真猪与假人:延相昊《猪之王》与《假》中的现实主义再思考

Journal of Japanese and Korean Cinema Pub Date : 2023-09-07 DOI:10.1080/17564905.2023.2254662

Kyu Hyun Kim

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Real pigs and fake humans: rethinking realism in Yeon Sang-ho’s ‘The King of Pigs’ and ‘The Fake’

ABSTRACT This essay examines the two best known animated features directed by Yeon Sang-ho (1978-), The King of Pigs (2011) and The Fake (2013). Rather than characterizing these controversial and critically lauded animated features primarily as critical texts aimed at South Korean educational and religious institutions and practices, this essay brings his films in dialogue with the theories of animation developed by Imamura Tahei (1911–1986) as mediated through the historical analyses of Otsuka Eiji. By doing so, it attempts to illustrate the way Yeon's animated films draw upon the allegedly ‘limited’ palette and stylistics of animation to arrive at articulations of ‘realism of the body’ that resist ideological and social realist interpretations.

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来源期刊

Journal of Japanese and Korean Cinema Arts and Humanities-Visual Arts and Performing Arts

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0.60

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期刊介绍： Journal of Japanese and Korean Cinema is a fully refereed forum for the dissemination of scholarly work devoted to the cinemas of Japan and Korea and the interactions and relations between them. The increasingly transnational status of Japanese and Korean cinema underlines the need to deepen our understanding of this ever more globalized film-making region. Journal of Japanese and Korean Cinema is a peer-reviewed journal. The peer review process is double blind. Detailed Instructions for Authors can be found here.