kai Tuuri, Oskari Koskela, Jukka Vahlo","doi":"10.1145/3561212.3561220","DOIUrl":"https://doi.org/10.1145/3561212.3561220","url":null,"abstract":"While the diverse effects and uses of music and sound have been extensively documented within music psychology, relatively little attention has been paid to the process and experience of listening itself. Previous literature have, however, considered different ways of attending to sounds via the concept of listening modes, which highlights the different ways and strategies through which listeners intentionally orientate themselves to the activity of listening and creating the experiential meaning of the sound. In this paper, we continue on these lines by focusing on the very basic attentional dispositions for listening that often remain unconscious. As opposed to more deliberate and intentional listening strategies, this pre-reflective domain of listening is characterised by its receptive quality, that is, being attuned to sound in a pre-conceptual and pre-cognitive manner without cognitive appraisal of its meaning. Based on previous theoretisations and following ideas from embodied and enactive cognition, we re-conceptualise pre-reflective listening through five modes of listening. Moreover, in order to bring these theoretical considerations into dialogue with empirical research we also operationalise the suggested listening modes into prototyped survey items and discuss methodological issues with the aim of building a groundwork for developing psychometric measures of pre-reflective music listening experiences.","PeriodicalId":379319,"journal":{"name":"Proceedings of the 17th International Audio Mostly Conference","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130799560","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

ImproScales: a self-tutoring web system for using scales in improvisations ImproScales:一个在即兴创作中使用音阶的自学网络系统

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561229

Thomas Borgogno, L. Turchet

{"title":"ImproScales: a self-tutoring web system for using scales in improvisations","authors":"Thomas Borgogno, L. Turchet","doi":"10.1145/3561212.3561229","DOIUrl":"https://doi.org/10.1145/3561212.3561229","url":null,"abstract":"This paper describes ImproScales, a Web Audio application devised to support musicians in the process of learning to use scales during improvisation. The web application detects in real-time the notes played by an individual instrument and assesses whether they belong to the scale, and as a result provides statistics about the number of errors made. Two use cases were implemented following a design process conducted with interviews with musicians: scale practicing with the sole instrument and scale practicing with accompanying music retrieved from YouTube. The first use case is primarily intended for those musicians who do not know well the musical scales and want to learn them properly, or for those who want to practice without a backing track, while the second is meant for people who already know the scales and want to improvise over a song or instrumental music. We report the results of a user study conducted with twelve intermediate musicians. Overall, results show that the application was deemed effectively capable of enhancing musicians’ improvisation skills. A critical reflection on the results achieved is reported along with the analysis of weaknesses and limits of the web application, as well as some proposals for future developments are provided.","PeriodicalId":379319,"journal":{"name":"Proceedings of the 17th International Audio Mostly Conference","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130031073","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

A cross-modal UX design pedagogy for industrial design 工业设计的跨模态UX设计教学法

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561241

Lucas Temor, Zainab Husain, P. Coppin

引用次数: 0

Contextual and Informational Aspects of Sound Zone Visualisations 声区可视化的语境和信息方面

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561240

Stine S. Johansen, R. M. Jacobsen, M. Skov, J. Kjeldskov

引用次数: 3

An Illustrative Design Case of Systemic Sonification 一个系统声化的说明性设计案例

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561224

Mariana Seiça, Licínio Roque, Pedro Martins, F. A. Cardoso

引用次数: 2

Manipulating Foley Footsteps and Character Realism to Influence Audience Perceptions of a 3D Animated Walk Cycle 操纵福利的脚步和人物现实主义，以影响观众对3D动画步行周期的看法

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561221

Stuart Cunningham, I. Mcgregor

引用次数: 0

Graphic-to-Sound Sonification for Visual and Auditory Communication Design 视觉和听觉沟通设计的图形到声音超声

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561214

Woohun Joo

引用次数: 0

Sounding Obstacles for Social Distance Sonification 社交距离声音化的声音障碍

Proceedings of the 17th International Audio Mostly Conference Pub Date : 2022-09-06 DOI: 10.1145/3561212.3561239

T. Senan, B. Hengeveld, Berry Eggen

{"title":"Sounding Obstacles for Social Distance Sonification","authors":"T. Senan, B. Hengeveld, Berry Eggen","doi":"10.1145/3561212.3561239","DOIUrl":"https://doi.org/10.1145/3561212.3561239","url":null,"abstract":"This article reports the results of an experiment (N = 10) that employs continuous auditory feedback to influence participants’ routing choices while walking between two points by sonifying their interactions with invisible obstacles. A relative distance parameter, proximity, is defined and mapped simultaneously to perceived loudness and amplitude modulation frequencies of sine tones. The proximity parameter is divided into three sections: slow modulation, border zone, and fast modulation. The slow and fast modulation sections generate a monotonic relationship between proximity values and the resulting psychoacoustic parameters: fluctuation strength and roughness. A social distance sonification case study in a laboratory experiment evaluated the effectiveness of the generated hearing sensations and explored participants’ experiences through a semi-structured interview. The quantitative results show that the non-spatial, psychoacoustically-inspired sonification mappings successfully influenced participants’ routing choices during the experiental task of walking. On the other hand, the semi-structured interview revealed that participants ascribed a pleasantness/annoyance attribute to presented sounds, which was not intended.","PeriodicalId":379319,"journal":{"name":"Proceedings of the 17th International Audio Mostly Conference","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-09-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115680562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2