Trauma and sensation: a study of the youth icon in All About Lily Chou-Chou (2001)

Journal of Japanese and Korean Cinema Pub Date : 2023-07-03 DOI:10.1080/17564905.2023.2268993

Wai-fung So

引用次数: 0

Abstract

ABSTRACT Through an analysis of All About Lily Chou-Chou (2001), this paper adopts the contemporary paradigm of cinematic affect in the study of contemporary Japanese cinema. Contextualizing the film within the rise of the Japanese New Independent in the 1990s, it argues that contemporary Japanese cinema exists as an assemblage of auteurist works that revisit Japanese culture and identities with cinematic iconography. This paper combines a historical profile of film director Iwai Shunji and a critical review of the Deleuzian-influenced paradigm of cinematic affect from which it theorizes an ‘affective icon’ for the appreciation of Iwai’s film, embodied with the traumatic expression of the youth icon.

查看原文本刊更多论文

创伤与感觉：《关于莉莉周的一切》（2001 年）中的青年偶像研究

ABSTRACT 本文通过对《关于莉莉周的一切》（2001 年）的分析，在当代日本电影研究中采用了当代电影情感范式。本文将该片置于 20 世纪 90 年代日本新独立电影崛起的背景之下，认为当代日本电影是以电影符号重新审视日本文化和身份的自制派作品的集合体。本文结合了对电影导演岩井俊二的历史介绍和对受德勒兹影响的电影情感范式的批判性评论，从中提出了欣赏岩井电影的 "情感图标 "理论，体现了青年图标的创伤性表达。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

求助全文

约1分钟内获得全文求助全文

来源期刊

Journal of Japanese and Korean Cinema Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.60

自引率

0.00%

发文量

期刊介绍： Journal of Japanese and Korean Cinema is a fully refereed forum for the dissemination of scholarly work devoted to the cinemas of Japan and Korea and the interactions and relations between them. The increasingly transnational status of Japanese and Korean cinema underlines the need to deepen our understanding of this ever more globalized film-making region. Journal of Japanese and Korean Cinema is a peer-reviewed journal. The peer review process is double blind. Detailed Instructions for Authors can be found here.