合适还是诅咒?乱伦在儿童文学中的表现

A. Mills
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引用次数: 0

摘要

本章提请注意乱伦在儿童文学中的极端不可言说性和文本的罕见,无论是字面上还是象征性地处理这个话题。本文从蓝胡子童话的角度分析了克鲁和斯科特的绘本《在我父亲的房间里》(2000),并密切关注了观看和被观看的方式。这本令人不安的书(作为儿童读物销售)扮演了一位父亲对女儿的爱,表现在他秘密的故事写作中,与蓝胡子的秘密、多个性伴侣和谋杀的故事形成鲜明对比。战后,儿童文学中不可言说的界限发生了显著变化,尤其是针对年轻成人读者的问题小说;但是,面向年轻读者的绘本故事书仍然几乎一致地致力于描绘有母亲、父亲和孩子的充满爱的核心家庭,在那里,童年的淘气是可能遇到的最大的邪恶;父亲的乱伦行为几乎不被提及,母亲的乱伦行为更是不可想象。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Appropriate or anathema? The representation of incest in children’s literature
The chapter draws attention to the extreme unspeakability of incest in children’s literature and the rarity of texts either literally or symbolically dealing with the topic. It analyses Crew and Scott’s picture story book, In My Father’s Room (2000), in terms of the Bluebeard fairy tale, with close attention to ways of seeing and being seen. This disturbing text (marketed as a book for young children) plays a father’s love for his daughter, manifested in his secret story-writing, against the Bluebeard story of secrecy, multiple sexual partners and murder. The boundaries of the unspeakable in literature for children have changed markedly in the post-war era, particularly in terms of problem novels for a young adult readership; but picture story books for younger readers remain almost uniformly committed to a depiction of the loving nuclear family with mother, father and child or children, where childhood naughtiness is the worst evil that can be encountered; incestuous behaviours by a father are barely mentionable and the incestuous mother unthinkable.
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