发布求助
文献互助 智能选刊 最新文献

Journal of Japanese and Korean Cinema最新文献

筛选
英文 中文
Rescuing film culture from the nation: Japanese cinema in South Korean cultural journalism of the 1980s and 1990s 从民族中拯救电影文化：20 世纪 80 年代和 90 年代韩国文化新闻中的日本电影
Journal of Japanese and Korean Cinema Pub Date : 2024-04-15 DOI: 10.1080/17564905.2024.2338959
Namhee Han
{"title":"Rescuing film culture from the nation: Japanese cinema in South Korean cultural journalism of the 1980s and 1990s","authors":"Namhee Han","doi":"10.1080/17564905.2024.2338959","DOIUrl":"https://doi.org/10.1080/17564905.2024.2338959","url":null,"abstract":"","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"87 10","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140702777","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
‘Say my name’: Slam Dunk , the importation of manga in South Korea, and post-crisis nostalgia in East Asia 说出我的名字灌篮高手》、韩国漫画进口和东亚危机后的怀旧情绪
Journal of Japanese and Korean Cinema Pub Date : 2024-04-10 DOI: 10.1080/17564905.2024.2338589
Se Young Kim
{"title":"‘Say my name’:\u0000 Slam Dunk\u0000 , the importation of manga in South Korea, and post-crisis nostalgia in East Asia","authors":"Se Young Kim","doi":"10.1080/17564905.2024.2338589","DOIUrl":"https://doi.org/10.1080/17564905.2024.2338589","url":null,"abstract":"","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"78 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140720142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Still chasing reconciliation: the 2002 Japan–Korea co-productions of the television drama Friends and the opera Chun Hiang 仍在追逐和解：2002 年日韩合拍的电视剧《朋友》和歌剧《春香》
Journal of Japanese and Korean Cinema Pub Date : 2024-04-10 DOI: 10.1080/17564905.2024.2338590
Eun Young Seong
{"title":"Still chasing reconciliation: the 2002 Japan–Korea co-productions of the television drama\u0000 Friends\u0000 and the opera\u0000 Chun Hiang","authors":"Eun Young Seong","doi":"10.1080/17564905.2024.2338590","DOIUrl":"https://doi.org/10.1080/17564905.2024.2338590","url":null,"abstract":"","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"1987 6","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-04-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140719222","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Real pigs and fake humans: rethinking realism in Yeon Sang-ho’s ‘The King of Pigs’ and ‘The Fake’ 真猪与假人:延相昊《猪之王》与《假》中的现实主义再思考
Journal of Japanese and Korean Cinema Pub Date : 2023-09-07 DOI: 10.1080/17564905.2023.2254662
Kyu Hyun Kim
{"title":"Real pigs and fake humans: rethinking realism in Yeon Sang-ho’s ‘The King of Pigs’ and ‘The Fake’","authors":"Kyu Hyun Kim","doi":"10.1080/17564905.2023.2254662","DOIUrl":"https://doi.org/10.1080/17564905.2023.2254662","url":null,"abstract":"ABSTRACT\u0000 This essay examines the two best known animated features directed by Yeon Sang-ho (1978-), The King of Pigs (2011) and The Fake (2013). Rather than characterizing these controversial and critically lauded animated features primarily as critical texts aimed at South Korean educational and religious institutions and practices, this essay brings his films in dialogue with the theories of animation developed by Imamura Tahei (1911–1986) as mediated through the historical analyses of Otsuka Eiji. By doing so, it attempts to illustrate the way Yeon's animated films draw upon the allegedly ‘limited’ palette and stylistics of animation to arrive at articulations of ‘realism of the body’ that resist ideological and social realist interpretations.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48520181","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
A journey through the ‘Hosoda sphere’: digital worlds in Mamoru Hosoda’s animation “细田领域”之旅：细田茂动画中的数字世界
Journal of Japanese and Korean Cinema Pub Date : 2023-09-05 DOI: 10.1080/17564905.2023.2254668
Mihaela Mihailova
{"title":"A journey through the ‘Hosoda sphere’: digital worlds in Mamoru Hosoda’s animation","authors":"Mihaela Mihailova","doi":"10.1080/17564905.2023.2254668","DOIUrl":"https://doi.org/10.1080/17564905.2023.2254668","url":null,"abstract":"ABSTRACT Anime director Mamoru Hosoda’s focus on digital technology, social networks, and the power of online communities is a recurring thematic and visual motif in many of his works, beginning with the forty-minute film Digimon Adventure: Our War Game! (2000), continuing with Summer Wars (2009), and recently resurfacing in Belle (2021). This article traces the aesthetic evolution of Hosoda’s virtual spaces over the past two decades, unpacking the technological, ideological, and stylistic underpinnings and implications of the shift from Digimon’s relative lack of visual sophistication to the sleek speculative architecture of Belle. It puts these digital worlds in conversation with the contemporary digital culture discourses they reflect, examining Hosoda’s sustained engagement with broader societal attitudes towards digital technologies, particularly the internet and social media. At the same time, my analysis focuses on the director’s increasing reliance on digital animation, investigating the relationship between his films’ computer-generated worlds and the animation processes enabling their creation.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45285487","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Japanese trendy dramas: new imaginaries of Japanese women in Tokyo Love Story 日本潮流剧:《东京爱情故事》中日本女性的新想象
Journal of Japanese and Korean Cinema Pub Date : 2023-09-03 DOI: 10.1080/17564905.2023.2253419
Minerva Terrades
{"title":"Japanese trendy dramas: new imaginaries of Japanese women in Tokyo Love Story","authors":"Minerva Terrades","doi":"10.1080/17564905.2023.2253419","DOIUrl":"https://doi.org/10.1080/17564905.2023.2253419","url":null,"abstract":"ABSTRACT During the bubble era (1986–1991) Japanese television dramas attained their golden age, brought about by the innovative narrative formula of ‘trendy dramas’ – love stories that displayed a trend towards urban, consumer-oriented, glamorous lifestyles [Lukács, Gabriella. 2010. Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan. Durham: Duke University Press]. Drawing from media anthropology, cultural studies, and gender studies, this paper explores the ways in which trendy drama discourses redefined the politics of Japanese women’s identity and to what extent they reproduced patriarchal views towards women’s selfhood. Through an ethnographic study of one of the most popular trendy dramas, Tokyo Love Story (TLS) [1991. Produced by Ōta Tōru, featuring Suzuki Honami, Oda Yūji, Arimori Narimi, and Eguchi Yōsuke, aired January 7, 1991, on Fuji TV], involving qualitative questionnaires, and analysis of newspaper articles, I will argue that TLS not only contributed to the redefinition of the modern and urban woman, but was also a pioneer in reinventing Japanese womanhood for the future generations.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41508158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The resurgent right: the secret of Japan’s twenty-first century cinematic success 复兴的右翼:日本21世纪电影成功的秘密
Journal of Japanese and Korean Cinema Pub Date : 2023-09-03 DOI: 10.1080/17564905.2023.2253420
Sean O’Reilly
{"title":"The resurgent right: the secret of Japan’s twenty-first century cinematic success","authors":"Sean O’Reilly","doi":"10.1080/17564905.2023.2253420","DOIUrl":"https://doi.org/10.1080/17564905.2023.2253420","url":null,"abstract":"ABSTRACT For the last seventeen years in a row, domestic Japanese cinema has trounced imported Hollywood fare at the box office. Anime-related films are one source of Japanese cinema’s strength, but there is another key factor: revisionist, right-wing historical films. A new extremist ‘mainstream’ has emerged, one in which Japan’s present and future seem increasingly unsatisfying, her past ever more appealing. This article examines several recent Japanese blockbusters and their production contexts. In both the ‘rosy past’ type and the ‘bleak future’ type of rightist film which these industrial conditions have produced, the message is essentially the same: things were better before, and only by spiritually returning to the past can Japan be made great again. If audiences continue to endorse this extremist right-wing vision of the once and future Japan, another generation of young, impressionable viewers might conclude that Japan’s only way forward is to retreat deeper into the beautified past.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-09-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48837017","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Trauma and sensation: a study of the youth icon in All About Lily Chou-Chou (2001) 创伤与感觉：《关于莉莉周的一切》（2001 年）中的青年偶像研究
Journal of Japanese and Korean Cinema Pub Date : 2023-07-03 DOI: 10.1080/17564905.2023.2268993
Wai-fung So
{"title":"Trauma and sensation: a study of the youth icon in All About Lily Chou-Chou (2001)","authors":"Wai-fung So","doi":"10.1080/17564905.2023.2268993","DOIUrl":"https://doi.org/10.1080/17564905.2023.2268993","url":null,"abstract":"ABSTRACT Through an analysis of All About Lily Chou-Chou (2001), this paper adopts the contemporary paradigm of cinematic affect in the study of contemporary Japanese cinema. Contextualizing the film within the rise of the Japanese New Independent in the 1990s, it argues that contemporary Japanese cinema exists as an assemblage of auteurist works that revisit Japanese culture and identities with cinematic iconography. This paper combines a historical profile of film director Iwai Shunji and a critical review of the Deleuzian-influenced paradigm of cinematic affect from which it theorizes an ‘affective icon’ for the appreciation of Iwai’s film, embodied with the traumatic expression of the youth icon.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"2016 1","pages":"157 - 170"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139364305","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ozu, Tokyo Story, Chasing Ozu 小津、东京物语、追寻小津
Journal of Japanese and Korean Cinema Pub Date : 2023-07-03 DOI: 10.1080/17564905.2023.2268995
Woojeong Joo
{"title":"Ozu, Tokyo Story, Chasing Ozu","authors":"Woojeong Joo","doi":"10.1080/17564905.2023.2268995","DOIUrl":"https://doi.org/10.1080/17564905.2023.2268995","url":null,"abstract":"","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"106 1","pages":"171 - 175"},"PeriodicalIF":0.0,"publicationDate":"2023-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139363980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Crossing thresholds: women directors making a home in Japanese cinema 跨越门槛:女导演在日本电影界安家
Journal of Japanese and Korean Cinema Pub Date : 2023-01-02 DOI: 10.1080/17564905.2023.2204797
Colleen A. Laird
{"title":"Crossing thresholds: women directors making a home in Japanese cinema","authors":"Colleen A. Laird","doi":"10.1080/17564905.2023.2204797","DOIUrl":"https://doi.org/10.1080/17564905.2023.2204797","url":null,"abstract":"ABSTRACT Within many of the works of contemporary Japanese women commercial filmmakers, we see a new vision of home, home spaces, and the act of home making. These depictions diverge from cinematic spaces of and metaphors about the home found in the works of previous directors. While ‘home’ on screen has been shaped throughout Japanese cinema history by dominant gendered narratives that imagine family and the physical house itself as an ideological extension of the state, contemporary Japanese women directors reimagine home as not a physical structure or ‘traditional’ family, but as a matter of repetitive habit expressed through visual and narrative motifs. This creates a sense of ‘at-homeness’ in their films that resonates with how a contemporaneous generation of young people in Japan have also found new definitions of and feelings about home. This article traces both the depiction of home in Japanese cinema and the dominant definitions of ‘home’ in Japanese public discourse from the early 1920s to the early 2000s, before offering a close analysis of two case studies – directors Tanada Yuki and Ogigami Naoko – to show how members of this new generation find an expression of home through the formal craft of cinema itself.","PeriodicalId":37898,"journal":{"name":"Journal of Japanese and Korean Cinema","volume":"302 12","pages":"37 - 54"},"PeriodicalIF":0.0,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41258451","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信