Incest in contemporary literature最新文献

‘[T]he thing that makes us different from other people’:1 Narrating incest through ‘différance’ in the work of Angela Carter, A.S. Byatt and Doris Lessing “使我们与其他人不同的东西”:安吉拉·卡特、A.S.拜厄特和多丽丝·莱辛的作品中通过“差异”来叙述乱伦

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0012

Emma V. Miller, Miles Leeson

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Is posthuman incest possible? Science fiction and the futures of the body 后人类乱伦可能吗?科幻小说和身体的未来

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0010

Alistair Brown

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‘[B]orn to make a real life, however it cracks your heart’:1 Creative women and daydreaming in Margo Lanagan’s Tender Morsels (2008) “无论它如何让你心碎，都要努力创造真实的生活”:玛戈·拉纳根《温柔的碎片》(2008)中富有创造力的女性和白日梦

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0007

Emma V. Miller

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Appropriate or anathema? The representation of incest in children’s literature 合适还是诅咒?乱伦在儿童文学中的表现

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0006

A. Mills

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The desire for power and the power of desire: The case of Pier Paolo Pasolini 对权力的渴望和欲望的力量:皮埃尔·保罗·帕索里尼的案例

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0008

Michael J. Mack

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Assuming a ‘manly position’:1 The crisis of masculinity in Ian McEwan’s early fiction 1伊恩·麦克尤恩早期小说中的男子气概危机

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/MANCHESTER/9781526122162.003.0003

Justine Gieni

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Avuncular ambiguity: Ethical virtue in Iris Murdoch’s The Black Prince (1973 and Simone de Beauvoir’s The Mandarins (1954) 叔叔式的模棱两可:艾里斯·默多克《黑王子》(1973)和西蒙娜·德·波伏娃《国语》(1954)中的道德美德

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/MANCHESTER/9781526122162.003.0013

Miles Leeson

{"title":"Avuncular ambiguity: Ethical virtue in Iris Murdoch’s The Black Prince (1973 and Simone de Beauvoir’s The Mandarins (1954)","authors":"Miles Leeson","doi":"10.7228/MANCHESTER/9781526122162.003.0013","DOIUrl":"https://doi.org/10.7228/MANCHESTER/9781526122162.003.0013","url":null,"abstract":"This chapter will be twofold. Firstly an examination of the narrative place of incest within both Murdoch’s and de Beauvoir’s work and questioning the role of the ephebophilic attitudes of the central male characters to the younger, less experienced Julian Baffin (The Black Prince, 1973) and Nadine Dubreuilh (The Mandarins, 1954). Both of these texts are informed by philosophical idea of the virtuous and it seems clear that Murdoch takes much from de Beauvoir’s earlier novel. The structure of Murdoch’s work is far more relaxed and this is clearly seen in the style that Murdoch presents us with the sexual relations of the characters whereas de Beauvoir’s work aims to bring the reader to a better understanding of the underlying existentialist position. Is love debased by both Murdoch and de Beauvoir via the taboo of incest to heighten the eventual outcomes of the respective novels or does it form a signifying position that point us toward a new moral reality that developed after the Second World War? Little work has been produced relating these two authors to the other and a reassessment of their work is both timely and necessary.","PeriodicalId":376240,"journal":{"name":"Incest in contemporary literature","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121316360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Text, image, audience: Adaptation and reception of Andrea Newman’s A Bouquet of Barbed Wire (1969) 文本、图像、观众:安德里亚·纽曼《一束铁丝网》(1969)的改编与接受

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0002

Frances Pheasant-Kelly

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‘Waking in the dark’:1 Remembering incest in A Thousand Acres (1991), Exposure (1993) and Beautiful Kate (2009) 《在黑暗中醒来》:《回忆千亩》(1991)、《曝光》(1993)和《美丽的凯特》(2009)中的乱伦

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0004

Rebecca White

{"title":"‘Waking in the dark’:1 Remembering incest in A Thousand Acres (1991), Exposure (1993) and Beautiful Kate (2009)","authors":"Rebecca White","doi":"10.7228/manchester/9781526122162.003.0004","DOIUrl":"https://doi.org/10.7228/manchester/9781526122162.003.0004","url":null,"abstract":"During the 1990s, such inherent difficulties in recalling and expressing abuse were heightened by the so-called ‘Memory Wars’, as the Recovered Memory Movement (which advocated the validity of women’s rediscovered recollections of trauma) conflicted with the theories of the False Memory Syndrome Foundation (which maintained the tendency for (misguided) therapists to implant experiences in their (generally female) patients’ minds). Working within this often volatile critical context, Jane Smiley’s A Thousand Acres (1991) and Kathryn Harrison’s Exposure (1993), together with Rachel Ward’s film version of Newton Thornburg’s Beautiful Kate (2009), embody the tense interplay between the ‘real’ and the reconstructed that characterises debates about incest and memory. All three texts engage with the ambiguities associated with recounting incest, not least through their status as fictions-as fabrications. Recalling and reworking the very notion of False Memory Syndrome, Smiley and Harrison reclaim and rewrite male-authored stories, implanting them with the perspectives of subjugated daughters. However, over a decade later, Rachel Ward’s Beautiful Kate presents something of a turning point, as this critically-acclaimed film marries explicitness and artistry, and, in doing so, confronts openly the memory of incest.","PeriodicalId":376240,"journal":{"name":"Incest in contemporary literature","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124027924","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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‘Is’t not a kind of incest?’1 Metaphor and relation in the poetry of Ted Hughes and Sylvia Plath “这不是一种乱伦吗?”1泰德·休斯和西尔维娅·普拉斯诗歌中的隐喻与关系

Incest in contemporary literature Pub Date : 2018-10-01 DOI: 10.7228/manchester/9781526122162.003.0011

Charles Mundye

{"title":"‘Is’t not a kind of incest?’1 Metaphor and relation in the poetry of Ted Hughes and Sylvia Plath","authors":"Charles Mundye","doi":"10.7228/manchester/9781526122162.003.0011","DOIUrl":"https://doi.org/10.7228/manchester/9781526122162.003.0011","url":null,"abstract":"In his selections for Tales from Ovid (1995) Hughes includes several incest narratives: ‘Myrrha’, ‘Venus and Adonis (and Atalanta)’, ‘Pygmalion’, and ‘Tereus’. In arguing that they, in addition to other ‘late’ Hughes poems, develop dialogic relationships with Plath’s earlier texts, the chapter builds upon Lynda K. Bundtzen’s observation that Hughes’s Birthday Letters (1998) is centrally informed by Ovid’s tale of Orpheus and Eurydice. Analysing the self reflexiveness of aspects of Ovidian narrative, Philip Hardie has commented upon the ‘narcissistic and incestuous relationship between author and his book.’ The complexities that Hardie outlines in Ovid’s relationship with text are extended in the chaoter to consider the relationships of the two poets, Plath and Hughes, with their own and each other’s texts. In the process of pursuing this idea across key poems by Plath and Hughes, the chapter further explores ways in which Ovidian mythology is transformed not only through translation but also through its proper and improper relation with other mythologisations and metaphorisations. These range from the Garden of Eden, and different versions of the Underworld, and return us to Shakespeare.","PeriodicalId":376240,"journal":{"name":"Incest in contemporary literature","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123332776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0