“这不是一种乱伦吗?”1泰德·休斯和西尔维娅·普拉斯诗歌中的隐喻与关系

Charles Mundye
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引用次数: 0

摘要

在他的选集《奥维德故事集》(1995)中,休斯收录了几个关于乱伦的故事:《默尔哈》、《维纳斯和阿多尼斯(以及亚特兰大)》、《皮格马利翁》和《泰诺斯》。除了休斯的其他“晚期”诗歌外,这些诗歌还与普拉斯的早期作品发展了对话关系,本章建立在琳达·k·邦岑的观察基础上,即休斯的《生日书信》(1998)主要是由奥维德的俄耳甫斯和欧律狄刻的故事所传达的。菲利普·哈迪分析了奥维德叙事的自我反身性,评论了作者和他的书之间的“自恋和乱伦关系”。哈迪在奥维德与文本的关系中勾勒出的复杂性在混乱中得到扩展,以考虑普拉斯和休斯这两位诗人与他们自己和彼此的文本的关系。在对普拉斯和休斯的主要诗歌进行研究的过程中,本章进一步探讨了奥维德神话不仅通过翻译,而且通过与其他神话和隐喻的适当和不适当的关系进行转换的方式。从伊甸园到不同版本的地狱,这些都让我们回到了莎士比亚。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
‘Is’t not a kind of incest?’1 Metaphor and relation in the poetry of Ted Hughes and Sylvia Plath
In his selections for Tales from Ovid (1995) Hughes includes several incest narratives: ‘Myrrha’, ‘Venus and Adonis (and Atalanta)’, ‘Pygmalion’, and ‘Tereus’. In arguing that they, in addition to other ‘late’ Hughes poems, develop dialogic relationships with Plath’s earlier texts, the chapter builds upon Lynda K. Bundtzen’s observation that Hughes’s Birthday Letters (1998) is centrally informed by Ovid’s tale of Orpheus and Eurydice. Analysing the self reflexiveness of aspects of Ovidian narrative, Philip Hardie has commented upon the ‘narcissistic and incestuous relationship between author and his book.’ The complexities that Hardie outlines in Ovid’s relationship with text are extended in the chaoter to consider the relationships of the two poets, Plath and Hughes, with their own and each other’s texts. In the process of pursuing this idea across key poems by Plath and Hughes, the chapter further explores ways in which Ovidian mythology is transformed not only through translation but also through its proper and improper relation with other mythologisations and metaphorisations. These range from the Garden of Eden, and different versions of the Underworld, and return us to Shakespeare.
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